agra-can-u-not

Latest Posts by agra-can-u-not

it's been a while since i've posted arcane, but here's my tribute piece for the Art of Arcane exhibit by Gallery Nucleus! this piece was a little wish fulfillment because i wanted to see these guys together ☀️ If you're able to attend, the show runs from May 10-25! if not, you can also see the work here: https://gallerynucleus.com/events/1085

Now that i have thought about it for 3 years Uru Chan was actually so based for writing a character with ptsd that wasn't a caricature of a damsel in distress and had realistic symptoms no matter how unlikable it made him. You had half the fandom who wanted him to become the joker and half the fandom who hated his guts and girl never gave either side what they wanted. Uru Chan you legend.

Literally insane to me how small the general webtoon fandom is outside of the webtoon app itself (and maybe reddit??)

I've talked to multiple people irl who LOVE reading webtoon, but the online community is borderline threadbare ! Most people on Tumblr have no IDEA who our blorbos are! I've checked tags for some fairly popular webtoon and it was like visiting that Tatooine town in the Mandalorian where there are 5 citizens total, but only if you also count the Mayor, the sheriff, and the deputy.

Lore Olympus is the most popular webtoon and has under 2,000 fics on AO3. Lookism has roughly 1,000. Unordinary, THEE legacy webtoon, only has 600, and it's been running for almost 7 years now. It has nearly 6M subscribers and still gets 50K+ likes each week. It's not dead by any means.

I guess it doesn't help that each webtoon is its own micro ecosystem and once a webtoon ends, that ecosystem typically fades with it. But webtoons can go on runs longer than most shows on streaming services, and those fandoms burn hot and bright even if only for the first month of a new season drop.

By comparison, webtoon fans are largely casual about their enthusiasm, even if they're highly invested in the story or characters. From my experience, only the most passionate try to connect with other fans online. But when you're passionate about one webtoon, I suppose it's hard to show constant excitement about the 20+ other stories one might keep up with. Still, between the 85 million monthly readers, you'd think each major webtoon would at least have a dedicated fan base (meaning people who regularly post theories, thoughts, fics, and fanart) of mere thousands outside of the app.

One exception for this is that Batman webtoon? It actually trends on Tumblr every now and again. But it doesn't count, because Batman has a built in fandom who'll eat up and yell in the streets about any content where he's a decent dad.

People who read romance webtoon all tend to read the same comics, and actively understand the references to other popular romance comics (Trashta, Team Seojun, SLS), so you'd think there'd be a greater sense of unity. More people actively searching out others to discuss with and posting their thoughts online and not just in that webtoon's comment section.

I mean, C'MON girls!!! Millions of people log into that app like everyday!!! WHERE is the community?? WHERE is the fanart?? WHERE is the fanfic?? WHY does Odd Girl Out only have 7 fanfics?? WHY are there like 2 people on Twitter posting about Weak Hero?? Head in hands fr

Mel from Arcane, I love her.

In all timelines, in all possibilities, only you

Jayvik you’ll always be famous in my heart

Omg it's my three favourite idiots

Thinking about how Blyke is actually insanely strong, even by the standards of his world, yet he gets his ass kicked for the entire story.

From episode one...

To the first actual fight he’s ever been in... (ch. 15) [Edit: second actual fight]

... to the approximate middle of the story... (ch. 197)

... Up through the very latest chapter as of me writing this— (ch. 345)

— Blyke repeatedly gets pummeled.

Over,

and over,

and over,

and over.

It’s really no wonder he gets insecure about it.

I mean, these screenshots were all taken from different fights. The amount of fights he’s won, on screen, without backup is... once or twice against Zeke, once against Gou (Agwin’s Jack from turf wars), and once as a vigilante solo act. That’s four, max. There could be more that I’ve forgotten, but I’ve read this series so many times and I really can’t think of any. (No, I don’t count firing a warning shots to get people to behave as “winning a fight”.)

compared to all the fights he’s been outmatched in? You’ve got Rein from turf wars, Volcan, John, John, John, Lennon from his vigilante solo stunt, John again, the fight in the Rowden amusement park, the attack on Rowden hill, Ember, and now the authorities in general. Possibly more that I forgot. That’s 11. He didn’t necessarily lose all those fights, but they’re fights where he was way out of his depth and/or would’ve lost without backup.

Anyway, point is: Blyke is no stranger to getting his ass kicked. In particular, he is no stranger to getting kicked while he’s already down.

In fact, I’m gonna take an example from the turf wars match in chapter 15: Blyke has already lost the fight with Rein, yet Arlo hangs him out to dry. Arlo is the one who’s supposed to call him back to get healed, yet he just smiles while the others look at him expectantly, and Blyke gets more and more injured. Even Rein is questioning it.

