So right now I have 9 wips (well, and 2 other ideas that I’ll come back to eventually).
4 of the wips are fanfiction. Because I don’t always finish things, I haven’t posted them yet, but one is close to posting level, probably in the next few weeks if I have time.
3 of the other wips are all different books in the same series that I know for sure I want to publish one day. (I’m just taking my time with it because I need to sort my life out before I’m able to dedicate time, money, and energy into publication)
1 wip I barely ever touch. It will be a series as well and I’ll get to it after the other series.
The last wip is one I’ve had mixed feelings about since I had the idea.
But today I had another idea, that would involve getting rid of the last wip to use the world building and one of the characters.
My life is still a mess, so publishing won’t happen any time soon, but there’s a part of me that wants to abandon my fanfics and just write original stories. I’ll just have to be okay knowing nobody will read them anytime soon.
People who tell you not to write in bed are liars. They also should try writing on their phone.
Me: changes my stories timeline and everyone’s age
Also me: roasts my characters for getting their kids ages wrong while I edit
personal interpretations and preferences aside, there's no limit to what you can make a character say/do without taking them out of character. everyone has a breaking point that pushes them to do what they normally wouldn't. give me the circumstances and events that pushed the character. tell me what they're thinking/feeling. tell me how they're justifying their words/actions, both to themselves and to others. if you can argue it, it'll still feel authentic.
And, unfortunately, yet again I’m convincing myself a dozen long writing projects is manageable
writing is hard. it’s frustrating. sometimes you’ll want to quit. but the thing about writing is that it’s not just about the final product. it’s about the process. the messy, chaotic, beautiful process of creating something out of nothing. so even when it feels impossible, keep going. because no one else can tell your story the way you can.
Man, we have got to stop treating art like it has an expiration date. That show stopped airing? Doesn’t mean it can’t haunt your every waking thought. Everybody’s into this album, but you don’t have the energy for new music right now? It’ll be waiting for you when you’re ready. That movie’s fifty years old and indie as shit? Incredible, you have the chance to share it with folks who might never otherwise feel that particular punch of delight. Books don’t go bad. Shows inspire fandoms decades after they’ve wrapped up. We’re still looking at cave paintings and statue work from ancient times and letting the joy of creation bring tears to our eyes. That’s the point of art. It’s as close to immortality as we ever get. Why try to give that magic a shelf life?
Flawed characters are the ones we root for, cry over, and remember long after the story ends. But creating a character who’s both imperfect and likable can feel like a tightrope walk.
1. Flaws That Stem From Their Strengths
When a character’s greatest strength is also their Achilles' heel, it creates depth.
Strength: Fiercely loyal.
Flaw: Blind to betrayal or willing to go to dangerous extremes for loved ones.
“She’d burn the whole world down to save her sister—even if it killed her.”
2. Let Their Flaws Cause Problems
Flaws should have consequences—messy, believable ones.
Flaw: Impatience.
Result: They rush into action, ruining carefully laid plans.
“I thought I could handle it myself,” he muttered, staring at the smoking wreckage. “Guess not.”
3. Show Self-Awareness—or Lack Thereof
Characters who know they’re flawed (but struggle to change) are relatable. Characters who don’t realize their flaws can create dramatic tension.
A self-aware flaw: “I know I talk too much. It’s just… silence makes me feel like I’m disappearing.” A blind spot: “What do you mean I always have to be right? I’m just better at solving problems than most people!”
4. Give Them Redeeming Traits
A mix of good and bad keeps characters balanced.
Flaw: They’re manipulative.
Redeeming Trait: They use it to protect vulnerable people.
“Yes, I lied to get him to trust me. But he would’ve died otherwise.”
Readers are more forgiving of flaws when they see the bigger picture.
5. Let Them Grow—But Slowly
Instant redemption feels cheap. Characters should stumble, fail, and backslide before they change.
Early in the story: “I don’t need anyone. I’ve got this.”
Midpoint: “Okay, fine. Maybe I could use some help. But don’t get used to it.”
