Character Tips: Pre-existing Relationships

Can't be sincerely dark without being called edgy, can't be sincerely emotional without being called melodramatic, can't be sincerely silly without being called stupid. They're gonna hate every emotion you put in your art no matter what so make it anyway and be as sincere as you can be

reblog if you have skilled writer friends and you're damn proud of them

nondelphic writing tips: writing while battling mental or physical health problems

hi lovelies! (´｡• ᵕ •｡`) ♡ today’s post is something close to my heart, a gentle reminder for anyone out there writing while navigating mental or physical health struggles.

first of all, let me just say this: you are doing enough. whether you wrote a single sentence today, edited a paragraph, or just thought about your story while lying in bed, it counts. storytelling isn’t a race, and it’s okay if your pace doesn’t match the picture-perfect productivity you see online. writing isn’t linear. sometimes it’s messy, slow, or downright impossible—and that’s okay.

♡ your health comes first

writing is important, but it’s not more important than you. if you’re having a bad day, take a step back. rest. hydrate. stretch. it’s not 'wasting time'; it’s giving yourself the space to heal so you can come back stronger when you’re ready. stories can wait. your well-being can’t.

♡ the problem with “maximum productivity”

look, i get it. those productivity blogs and #grindset🔥🔥 posts can be so motivating on good days. but when you’re not at 100%, they can feel like a big flashing neon sign that says, “you’re not doing enough.” the truth? those posts aren’t made with your unique circumstances in mind. it’s not about meeting someone else’s standards. it’s about doing what you can with the energy you have.

writing isn’t about grinding 24/7. it’s about showing up when you can, even if 'showing up' just means opening your document and staring at it for five minutes. don’t let the pressure to constantly produce steal the joy of creating from you.

♡ small steps are still progress

on days when writing feels impossible, focus on the smallest step. write one line. brainstorm an idea. imagine a scene in your head. none of it is wasted effort, because all those tiny actions add up over time. remember, even the slowest progress is still progress.

♡ redefine success

success doesn’t have to mean finishing a chapter or hitting a word count. sometimes, success is choosing to rest when your body or mind needs it. sometimes, it’s acknowledging that you tried, even if all you could do was think about your story. give yourself credit for the effort, not just the outcome.

♡ a story in your heart is still a story

even if you’re not writing actively right now, your story still exists. it’s alive in your thoughts, your daydreams, and the little notes you scribble down. it’s okay if it takes you weeks, months, or even years to finish. storytelling is a marathon, not a sprint, and there’s no deadline on creativity.

♡ be kind to yourself

writing while battling health issues—whether physical or mental—isn’t just hard; it’s an act of resilience and i'm so proud of you! every word you write is a victory, no matter how small it feels. so please, be gentle with yourself. celebrate the little wins. forgive yourself for the tough days. your story is worth telling, but so are you.

remember: you don’t need to be perfect to be a writer. you just need to show up when you can, in whatever way you can. take care of yourself, okay? ♡(´꒳`)

happy writing (or resting, or dreaming, or just existing). all of it matters. ✿

Writer Jargon 101 ✨

Show, Don’t Tell – The golden rule! Instead of flatly stating emotions, reveal them through actions, dialogue, and sensory details. Like, don’t say, “She was angry.” Show her slamming a door or clenching her fists.

Head-hopping – When you switch POVs in the middle of a scene without clear demarcation. It's confusing and jarring, like taking a sudden detour while driving.

Purple Prose – Over-the-top, flowery writing that can come off as trying too hard. A little flair is fine, but don’t smother your reader with excess.

In Medias Res – Starting a story in the middle of the action. No boring build-up, just bang—we’re already in the heat of things.

Foreshadowing – Dropping subtle hints about what’s coming next. A small detail now could be a huge reveal later. It’s like dropping breadcrumbs leading your readers to an epic twist.

Chekhov’s Gun – If you introduce an object or detail, it better serve a purpose later. No random things just hanging around. Everything matters.

