I just made an actual schedule for what writing projects I should focus on each day for the next week. So that way I can hopefully make progress on my fic and on revising poems for my slam team at the same time. We’ll see if the adhd cooperates.
if you're trying to get into the head of your story's antagonist, try writing an "Am I the Asshole" reddit post from their perspective, explaining their problems and their plans for solving them. Let the voice and logic come through.
Writing a fanfic sometimes feels like having a plan...only for that plan to magically transform into a slice of cake. Now you have to bake the rest of the cake because you can't just serve a single slice whilst random cake slices of unidentified origin rain down from the sky tempting you like some kind of cake demon.
reblog if you have skilled writer friends and you're damn proud of them
If you’re shrouded in writers block and desperately want to shoo it away to keep going with your WIP, it sometimes helps to delete the last few sentences/paragraph/scene and rewrite it. Sometimes you accidentally build dams in your creative stream and the only way around is to go back and break it down
Show, Don’t Tell – The golden rule! Instead of flatly stating emotions, reveal them through actions, dialogue, and sensory details. Like, don’t say, “She was angry.” Show her slamming a door or clenching her fists.
Head-hopping – When you switch POVs in the middle of a scene without clear demarcation. It's confusing and jarring, like taking a sudden detour while driving.
Purple Prose – Over-the-top, flowery writing that can come off as trying too hard. A little flair is fine, but don’t smother your reader with excess.
In Medias Res – Starting a story in the middle of the action. No boring build-up, just bang—we’re already in the heat of things.
Foreshadowing – Dropping subtle hints about what’s coming next. A small detail now could be a huge reveal later. It’s like dropping breadcrumbs leading your readers to an epic twist.
Chekhov’s Gun – If you introduce an object or detail, it better serve a purpose later. No random things just hanging around. Everything matters.
Canon vs. Fanon – Canon refers to the original source material, while Fanon is the fan-created version. You can take liberties with Fanon, but Canon needs to stick close to its roots.
Saturation Point – That place in your writing where things become too repetitive, too familiar. You’ve got to find a way to push beyond it to keep your writing fresh and engaging.
Bait and Switch – Leading your reader to expect one thing, then suddenly giving them something unexpected. It’s like pulling the rug out from under them.
Plot Device – Any element (object, event, or person) that drives the plot forward or allows the resolution of the story. It’s the item or moment that has to exist for the plot to make sense.
Vignette – A brief, evocative scene that focuses on one moment or idea, often without a formal plot. It's about capturing a snapshot of a bigger picture. Think of it like a small, poetic portrait within a larger narrative.
Mise-en-Scène – A French term used to describe the setting or visual elements within a scene, especially in film and theater. It refers to how everything is placed or designed to create a specific atmosphere.
Framing Device – A structure or technique used to tell a story within a story. It's like having a character tell their experiences through flashbacks or letters, giving the plot a layered, nested feel.
Endowment Effect – When writers unintentionally overvalue a character or plot point simply because they created it. It’s the I’m so proud of this, it’s got to stay! mindset. Sometimes less is more, so watch out for this.
Conflict (Internal/External) – Internal conflict is the emotional struggle within a character (e.g., wanting something but being afraid of it), while external conflict comes from forces outside of the character (e.g., fighting an enemy or dealing with societal pressures).
Pacing Breathers – Moments in the story where the action slows down to allow the characters to breathe and reflect. These help balance the high-energy scenes and give readers time to process.
Symbolism – Using objects, actions, or settings to represent larger ideas. Think of a wilting flower symbolizing the decay of a relationship. It’s subtle but adds layers to your story.
Subtext – The hidden or underlying meaning in a scene or dialogue. What isn’t said, what’s implied but not directly stated. Like that tension between two characters that’s so obvious but never spoken aloud.
Red Herrings – Misdirection! These are the details or clues that seem significant but lead readers down the wrong path. It’s like planting a fake trail to keep your reader guessing.
Narrative Whiplash – When you suddenly change tones or perspectives, jerking the reader’s expectations. It’s like riding a bike and then suddenly taking a sharp, unexpected turn. Used well, it adds suspense, but too much can feel disorienting.
To those readers who became writers ✍🏻, we instinctively and intuitively know what works and what doesn’t, but just in case I’m putting it out here so writing becomes easier. The more you write, the more these little tricks and tools become second nature. Keep going, trust yourself, and keep honing your craft. ✨
I don’t know a worse hell than making creative projects that you don’t care about. There are so many other things I’d rather work on right now, but I feel guilty. I’ve spent a lot of time not doing anything and thinking about stuff I should do and want to do. All of my incomplete projects are taunting me.
Ok this book idea I’ve started drafting, I have no idea what’s gonna happen. Like I have vibes, a bit of world building, backstory, and three characters I barely know. I’m just gonna let the plot find me I guess
"Why didn't they just communicate?? They're so stupid!" Have you considered that communicating with someone you love and value and don't want to hurt is scary and that vulnerability takes practice and that perfect characters with perfect words make the most boring stories of all
If you have an idea, write it down. And don’t be afraid to explore the weird, the obscure, or the downright silly.
Even the most outlandish ideas can lead to something truly great and amazingly creative, so don’t hesitate to play around in the sandbox of your mind. You never know when a random idea will be the seed of something great.
born to infodump forced to constantly worry if the other person actually cares or if im making sense or if i said something wrong or if im embarrassing myself or if they want me to stop talking or
21 he/they black audhdWriting advice and random thoughts I guess
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