End: “Thank you. For everything.”
The gradual arc makes their growth feel earned.
6. Make Them Relatable, Not Perfect
Readers connect with characters who feel human—messy emotions, bad decisions, and all.
A bad decision: Skipping their best friend’s wedding because they’re jealous of their happiness.
A messy emotion: Feeling guilty afterward but doubling down to justify their actions.
A vulnerable moment: Finally apologizing, unsure if they’ll be forgiven.
7. Use Humor as a Balancing Act
Humor softens even the most prickly characters.
Flaw: Cynicism.
Humorous side: Making snarky, self-deprecating remarks that reveal their softer side.
“Love? No thanks. I’m allergic to heartbreak—and flowers.”
8. Avoid Overdoing the Flaws
Too many flaws can make a character feel unlikable or overburdened.
Instead of: A character who’s selfish, cruel, cowardly, and rude.
Try: A character who’s selfish but occasionally shows surprising generosity.
“Don’t tell anyone I helped you. I have a reputation to maintain.”
9. Let Them Be Vulnerable
Vulnerability adds layers and makes flaws understandable.
Flaw: They’re cold and distant.
Vulnerability: They’ve been hurt before and are terrified of getting close to anyone again.
“It’s easier this way. If I don’t care about you, then you can’t leave me.”
10. Make Their Flaws Integral to the Plot
When flaws directly impact the story, they feel purposeful rather than tacked on.
Flaw: Their arrogance alienates the people they need.
Plot Impact: When their plan fails, they’re left scrambling because no one will help them.
Flawed but lovable characters are the backbone of compelling stories. They remind us that imperfection is human—and that growth is possible.
Me when I cannot physically write: *intense daydreaming, the perfect scene plays out, the heavens open, angelic song fills the imaginative space, the plot holes fill in; never has there been a better scene concocted in all of written art*
Me when I write: *head empty, no thoughts* She... smiled... earnestly?? And cool shit happened??? And... uh... this happened... but like in a neat way - right?
1. Define the Core Dilemma
• Internal conflict occurs when a character faces a choice or emotional struggle within themselves. This dilemma should challenge their values or identity.
• How? The struggle should feel deeply personal and tied to the character’s motivations.
• Example: A character who values independence but must rely on others in a life-or-death situation.
2. Make it tied to their core values
• The conflict should challenge what the character holds dear—whether it’s their morals, desires, or goals.
• How? The inner conflict should push the character to re-evaluate their beliefs and priorities.
• Example: A soldier torn between duty and personal ethics, forced to choose between following orders and doing what’s right.
3. Amplify with external consequences
• Link internal conflict to external consequences that impact the character and those around them. The choices they face should have significant repercussions.
• How? Show how the character’s internal conflict influences their decisions in the real world.
• Example: A character haunted by guilt must choose whether to admit their past mistakes, risking their career and relationships.
4. Show the pressure building over time
• Internal conflict intensifies when it’s compounded by time, increasing stakes, or mounting external pressure.
• How? Create scenes where the character feels the weight of their choices growing heavier with every passing moment.
• Example: A character whose addiction threatens to ruin their life, struggling to break free but tempted by old habits every day.
5. Conflict arises from competing desires
• Internal conflict often stems from having two equally strong desires that cannot coexist.
• How? Put your character in situations where they must choose between these desires, both of which seem vital.
• Example: A character torn between pursuing their dream job across the country or staying to care for a dying parent.
6. Explore their fears and insecurities
• Internal conflict can also be driven by the character’s deepest fears or insecurities, which affect their actions and decisions.
• How? Fear of failure, rejection, or loss can prevent them from acting, making every decision feel like a battle.
• Example: A character who has been hurt before refuses to let anyone in, even though they deeply crave connection.
7. The power of self-sabotage
• Let the character’s internal conflict lead to self-sabotage. They may avoid decisions or create obstacles to protect themselves from facing their own feelings.
• How? Show how the character's fear or internal resistance undermines their progress.
