Please hold while I consult the Book of Odes. I read a poem about death in there once I think. Lots of Chinese cultural shit going on in it but it was pretty cool though.
Hey, guys, I cometh with a question.
Do you guys know any poetic words, phrases, terms, etc, referring to death? Stuff that's more neutral, or melancholic, something that acknowledges death as a necessity of life and deems it almost beautiful.
It can be from any language, so long as it carries the meaning.
For complete transparency: this is for the name of a faerie character who personifies death.
They describe themself as: "the leaf that is evicted from the tree. {T}he ageing bones of a feeble grandmother. {T}he rot that gathers on a dead animal, the bugs that feed on its carcass, and the entire process of death.
"In short, I am Dying."
But uh—that'd be a temporary name for her. I'm trying to figure out his "real name" so to speak. They're someone who takes joy in their reaper-like role and finds mortality (and mortals' attempts to escape it) entertaining. They find their own domain fascinating, but clearly a cause for others' suffering.
Just not hers.
Anyone have a word/name that carries those kinda connotations? Again: it can be from any language!
(i'd appreciate a reblog for visibility)
Woohoo! I'm at two weeks of consistent progress!
I expanded Part Two to around 7,500 words today, which makes the whole thing around the 19,000 word count. I don't know what my original estimates for this thing were, but my newest estimates for how long this thing will be are between 70,000 and 100,000, since I'm probably only 20% of the way through and I'm already almost breaking 20,000. Definitely not a bad thing, it's just how the story I'm trying to tell is coming out.
Tomorrow will be national Odapir day (I decree it!) because I need to flesh the language and culture out. While there's already a substantial mass to work with, it's not ready to be translating anything, and I need translations.
That's all for now. Stay tuned!
Enjoy the show
I finally started writing my novel, Meiste, again! It’s about a rice farmer who becomes Emperor, a student at a religious boarding school searching for the secrets of spirituality, and one explosive (/literal) Princess all working together to return magical stability to their home, and fighting oppressive systems along the way.
So far, I’m 4,500 words in—there’s definitely still a long way to go. Most of my research for this so far has been about two things: rice farming and religion. (Sounds like the start to a bad dad joke!) I plan to mostly focus on the (former) rice farmer, In Iziser, since the novel is supposed to be from his point of view.
in retrospect the funniest of the reasons I was misdiagnosed as allistic (as in a guy who claimed to be a doctor specifically told my parents I'm not autistic I'm just weird) as a kid was that one of the main diagnostic things they use is seeing if you misinterpret figures of speech, and apparently they weren't prepared for the possibility of a child with a linguistics special interest giving them an infodump on the history and nuance of the idioms they're asking about
I was yapping about register (sociolinguistics) in therapy when my therapist asked if I (as an undiagnosed autistic person) use sociolinguistics to understand other people.
While I have thought about that, I'm not entirely sure that's the case? Sure, linguistics as a whole is a special interest, but where my interest really lies in the whole thing is historical reconstruction of protolanguages.
Like, you're telling me we don't know where the gender system in Indo-European languages came from? Or where Arabic triconsonantal roots came from?
Sociolinguistics, while useful as a field of interest, just isn't quite mine.
Day 20 (26 in base 7) of rewriting my novel.
I did a lot of planning today, but I didn’t add any words to the novel today.
Also, a new character just kinda… popped out of nowhere yesterday while I was writing?
Poison is not very relevant in Meiste but this is still a fun/important read!
While it's important to approach writing with creativity and imagination, it's crucial to prioritize responsible and ethical storytelling. That being said, if you're looking for information on poisons for the purpose of writing fiction, it's essential to handle the subject matter with care and accuracy. Here is a list of some common poisons that you can use in your stories:
Hemlock: Hemlock is a highly poisonous plant that has been used as a poison in various works of literature. It can cause paralysis and respiratory failure.
Arsenic: Arsenic is a toxic element that has been historically used as a poison. It can be lethal in high doses and can cause symptoms such as vomiting, abdominal pain, and organ failure.
