With the impending implementation of Project 2025, I suspect that AO3 will come under fire as well. And given that it’s a US based organisation, and the US has wedged itself somehow into every possible thing, I would also suspect that this will have global impacts. I cannot be certain of it - I’m certainly not an expert on political things and Trump remains, frankly, unpredictable - but I have personally found it’s more helpful to prepare beforehand than to scramble to keep myself afloat in the midst of a crisis. Knowing how important our favourite stories are to so many of us, here’s what I suggest:
Readers, I recommend you find your favourite stories again. Go all the way back in your bookmarks. Tell the authors you appreciate them, and you love their work. I think we could all use some nice words right now. If you want to keep the story, I recommend downloading it: here’s a guide on how to do so from the AO3 FAQ. I personally have wanted to take up bookbinding for a hot second; I might print off my favourite fics for myself and figure out how to bind them. The OTW also recommends downloading your favourites - see link below.
Authors, I recommend you keep your manuscripts. Download them onto an external flash drive and save them for a rainy day four or so years from now. Even the ones you don’t like are worth keeping - I guarantee you somebody else likes them even if you don’t. (I’m speaking to myself here, too.) Project 2025 has blatantly laid out a ban of pornography, and they will take that to mean whatever they want it to; I suggest you don’t even keep your fics on a Google drive if possible it’s definitely easier to keep them all online, trust me, I know, but so does the government. Corporations do not care about you: they will sell you out to whoever is willing to pay. Remember also to turn off AI scraping wherever possible, or better yet use sites that don’t engage in that behaviour.
For further reading from people more qualified than I, here’s the OTW’s statement on what their plans are so far.
I hope I’m wrong. I honestly would love nothing more. But more importantly, we will get through this. Humanity has told stories and put blorbos in situations for literal millennia. We’ll see the other side of this.
A currency that isn’t gold-standard/having gold be as valuable as tin
A currency that runs entirely on a perishable resource, like cocoa beans
A clock that isn’t 24-hours
More or less than four seasons/seasons other than the ones we know
Fantastical weather patterns like irregular cloud formations, iridescent rain
Multiple moons/no moon
Planetary rings
A northern lights effect, but near the equator
Roads that aren’t brown or grey/black, like San Juan’s blue bricks
Jewelry beyond precious gems and metals
Marriage signifiers other than wedding bands
The husband taking the wife's name / newlyweds inventing a new surname upon marriage
No concept of virginity or bastardry
More than 2 genders/no concept of gender
Monotheism, but not creationism
Gods that don’t look like people
Domesticated pets that aren’t re-skinned dogs and cats
Some normalized supernatural element that has nothing to do with the plot
Magical communication that isn’t Fantasy Zoom
“Books” that aren’t bound or scrolls
A nonverbal means of communicating, like sign language
A race of people who are obligate carnivores/ vegetarians/ vegans/ pescatarians (not religious, biological imperative)
I’ve done about half of these myself in one WIP or another and a little detail here or there goes a long way in reminding the audience that this isn’t Kansas anymore.
hi lovelies! (´。• ᵕ •。`) ♡ today’s post is something close to my heart, a gentle reminder for anyone out there writing while navigating mental or physical health struggles.
first of all, let me just say this: you are doing enough. whether you wrote a single sentence today, edited a paragraph, or just thought about your story while lying in bed, it counts. storytelling isn’t a race, and it’s okay if your pace doesn’t match the picture-perfect productivity you see online. writing isn’t linear. sometimes it’s messy, slow, or downright impossible—and that’s okay.
writing is important, but it’s not more important than you. if you’re having a bad day, take a step back. rest. hydrate. stretch. it’s not 'wasting time'; it’s giving yourself the space to heal so you can come back stronger when you’re ready. stories can wait. your well-being can’t.
look, i get it. those productivity blogs and #grindset🔥🔥 posts can be so motivating on good days. but when you’re not at 100%, they can feel like a big flashing neon sign that says, “you’re not doing enough.” the truth? those posts aren’t made with your unique circumstances in mind. it’s not about meeting someone else’s standards. it’s about doing what you can with the energy you have.
writing isn’t about grinding 24/7. it’s about showing up when you can, even if 'showing up' just means opening your document and staring at it for five minutes. don’t let the pressure to constantly produce steal the joy of creating from you.
on days when writing feels impossible, focus on the smallest step. write one line. brainstorm an idea. imagine a scene in your head. none of it is wasted effort, because all those tiny actions add up over time. remember, even the slowest progress is still progress.
success doesn’t have to mean finishing a chapter or hitting a word count. sometimes, success is choosing to rest when your body or mind needs it. sometimes, it’s acknowledging that you tried, even if all you could do was think about your story. give yourself credit for the effort, not just the outcome.
even if you’re not writing actively right now, your story still exists. it’s alive in your thoughts, your daydreams, and the little notes you scribble down. it’s okay if it takes you weeks, months, or even years to finish. storytelling is a marathon, not a sprint, and there’s no deadline on creativity.
writing while battling health issues—whether physical or mental—isn’t just hard; it’s an act of resilience and i'm so proud of you! every word you write is a victory, no matter how small it feels. so please, be gentle with yourself. celebrate the little wins. forgive yourself for the tough days. your story is worth telling, but so are you.
remember: you don’t need to be perfect to be a writer. you just need to show up when you can, in whatever way you can. take care of yourself, okay? ♡(´꒳`)
happy writing (or resting, or dreaming, or just existing). all of it matters. ✿
i think it is a very powerful thing when the story inside you is so loud that you are forced to relearn how to draw, write, and talk to people to get it made into a real thing
Maybe some of us had messed up parents and never knew ourselves
“Do you ever miss yourself? The person you were before you had your first heartbreak or before you got betrayed by a person you trusted?”
