I Think It's A Response To Terrorism. From The Time We're Little Girls, We're Taught To Fear The Bad

Just reflecting on the fact that when the Universe punches you in the teeth, it never just lets you fall down. It kicks you in the ribs a couple of times and dumps mud on your head.

'Magic Strikes' by Ilona Andrews

In a neo-Gothic mansion in a city at the end of the world, Ellie finds there's room enough for art, family, forgiveness and love. A coming-of-age story about embracing the things that scare us from the author of ‘The Year the Maps Changed.’

How do you ruin someone's childhood? You let them make-believe that they are a monster. But sooner or later, the mask must come off...

Ellie Marsden was born into the legendary Lovinger acting dynasty. Granddaughter of the infamous Lottie Lovinger, as a child Ellie shared the silver screen with Lottie in her one-and-only role playing the child monster in a cult horror movie. The experience left Ellie deeply traumatised and estranged from people she loved.

Now seventeen, Ellie has returned home to Hobart for the first time in years. Lottie is dying and Ellie wants to make peace with her before it's too late. But forgiveness feels like playing make-believe, and memories are like ghosts.

When a chance encounter with a young film buff leads her to a feminist horror film collective, Ellie meets Riya, a girl who she might be able to show her real self to, and last comes to understand her family's legacy - and her own part in it.

A story of love, loss, family and film - a stirring, insightful novel about letting go of anger and learning to forgive without forgetting. And about embracing the things that scare us, in order to be braver.

Stars should not be seen alone. That's why there are so many. Two people should stand together and look at them. One person alone will surely miss the good ones.

'Dry' by Augusten Burroughs 

I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It's when you know you're licked before you begin but you begin anyway and you see it through no matter what. You rarely win, but sometimes you do.

'To Kill a Mockingbird' by Harper Lee

I guess love's kind of like a marshmallow in a microwave on high. After it explodes it's still a marshmallow. But, you know, now it's a complicated marshmallow.

'Graffiti Moon' by Cath Crowley