• Example: A character constantly pushes away someone they care about because they fear their own vulnerability.
8. Use internal dialogue to show the battle
• Let readers hear the character’s internal struggle through thoughts, doubts, or justifications. Internal dialogue can make the conflict feel more immediate and real.
• How? Keep the internal dialogue sharp, reflective, and in line with the character’s voice.
• Example: “I want to tell them the truth, but what if they leave? Can I really risk that?”
9. Drive change through resolution
• The internal conflict should lead to growth or change in the character. They should evolve, learn, or make peace with their internal struggle.
• How? The resolution should feel earned and reflect the character’s journey.
• Example: A character who fears commitment learns to trust and embrace vulnerability in the face of love.
10. Let it affect the bigger picture
• The resolution of internal conflict should impact the story’s larger arc, showing how the character’s inner change leads to progress or a new direction.
• How? The resolution should tie back to the theme and forward momentum of the plot.
• Example: A character who learns to forgive themselves is able to take the final step in reconciling with a loved one, mending broken relationships.
Alright, so we all love a good angsty moment, right? That scene where everything feels like it's falling apart, emotions are running high, and your character's world is just burning around them. But… writing those scenes without slipping into "oh no, not this again" territory? Yeah, it can be tricky.
Angst is powerful, no doubt, but it can get cringey fast if you’re not careful. So, how do you make your readers feel the hurt without rolling their eyes at the drama? Here are some thoughts (because we’ve all been there)
1. Keep It Real No one—and I mean no one—has perfectly poetic, life-altering thoughts while they’re in the middle of an emotional meltdown. If your character’s going through it, make sure their reactions feel raw, maybe even messy. Show us their confusion, anger, and fear in a way that makes sense for them. Don’t just throw in a monologue about the meaning of life or have them collapse in a rainstorm. (Unless it’s really necessary. Then, okay, fine, but be careful!)
2. The Little Details Hit Harder Sometimes, it’s the small, unexpected details that pack the biggest punch. Instead of a dramatic sobbing fit, maybe your character’s hands shake as they try to make a cup of tea or they notice a tiny crack in the wall that they never noticed before because they’re spiraling. It’s those little, relatable moments that make the angst feel real, not overdone.
3. Embrace the Quiet Moments It doesn’t always have to be yelling or crying to show that your character is struggling. Silence can be loud. Sometimes it’s the things unsaid that carry the most weight. Maybe your character withdraws, or they’re stuck staring at the ceiling for hours. A pause in the conversation, a long sigh, or a blank stare can be just as gut-wrenching as full-on breakdowns.
4. Avoid the Obvious Clichés (If You Can) Okay, this one’s a bit tricky. It’s not that you can’t ever have rain scenes or broken mirrors (I see you, “symbolism”), but if you’re gonna go there, give it a twist. Maybe instead of staring out a window during a storm, they’re in a brightly lit, overly cheerful room that just doesn’t match how they’re feeling. Play with contrasts. Make the environment work against their mood rather than mirroring it perfectly.
5. Let the Angst Breathe Don’t feel like you need to dump all the angst in one scene. Let it stretch out a bit. Give your characters space to process (or fail to process) over time. A lot of times, readers will feel more for a character who’s quietly unraveling over several chapters than one who explodes all at once. It makes the eventual breakdown hit harder when it does happen.
6. People Are Weird When They’re Hurting They joke at the wrong times. They say things they don’t mean. They shut people out, or they get way too clingy. Don’t be afraid to make your characters react in unexpected or contradictory ways—people do that when they’re feeling too much. Let your characters be complicated, because real people are.
7. Subtle Can Be Stronger Not every angsty scene needs a screaming match or someone running away dramatically. Sometimes, a single line of dialogue or a character’s slight change in expression can hit like a freight train. Try letting things simmer. Hold back when it feels like you should go big, and you might surprise yourself (and your readers) with how much more intense it feels.
21 he/they black audhdWriting advice and random thoughts I guess
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