— Unknown
Me: I wish I could spend all my free time writing
Also me: has other hobbies that I take more seriously for some reason so I can’t just write all day because I made commitments
Unrelated to writing:
I relate to this so much. I know what most common injuries feel like. Often times, the pain the person is feeling is the same or less than my normal levels.
It’s hard to not seem like an asshole sometimes, because the same person who thinks I’m being mean will literally leave me behind or make my life harder and say it’s no big deal.
And of course none of this is helped by me being black fem presenting. It’s like some people still believe those old studies that we don’t feel as much pain as other people. The second I let my face show how I feel, or heaven forbid I don’t sound pleasant and polite, I have too much attitude or I’m too angry. I’ve literally had people think I was trying to fight them when I was just gritting my teeth through pain they probably couldn’t handle.
Thanks for letting a bitter black bitch rant.
people assume that being physically disabled makes you more empathetic to the pain of others, but that’s not always the case.
for me, it feels unfair when others are in pain and don’t feel the need to hide that fact, because i have internalized the idea that i’m not allowed to talk about my own. it annoys me that, while most are typically understanding if a non disabled person doesn’t operate at their full capacity due to sickness or injury, disabled people are expected to function normally as if that isn’t our every day. as much as i want to feel solidarity towards a suffering person, it feels impossible not to be envious when their illness or ailment is temporary, but i will never, ever get a break from mine.
for obvious reasons i would never say any of directly to someone, because my pain doesn’t make theirs any less valid or real. still, i can’t help but feel that my disability has made me bitter and unkind, because i can’t help but compare my own experiences with theirs.
this is the reality of disability- it does not create perfect people. many of us are broken and struggle to connect with others because of our conditions, and that does not mean we are evil people
No seriously, writing “I” and “me” is so gross! Like do I switch to third person so I don’t fight nausea every sentence?
Writing a fanfic sometimes feels like having a plan...only for that plan to magically transform into a slice of cake. Now you have to bake the rest of the cake because you can't just serve a single slice whilst random cake slices of unidentified origin rain down from the sky tempting you like some kind of cake demon.
Crafting a scene that earns the total sympathy of your readers can be challenging, but it's not impossible. Most emotionally devastating scenes fail at two things, but when these are done right, the results can be powerful.
1. The Build-Up,
2. Breaking the Dam.
Before I explain these concepts, let me share a case study.
I wrote a story about a young orphan named Jackie and her younger brother. Their village was burned down, leaving them as the only survivors.
For the next few chapters, readers followed their painful journey and their struggle to survive. The younger brother had a heart problem, and Jackie vowed to become a cardiologist to save him.
She was very ambitious about it, but at the time, it was very ironic. Later in the story, when they encountered a tragic living condition with a family, the brother died while telling his sister how much he missed their parents.
When her brother was fighting for his life, she was sent out of the room, only to be let in again to see his cold, lifeless body.
The build-up is extremely important when you aim to convey strong emotions. Here's a secret: if you plan for a scene with strong emotions, start leaving breadcrumbs from the very beginning of the story.
Take the previous case study. I carefully built up their journey so people could easily relate and feel the pain of the older sister during her brother's sudden death.
You need to give the situation enough reason to feel utterly hopeless and devastating. Gradually cultivate the tension until it's ready to let loose.
Breadcrumbs in stories ensure you utilize the time you have to build up certain emotions around your characters.
At the beginning of my story, Jackie’s fate was already pitiable, but she survived every hurdle. This gave the readers enough to feel for her while still leaning away from the outcome. When I built enough, I introduced her brother's sudden death.
Hence, leave your breadcrumbs while leaning away from the outcome.
When building up your story, consider these elements:
☞ Character Relatability: The characters need to be realistic to draw readers into the story. This helps readers invest themselves in your story.
☞ Realistic Emotional Pain: Just as characters need to be relatable, their emotions need to be realistic and not appear forced.
☞ Create a Strong Emotional Attachment: Give them something they care about or that has the power to ruin their lives in any way. It could be something that makes them happy or something their happiness relies on. When it's time, snatch it away without remorse.
☞ Have a Backstage Struggle: This struggle keeps readers occupied, so they won't see the outcome coming. For example, Jackie’s constant struggle to find food and shelter keeps readers engaged while the impending tragedy looms in the background.
☞ Attach Believable Elements: For a realistic character, emotion, and struggle, attach believable elements. It could be death, ailments, sickness, disorder, disappointment, failure, etc.
Now that we've covered the build-up, let's move on to the next crucial part.
This is when you make your readers feel the strong emotions alongside your characters. All the tension you’ve been building up is released, making all emotions come into play.
☞ Break Your Strong Attachment: Cut off your strong attachment from your character when they least expect it or at a point when they couldn't use more struggles (i.e when they are helpless).
This will not only evoke readers’ emotions but also pique their curiosity as they wonder how the character will survive the situation.
☞ Description of Sensory Details to Invoke Emotions: The advice of "show, don't tell" will be really helpful here. It's crucial to ensure that the final execution matches the build-up.
A well-crafted build-up can fall flat if the emotional release isn't handled effectively. To avoid this, blend the climax seamlessly into the narrative, making it feel natural and impactful.
21 he/they black audhdWriting advice and random thoughts I guess
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