Tbh Taking Ten (10) Seconds To Take In Viktor's Haircut/name Change And Responding With Like. Minimal

just two gay besties nothing to see here

unfortunately i DID take what you said to heart and now i’m sobbing and debating on whether i should kill you or kill myself

if i had a nickel for every time a gay show gave me a gay kiss before ruining my gay life…

id have two nickels. which isn’t alot but its FUCKING DEVASTATING THAT ITS HAPPENED TWICE

Remus Lupin

I can’t believe I went through all of Season 2 assuming Nina was the stand-in for Crowley when you actually pay attention it’s so CLEAR that she’s Aziraphale. I was tricked by her spiky, sarcastic, cynical outer shell and lulled into a false sense of security by Maggie’s bubbly optimism and wholesome goodness, because on the surface they reflect the ineffable husbands perfectly, in their personalities, their aesthetics, even many of their actions and morals. but not, and this is the real key, when it comes to their “relationship”. but those first impressions really had me damn fooled. 

I missed the blatantness of Nina’s “we’re just friends. actually we’re not friends. we barely know each other.” the same thing Aziraphale said in season 1.  the way he still struggles to quantify their friendship when Nina asks. Nina’s sarcasm when Crowley asks about rain and awnings because it worked for him (we all know it LMAO). hell, that whole convo the girls have in the rain is so AziraCrow (“I know. I’m not your type” “…You have no idea” hits so much harder the second time, help meeeee.) “Lindsay” maybe being symbolic of Heaven and Aziraphale’s toxic relationship with them and their abuse? (the handwritten text messages in red pen make me think of angry notes on paperwork, anyone else?) because Crowley has never actually cared about what Hell thinks of him, just not getting into trouble (or him or Aziraphale getting hurt). Maggie is always chasing Nina. NINA NEVER GOES IN THE RECORD STORE. Just like Crowley always goes to the bookstore, to Aziraphale, Zira NEVER WENT TO THE FLAT (apart from The Swap but that doesn’t count imo). Crowley has always chased Zira, not the other way around. Always there to rescue him, always going to him for company, always relying on their shared connection, always US. OUR SIDE. All through season one, he comes to Zira every time to work together, never trying to work alongside Hell in any way that isn’t to save their skins or Earth, while Zira hides things from Crowley because he STILL thinks Heaven is ultimately good and will do the right thing if he can just show them. fix it from the inside. 

Maggie working up the courage to finally say something, to put herself out there, while Nina is utterly oblivious and then when she does realise Maggie has feelings, becoming standoffish, putting up that barrier, fighting it, denying it, ITS SO CROWLEY AND AZIRAPHALE IN THAT ORDER. the way I was fooled into thinking Nina’s trust issues are Crowley because he does have trust issues ofc he does BUT Crowley has ALWAYS TRUSTED AZIRAPHALE. has always relied on him. has always been hurt when Aziraphale doesn’t immediately reciprocate the way he expects (the holy water request, the bandstand, the “off in the stars” etc). he’s always the one putting himself forward. Aziraphale has always been the one to second guess everything, to fight their connection, their similarities, their friendship. the girls really made me think it was going to be okay when they sat Crowley down, even as my inner sirens were going haywire about Metatron interfering, they were telling Crowley he just needs to open up and it’ll all work out BUT HE’S ALREADY AT THAT POINT. he may not say it, and by gosh is that part of their damn problem, but he’s always SHOWN IT. he’s not Nina who needs time to heal and recover from her broken trust, he’s always been Maggie believing it doesn’t matter, they’ll end up together in the end anyway AND I WALKED RIGHT INTO THE TRAP THAT THIS MEANT THEY WERE GOING TO BE OKAYYYYYYYYYYY

Asagiri Kafka’s message on Kubodera-san

twitter.com/kafkaasagiri/status/1328343093175730179

* * *

About Kubodera-san.

*

I don’t know a lot about being an actor.

The only thing I do know well is the work called Bungou Stray Dogs, which is why I thought I would talk about Kubodera-san from that aspect.

After the second performance of the stage play in Tokyo, Kubodera-san, who played Mori Ougai, told me this:

“Mori-san, he looks at his hands when he rubs them together only when he’s talking about his true feelings or his inner world.”

That hit me hard.

I will never forget those words.

To be frank, it scared me.

It felt like the character was standing up on his own, looking directly at me.

Keep reading

it’s been sooooo long, but im back! here is one of my recent romione edits.

my video. pls credit! follow me on tiktok @daisy6s

Just a few ships from the Good Omens Extended Universe

Hi Mr. Gaiman, how does it feel becoming public enemy nunber one in the good omens fandom ?

I didn't know I was. Most of the people I've heard from have been very happy about Season 2, and didn't mind feeling emotions. But if it's upset people badly enough to make me public enemy number one I suppose I could stop doing Good Omens and do something else instead.

I cant stop thinking about The Boy and the Heron.

It's horrifying. It's fantastical. It's tragic. It's beautiful. It's hopeful.

It's about grief. It's about family. It's about war. It's, "You don't have to walk the same path your ancestors did." It's "Your lived experience builds a world as deserving of your attention and care as your inner world" and "You inherited a flawed world, and you are flawed, and that is still beautiful" and "I made this beautiful thing and it's ending and that's just how it goes, but wasn't it beautiful?"

It makes me think about the worlds we make within ourselves and how they can be entrancing and wonderful even as they lead us to walk deeper into ourselves and away from those around us. It makes me think about connection, about how love can be so flawed sometimes but it is still something we need to hold onto. It asks "What if the monsters never asked to be monsters?" and "What if things can die before they're even born?"

It's about not being afraid of fire, not being afraid of endings, not being afraid of the world falling apart, of pain, of walking away, of reconciling, of finding new family and new love even as you mourn and miss what you lost.

It says, "Beautiful, wonderful things end, but afterwards, you can go home."

I'm going crazy.