So last week I grumbled about pretty much everything - sucky weather, utter broke-ness, and the lack of good new jams. I was your prototypical anonymous cynic of the internets!
This week is different. It's currently 75 degrees in Oakland with fair skies, and I'm stoked on a new track. I am however, still broke, but I'm always broke.
French swirly dream pop band M83 dropped new single "Midnight City" off the forthcoming Hurry Up, We're Dreaming. This succeeds John Hughes-movie- soundtrack-inspired LP Saturdays=Youth, which was a damn near perfect record for ME. I mean, c'mon, an atmospheric synth-pop record inspired by moments like Ferris and Sloane bidding goodbye after a long, radical day to Dream Academy's "The Edge of Forever"?
Saturdays=Youth was a record tailor-made for this kid who thought Shermer, Illinois was real way before Jay and Silent Bob.
New single "Midnight City" doesn't sound far off, era-wise. There's a huge sax solo at the end. I've heard this so many times before (Psychedelic Furs' "Heartbreak Beat") but with that, it hits every note of nostalgia without sounding old.
The double(!) record comes out October 18 on Mute, followed by a gig at SF's Independent on November 10.
From Mike Ballard's Skatebook. Ballard is currently being sued by 20th Century Fox over intellectual property use.
This is The Horrors. They're from London. This past week, they released their third lp Skying off XL Recordings (home of every artist that seems to matter at the moment, including Radiohead, the XX, and Adele).
The once punk-and-goth inspired five piece continue to lighten up(only slightly) with lead single "Still Life."
It's a catchy, synth-filled cut that grows until bam! We got horns!
I've been reading reviews on other sites(the big fancy blogs you've heard of) that their new sound mimics early Simple Minds. Like those kids ever really listened to Simple Minds. Who makes that up? Regardless it's got that era written all over it. Along with M83's "Midnight City" and Washed Out's "Amor Fati" we're sure building the greatest John Hughes movie soundtrack that never was.
The Horrors play Bimbo's 365 Club September 10 in San Francisco.
Ernest Greene, aka Washed Out, was all over the internets yesterday after announcing his Sub Pop full-length debut (out July 12). Additionally it's mentioned he's coming around the Bay with a gig at the Great American Music Hall a few days prior on July 9th. I'm totally stoked...in that chillwave kinda-way.
Streaming from the upcoming Within and Without, is "Eyes Be Closed" - a track undoubtedly influenced by Enya, and that standing outside a phonebooth song.
EDIT (7/20): Two days ago Domino Records (by way of Subpop) released the "short beautiful visual piece" for "Eyes Be Closed," which can be now be seen above.
Brooklyn, NY based noise-poppers Sleigh Bells were remixed earlier this year by maestro and stereo-land favorite Diplo. Here he strips down the opening track off Treats, "Tell 'Em" with fantastic results.
Sleigh Bells kick off two-sold out shows tomorrow, Memorial Day, with Neon Indian at The Independent in SF.
I'll be there undoubtedly with a sunburn left over from this weekend.
Yucca Valley, CA