I could and honestly probably will do a whole analysis on just chapter 15, but eventually Seraphina calls him back for healing. The way Blyke was treated in that scene was kinda heartbreaking.

GOD chapter 15 is my favorite episode but it leaves me with so many questions grrr I wanna talk about it but that’s another entry.

Putting that aside, Blyke is very protective, and compassionate to the plight of others when he’s aware of it. After he sees the situation in Branish, he is immediately, rightfully pissed about the way society is. It opens his eyes to a world he hasn’t experienced, and it reframes how he thinks of John (still a “cripple” at the time).

To the actual point of this diary entry (other than rambling about Blyke, that is), John is another character who gets repeatedly kicked while he’s down. I don’t think I need screenshots to prove that. However, in my current reread of the series, I recently came across a certain panel that I do wish I had a screenshot of. It’s either Blyke or Seraphina who asks John “Why are you always kicking people while they’re down?” And John responds: “Because everyone kicked me when I was down!” And I think that’s a vivid contrast with Blyke, who has been kicked while he’s down, and chooses to protect people who are weaker than him. In particular, I want to point out that in order to protect them, Blyke is willing and actively chooses to get beaten quite brutally.

Mind you, this ^ is to protect people who he barely knows. He and Sera aren’t close, and the others are practically strangers.

It’s pretty much the inverse reaction. John says “Others kicked me while I was down, so I’ll do the same on everyone else tenfold.” Blyke says “I was kicked while I was down, and goddammit I will keep getting kicked if it means other people don’t have to.”

It’s such a cool parallel, and the fact that when John was getting kicked, Blyke was trying to help, but when Blyke was getting kicked, John was doing the kicking adds so many layers to it.

hostile work environment

ohhh boy i love fanart!!

i’m sleepy and tired and cozy yet despite all of those hardships i find the energy to be whimsical

It’s true

I saw a post that said the family dynamics between team red (especially shadowsan + carm) are somewhat exaggerated by fandom and there's not actually a lot in canon that supports a lot of popular head canons or attributed roles. And it's like, first of all, please keep your hurtful truths to yourself. Second of all, I'm probably going to need a read more.

Despite myself, I really cannot disagree with the points made by this particular poster. It's a sound argument. Carmen Sandiego (2019) is an adventure series. It's fast paced, action packed, and focused a decent amount on edutainment. This is understandable, this is after all, the point of the franchise as a whole. The characters have enough sustenance that they are likeable, though they are most noticeably flat.

I'd argue that Shadowsan and Devineaux are the most dynamic characters, but even then the handling of their respective character arcs leaves something to be desired. Much like the rest of the series, their storylines feel rushed and added in as a second thought. I get the impression that the show was envisioned simply as an adventure of the week type of thing. They had a premise and a gimmick and they wanted to run with it. This is fine. But then came the overarching story lines and... Well. There were no master pieces.

We'll take season one as an example. The first two episodes were pretty solid. They had a coherent and well executed story line supported by characters with personality and potential for growth and depth. The pilot episode of a series serves to set up character arcs and overarching themes without having to go too into depth because of the fact that it's simply the beginning. The first two episodes of this series fulfilled their purpose, and they were executed well. I will even be generous to the rest of the season's story line and say that there did seem to be at least the minimal amount of foreshadowing and groundwork laid for the twist at the end of the season.

The problem then comes into play with the remaining episodes. From episodes three to eight, the story line is episodic and self-contained. There's a formula and it works well without there necessarily being a greater need for depth. I was perfectly invested simply with the caper by caper formula. It was never thought-provoking for me nor did it need to be. It was just a bit of fun. And then came the final episode and it was... interesting! I was pleasantly surprised by the sudden inclusion of an overarching story line, if not scratching my head a little.

Shadowsan's reveal made a decent amount of sense in hindsight, but didn't come across as particularly expertly crafted. It was a sudden shift to the status quo with little build up, and it felt vaguely out of place. It's an episode that could have been executed better if the narrative had started to shift earlier in the season or if there were more episodes between "The Chasing Paper Caper" and "The French Connection Caper." Instead it's everything all at once and I found myself thinking, "Oh! Okay! So we're doing this now."

Upon rewatching, there is some build up that can be noticed and recontextualizes, but it's not much. Even knowing how the season concludes, episodes 3-8 still feel episodic and disconnected from any greater story line. You've got some angst about Carmen's origin, and Shadowsan's insistence about sending Tigress for a second time reframes itself as a calculated decision rather than misjudgment but that's about it. They have the bare essentials of story telling, but they're not skillfully crafted. And that's... fine! This is children's TV. I don't actually hold it to the same standard as adult television, and I do think it's a pretty decent show for what it is.