Canon vs. Fanon – Canon refers to the original source material, while Fanon is the fan-created version. You can take liberties with Fanon, but Canon needs to stick close to its roots.

Saturation Point – That place in your writing where things become too repetitive, too familiar. You’ve got to find a way to push beyond it to keep your writing fresh and engaging.

Bait and Switch – Leading your reader to expect one thing, then suddenly giving them something unexpected. It’s like pulling the rug out from under them.

Plot Device – Any element (object, event, or person) that drives the plot forward or allows the resolution of the story. It’s the item or moment that has to exist for the plot to make sense.

Vignette – A brief, evocative scene that focuses on one moment or idea, often without a formal plot. It's about capturing a snapshot of a bigger picture. Think of it like a small, poetic portrait within a larger narrative.

Mise-en-Scène – A French term used to describe the setting or visual elements within a scene, especially in film and theater. It refers to how everything is placed or designed to create a specific atmosphere.

Framing Device – A structure or technique used to tell a story within a story. It's like having a character tell their experiences through flashbacks or letters, giving the plot a layered, nested feel.

Endowment Effect – When writers unintentionally overvalue a character or plot point simply because they created it. It’s the I’m so proud of this, it’s got to stay! mindset. Sometimes less is more, so watch out for this.

Conflict (Internal/External) – Internal conflict is the emotional struggle within a character (e.g., wanting something but being afraid of it), while external conflict comes from forces outside of the character (e.g., fighting an enemy or dealing with societal pressures).

Pacing Breathers – Moments in the story where the action slows down to allow the characters to breathe and reflect. These help balance the high-energy scenes and give readers time to process.

Symbolism – Using objects, actions, or settings to represent larger ideas. Think of a wilting flower symbolizing the decay of a relationship. It’s subtle but adds layers to your story.

Subtext – The hidden or underlying meaning in a scene or dialogue. What isn’t said, what’s implied but not directly stated. Like that tension between two characters that’s so obvious but never spoken aloud.

Red Herrings – Misdirection! These are the details or clues that seem significant but lead readers down the wrong path. It’s like planting a fake trail to keep your reader guessing.

Narrative Whiplash – When you suddenly change tones or perspectives, jerking the reader’s expectations. It’s like riding a bike and then suddenly taking a sharp, unexpected turn. Used well, it adds suspense, but too much can feel disorienting.

To those readers who became writers ✍🏻, we instinctively and intuitively know what works and what doesn’t, but just in case I’m putting it out here so writing becomes easier. The more you write, the more these little tricks and tools become second nature. Keep going, trust yourself, and keep honing your craft. ✨

reblog if you have skilled writer friends and you're damn proud of them

why is it that i can write dialogue for hours, but the second i try to have a conversation with a real person, my brain short-circuits? i can have my characters banter back and forth with wit and charm, but ask me how my day is going and i’m like 'uhhhh, fine?'

I don’t know a worse hell than making creative projects that you don’t care about. There are so many other things I’d rather work on right now, but I feel guilty. I’ve spent a lot of time not doing anything and thinking about stuff I should do and want to do. All of my incomplete projects are taunting me.

write the story only you can tell, because you aren't the only one who needs it

get up and go write.

write for the people who will one day pore over the words you've chosen.

write for the people who think you could never have gotten so far.

write so you can bring words to life.

write so one day you can look back and see how far you've come.

write to inspire people who are too afraid, or who cannot, put words to paper.

write, because if you don't create this, who will?

and if anything, get up and go write for yourself. there's still so far to go. take a break, breathe, but go back. there's still so many things to share.

when a powerful figure is reduced to kneeling. when the lord is forced to bow. when the exile stumbles into an unwelcoming bar. when the “beast” is chained by their horns. when a god is dragged behind their enemy’s chariot, a captive and trophy. when the loyal “guard dog” character is muzzled and the silver-tongued thief falls silent in horror.

that’s the shit

it’s about the contrapasso. the reversal of roles and the sudden, plunging terror of being unable to hide.