Cyanide: Cyanide is a fast-acting poison that affects the body's ability to use oxygen. It can cause rapid loss of consciousness and cardiac arrest.
Nightshade: Nightshade plants, such as Belladonna or Deadly Nightshade, contain toxic compounds that can cause hallucinations, respiratory distress, blurred vision, dizziness, an increased heart rate, and even death when ingested.
Ricin: Ricin is a potent poison derived from the castor bean plant. It can cause organ failure and has been used as a plot device in various fictional works.
Strychnine: Strychnine is a highly toxic alkaloid that affects the nervous system, leading to muscle spasms, convulsions, and respiratory failure.
Snake Venom: Various snake venoms can be used in fiction as deadly poisons. Different snake species have different types of venom, each with its own effects on the body.
Digitalis: Digitalis, derived from the foxglove plant, contains cardiac glycosides. It has been historically used to treat heart conditions, but in high doses, it can be toxic. Overdosing on digitalis can cause irregular heart rhythms, nausea, vomiting, and visual disturbances.
Lead: Lead poisoning, often resulting from the ingestion or inhalation of lead-based substances, has been a concern throughout history. Lead is a heavy metal that can affect the nervous system, leading to symptoms such as abdominal pain, cognitive impairment, anemia, and developmental issues, particularly in children.
Mercury: Mercury is a toxic heavy metal that has been used in various forms throughout history. Ingesting or inhaling mercury vapors can lead to mercury poisoning, causing symptoms like neurological impairment, kidney damage, respiratory issues, and gastrointestinal problems.
Aconite: Also known as Wolfsbane or Monkshood, aconite is a highly toxic plant. Its roots and leaves contain aconitine alkaloids, which can affect the heart and nervous system. Ingesting aconite can lead to symptoms like numbness, tingling, paralysis, cardiac arrhythmias, and respiratory failure.
Thallium: Thallium is a toxic heavy metal that can cause severe poisoning. It has been used as a poison due to its tastelessness and ability to mimic other substances. Thallium poisoning can lead to symptoms like hair loss, neurological issues, gastrointestinal disturbances, and damage to the kidneys and liver.
When incorporating poisons into your writing, it is essential to research and accurately portray the effects and symptoms associated with them. Additionally, be mindful of the potential impact your writing may have on readers and the importance of providing appropriate context and warnings if necessary.
If you want to read more posts about writing, please click here and give me a follow!
It only now occurs to me that I haven't properly introduced myself (or this blog!) Welcome. I'm happy to have y'all. I'm Lex (they/them) (18+), your local siren, programmer, writer, worldbuilder, conlanger, composer, and gardener. I speak with a bit of a Southern accent.
This is my main (and only, for now) blog, where I mostly post about my writing endeavors and worldbuilding "woes" (I make myself suffer for fun.) In the future, I may make blogs devoted to specific conlangs or concultures, but I will probably make a website for that, first. If that happens, I will post it here. I follow other blogs I like ad nauseam.
Additionally, I'm always taking translation suggestions for any of my conlangs in any of my WIPs. At the moment, I only have two WIPs, which I'll list below, but I'm really only working on one right now.
My WIPs are:
It Will Hurt: And There Will be no Fire - (On hold) A story about a vegan big-V Vampire, her sister, her cofee bar, and a lot of people who want her power for themselves.
Meiste - (Current) A story about several Heroes running around and trying to restore "magical balance" while also navigating political and economic strife.
Moreover, current conlangs I'm accepting translation ideas for:
Ipol (and Sinezo 'speer)
Odapir
Atepsi
Kwalinu and Kwaleynnũ
Ytos and Itaush
Katla-Khi
Bumpe Nende
Knál Bnú and Kanál Banáu
I'm normally down for connecting with writing buddies, so if you're interested, feel free to DM me! I am also willing to proofread/edit others' works, in addition to helping however I can. I can make websites, make languages, and make music lol.
I promise I wrote today, so there will also be an update following this. Take care, y'all.
they/themConlanging, Historical Linguistics, Worldbuilding, Writing, and Music stuffENG/ESP/CMN aka English/Español/中文(普通话)
231 posts