My point then that I want to address is this idea of bare essential story telling. Carmen Sandiego doesn't lack the elements needed to tell a good story. They're there, just not expertly executed. The post that inspired this spiel mentioned that Team Red reads more as friendly coworkers. I don't fully agree with this, but I see their point. I will also say that I don't think this was what the writers had in mind. I do believe they were meant to be read as Found Family, in fact, it is more or less explicitly stated in "The African Ice Caper." It's just that, like every other aspect of the show, it's handled in a way that gives hints of further depth while not fully conceptualizing the theme.

This is not a smear campaign against the series. No, this is very much a product of passion. It's an entertaining show with beautiful animation and captivating fight sequences. I was hooked from the first episode and I continued to be so through the end of the series. I'd say one of the greatest draws of this show lies in its weakness. We're only given impressions of characters' further depth and personality. With the obvious exception of Carmen, we're only given glimpses of characters'back stories. In regards to over arching story lines, we're only given bare bone elements. This isn't great from a critical standpoint, but it does open the door to a large array of fan interpretation and transformative fanworks.

Because of the flaws in canon, fans are not bound by strict limitations. They are free to come up with their own unique interpretations of characters, they can flesh out back stories however they see fit, and otherwise flimsy storylines lend themselves to deeper fan-driven exploration.

Frequently on Tumblr, you'll see posts that disparage fanon for the way that it tends to flanderize and flatten characters. And yeah! This is bad! Unsurprisingly, flattening complex stories into easily recognizable tropes and clichés is actually the devil! A lot of times in fandom, you see this sort of corporate brain rot that simplifies stories into familiar and easily consumable pieces of media.

Fanon gets a bad rep. Is it deserved? Hm. A lot of the time, maybe. But where is the discussion for fanon in the other direction? What about when fanon expands a work of fiction? When it assigns more complexity than canonically given? There's something innately human about connecting with a piece of fiction and wanting to do more. We don't so easily let go of things, you know? When you love a piece of art that's otherwise disappointing, you have this desire to see it do better. To meet its potential. I think that's where fanon in the opposite direction stems from.

I think the fandom surrounding Carmen Sandiego (2019) is a decent example of this. The characterization is admittedly lacking, but that's done nothing to stop fanartists from coming up with their own rich interpretations of characters and their relations to others.

Carmen and Julia are two characters that share a decent amount of screen time, but their relationship otherwise suffers from the amount of time stretching between interactions. This has done nothing to deter fans. It seems I can't throw a stone in this fandom without hitting beautiful pieces of fanart depicting the two, or multi-chapter fics exploring the two's dynamics, or impassioned ramblings about them.

The same thing can be said about Graham and Carmen. They share a decent amount of screen time and their interactions are compelling, but they're too far and in between. What's there is not fully developed. Again, bringing it back to the idea of bare essential story telling. They have what they need to hint at the intrigue of both these dynamics, but they're not satisfactorily executed and both relationships suffer as a result. Their relationships, and indeed, the show as a whole, kind of feels like a completed puzzle with various missing pieces.

I chose Julethief and Redcrackle to use as examples, but similar things can be said of every other relationship in this show. Player and Carmen have moments that hint at a dynamic friendship built on unwavering trust and care, but it's only in a few select scenes, (though, the scenes that do do this are phenomenal and make me want to cry-- and I'm so sorry shippers-- but Player and Carmen have a monopoly on the hard hitting emotionally impactful moments in this show. I don't make the rules, I'm sorry.) and the majority of their interactions are reserved for getting down to business.

However, because of the glimpses we do see, you see countless fics detailing their friendship and building on to what we see in canon by going behind the scenes. I myself have extensive head canons about these two and honestly, what I've written and published is only the tip of the iceberg. Player is a bit of a tricky character to get a grasp on because of his limited role in canon, but what we do see opens up all sort of interpretation. I have such a fun time writing him because I can use what I see in canon to shape my own ideas about how he would act in various scenarios. My version of Player is far more dynamic than what we see in canon, but it's only like that because I love the canon character so much. I want him to do more, I want him to be more. My creativity is piqued with this character.

Moving on, let's focus on Shdowsan and Carmen, my other beloved dynamic. I have so many ideas about these two's relationship, and I especially enjoy delving into the dynamic between him and Black Sheep. They suffer the same problems as prior discussed. The scenes building on their relationship are sparse, but they are there. Take for several examples:

Shadowsan interacting with little Black Sheep in the "Daisho Caper," Shadowsan's stated remorse at not being able to tell Carmen about her own family, Shadowsan nursing her back to health after "The Stockholm Syndrome Caper," his stated motive for hiding the truth of her lineage from her, Shadowsan telling her he'd be with her till the end of the line, Shadowsan reminiscing about little Black Sheep when he visits the destroyed VILE Island, Shadowsan's dedication to finding Carmen's mother for her, Shadowsan telling her she can finally rest, and, and, and, and.

