Romantic Writing Prompts (++Drama++)

Reasons Why 80% of Romantic Plots Fall Through.

Haven't you wondered why a romantic story you have so much hope for suddenly flops? Whether it's yours or not, let's see what could be the problem.

• Relying Too Much on the Outcome

Unfortunately, no romance is complete without an arc. In other words, it is more than just the intimacy. When writers don't allow the relationship to develop naturally, it feels forced. Rushing to the final romance without building a solid foundation will make the story feel shallow and unconvincing. Take your time, flesh out the idea, and follow the plot gradually.

• Creating Unnecessary Victimization

I often see writers make the mistake of portraying one character as too weak or pitiful only for the sake of it. This unnecessary victimization can undermine the character's depth and make the story less compelling. Your readers won't cry along with a female character whose decisions are pretty sour compared to a five-year-old. It's just simply annoying.

Instead, both characters should have strengths and weaknesses, make realistic decisions, making them more relatable and balanced.

• Cringy Conflict.

Realistic conflict is essential for a compelling romance. Over-the-top or contrived conflicts can make the story feel forced and cringy. Conflict should come naturally and blend perfectly into the plot. It's not advisable to pop a challenge that's definitely not necessary in the name of 'keeping the stakes high.'

Rather, focus on creating believable challenges that the characters must overcome, adding depth and authenticity to the plot.

• Neglecting Other Emotions Outside Romance.

It's not only about love, or roses, or dinner nights, or lucky dates with the billionaire. Show the other emotions fighting for dominance: the hurts, pains, joy, frustration, desperation, anger, sadness, jealousy, anxiety, or even moments when a character falls out of love with the other and can't understand their feelings.

Focusing solely on love can lead to a one-dimensional story. For a well-rounded narrative, explore these emotions to create a richer and more immersive experience for the readers.

• Underdeveloped Characters.

What's a story without a fully-fledged character, especially if they are the main character in a story?

You might have heard people talk about the importance of backstories and others saying too much of it tires them out, but here's the thing—balance. It's what people fail to incorporate. I'll try to cover this in any of my upcoming blog posts. Follow to keep up.

To better understand why we should cry for, laugh with, pity, admire, adore, scold, yell at, advocate for, and smile with your character, we need to know why they are what they are, who they are, and why they make the choices they make.

It's important to create characters with distinct personalities, backgrounds, and motivations. When readers care about the characters, they become more invested in the story and its outcome.

And that's my Christmas gift from me to you 🎁. Merry Christmas 🎄

I love the notes I gave myself during my first draft. I think one of my favorites is: we need to standardize pet names.

Sometimes I think writers block isn’t real, and what we’re actually experiencing is a fear of inadequacy. What if we write and it’s bad? Or terrible? And no one reads it or cares? The reality of that is too awful to confront because the act of writing is like bleeding out onto the page so if we put ourselves through the pain of bloodletting and it’s all for nothing… what does that mean for us? What are we left with? So instead we’re are paralysed into inaction because not writing is safer than writing and risking our whole sense of self.

Writing is all fun and games until you have to describe a room.

Anyways…

do you torture the character you relate to most and recreate your own abuse in fiction to cope or were your needs and feelings acknowledged as a child

As a writer, words fail me.

I find it frustrating and uncomfortable in fiction when children are used as props to make parent characters feel good about themselves, and as a reward for a romantic arc, rather than being characters with their own identity and agency.

And I think I feel that way because so often because in real life, many parents bring a child into the world simply as a reward for feeling successful in their romance, and to be props to make them feel good about themselves, rather than understanding that their children are full people with their own identity and agency that has to be respected.

Readers aren’t stupid. If a character is crying, you don’t need to add “because she was sad.” They’ll get it.

Why do I have multiple hobbies and no time for any of them?

Screw it , I'm going to write this book.