JOKER (2019) // JOKER: FOLIE À DEUX (2024)

[id: a photo of Toni Morison, with her quote across it, which reads “it’s not possible to constantly hold onto crisis. You have to have the love and you have to have the magic. That’s also life.” End id]

They wouldn’t be trying so hard to keep us from our joy if joy were not liberation.

anne boyer “the harm will come: it never doesn’t” / julia armfield “to watch a horror movie is to know that something bad is going to happen. to have a body is really the same thing” / hilary mantel “we don’t have to invite pain in, it’s waiting for us: sooner rather than later” / marie howe “you know how we’ve been waiting for the big pain to come? I think it’s here. I think this is it. I think it’s been here all along” / gregory orr “I want to go back to the beginning. we all do. I think: hurt won’t be there. but I’m wrong” / toni morrison “the hurt was always there” / torrey peters “pain that had to be endured, withstood, pain that was the same as being alive, and so without end”

Pride and Prejudice characters + being a mood

The Batman (2022) dir. matt reeves

that smitten little smile is everything 💕

the team is chasing the sickest murderers to ever live meanwhile these two on the phone sexually harassing each other

WRITERS + DIRECTORS ON THE POWER OF HORROR

Catriona Ward, interview for The Guardian Mark Gatiss, in A History of Horror (2010) Pascal Laugier, for Electric Sheep Candyman (1992), dir. Bernard Rose Colin Dickey, Ghostland Carmen Maria Machado, for Paris Review Kier-La Janisse, House of Psychotic Women Possession (1981), dir. Andrzej Żuławski Mariana Enríquez, ‘Notes on Craft’, Granta Guillermo del Toro, Haunted Castles, Dark Mirrors

strawberries | raspberries | currants | cherries

— by Virginia Granberry (1831-1921)

The Awakening Of The Poet, Gabriel Ferrier (1899)

Ayo Edebiri wearing MIU MIU – The Today Show (2022)