There is certainly a reason that fans have interpreted he and Carmen as being father and daughter, and I am in no way surprised by the beautiful and extensive explorations that certain fans have taken into these two's shared history (@frozenwolftemplar)

Carmen Sandiego doesn't necessarily set things up just to drop them so much as it strives to create compelling story lines and interesting characters before ultimately failing to delve deep enough or dedicate enough time for these things to fully come into their own. They're there and they exist, but it's like... Drinking water with oranges in it. I can taste the oranges, but damnit, now I want orange juice.

After all, you really do have to wonder about the hardened assassin who couldn't bring himself to harm a child. Could there have been more done on the show writers part to really cement their relationship as adoptive father and daughter? Yes, absolutely. Does the development of their relationship leave something to be desired? Yes, absolutely. Do the existing interactions inspire me to delve further and call up melancholy memories of me and my own father, thus making me want to extensively detail their shared history before expanding on their present relationship so that I can process my own feelings about my own father? Yes, absolutely. Is this type of connection a deeply valuable faucet of story telling and kind of the whole point of creating art to begin with? I think so!

It utilizes story telling techniques, but not enough so that the show fully benefits from them. There's an impression of character dynamics, back stories, and personality but they're not fully recognized.

However, it is because of these flaws that fans can take the source material and go absolutely bonkers with it. By engaging with the story and characters, you really get the chance to flex your creative muscle. It's like a sandbox. The sand is there, the box is there, and the tools are there, but what you make is up to you. I've seen some deeply moving pieces of writing come out of this fandom, and it's insane to me how some authors can do so much with so little. In engaging with fanworks for this show, I've drawn connections to my own life and my own relationships. There are lines of writing that have been engraved into my brain. I've met wonderfully creative people and I'm glad to be an active member of the community.

No, the show itself is no amazing piece of story telling. It's fun and it's entertaining, but it doesn't fully realize everything that it set out to do. It does, however, open the door to community as well as inspiring creativity and transformity, and that means the world to me.

Here have some Arcane Jinx Memes as a little appetizer for Season 2 (it's almost here!!!)

i ii iii

long hair korra for the win

Papa and mama are flirting 😳🌹

There’s a lot of things you’ve done that Becky doesn’t know about

speaking as a huge fan of the guy (to put it mildly...) i can't stop thinking about how much it sucks that gray's character arc is lowkey the only thing the cs finale actually wrapped up in a satisfying way. not that it couldn't have been better, obviously, but apart from feeling rushed i think it was pretty much as strong and thoughtful a conclusion as they could have pulled off in five minutes like that. meanwhile everything else in the episode is equally rushed but seriously lacking in substance by comparison and i'm like... come on man. what are we doing here? what's this show called again i'm pretty sure it's not Graham Calloway

Daily picture of Vi: day 33

I forgot to post this here [tangled AU ⏳️💣]

Fic:

https://archiveofourown.org/works/60172612/chapters/153547024

ok what’s your florence + the machine song. mine is rabbit heart (raise it up)<3

Me personally:

1. Drugs feat. Abra - 9.99999

2. Dreamer feat. Raye, Starrah - 9.5

3. Lipgloss feat. CupkakKe - 8.5

4. Babygirl feat. Uffie - 8

5. White Roses - 7.5

6. Blame it on U - 7.3

7. Roll With Me - 7.2

8. Emotional - 7

9. ILY2 - 6.6

10. 3AM feat. MO - 6.1

Number 1 Angel

Charli XCX

2017

a revisit of Charli XCX's discography on vinyl

★★★★☆

8.5

ranking :

Lipgloss feat. CupcakKe — 9.3

Roll With Me — 9.2

3AM feat. MØ — 9.0

Blame It On U — 8.8

Emotional — 8.7

Drugs feat. Abra — 8.7

Babygirl feat. Uffie — 8.6

Dreamer feat. Starrah & RAYE — 8.1

ILY2 — 8.1

White Roses — 7.0

06.10.2024

Flo Milli

FLO MILLI at the 2024 VMAs

48 is basically 50 so 27 + 50 =77 and 77 - 2 =75

replace one word of your url with bitch

WHY IN THE WORLD ARE SIX TEENY WINGS AND A SAD WIMPY SIDE OF FIRES AND NO DRINK????? WORTH 12 DOLLARS

ATLA as tweets pt. 3

Pt 1