These are only a few of my ocs, allow me to introduce them!
First Drawing: Amal (the left) and Erosabel (the right)
Second Drawing: Marissa (I just really wanted to give him a unique name-)
Third Drawing: Erosabel as a superhero
Fourth Drawing: A Galaxy-themed Saorsa (I didn’t draw the galaxy-)
Fifth Drawing: Smokey in hipster-ish clothing.
Sixth Drawing: Smokey in a wacky fall outfit I came up with
Okay, I don’t know how true this is - but this is huge fucking news.
I’ve been saying this for a while now, but Disney, Amazon and co. are trying to return to the studio system of the old Hollywood days that got - rightly - discontinued in the 1960s. Those were the days when each studio owned their own cinemas that could only stream their movies, where they owned actors who could only play in their movies (unless hired out by others) - and that led to people like Judy Garland, Marilyn Monroe etc. literally being owned by studios that fed them non stop pills and driven to overdose.
That’s the end point. That’s not the point we’re at now. But you’ll notice that in the last 3 or 4 years, every major production company now has a streaming platform. Much like up until the late 1960s in America, you can only see movies on company-owned platforms. This, with Johansson, is a huge step further - the largest production company in the world - who breached contract, not the other way around - are now essentially blacklisting Johansson from working with them for speaking out against them. Sure, this isn’t a blacklist on the level of the red and lavender scares - but if they can do this to Johansson, the biggest actor in the world, it sets a huge fucking precedent for blacklisting anybody who stands up for workers’ rights.
It also sees Disney - and other companies will follow suit, as they always do - moving a step closer to owning their stars. What Disney is trying to say is that Disney and Johansson are not equal partners in the contract, but that Disney has the ultimate say over everything. This idea that the contract is a formality is absolutely fucked, because it means that artists have no rights under the corporations, and if they want to continue to work they have to obey. Nobody is signing exclusive contracts yet, but you bet this is reverting to Judy Garland times.
We are not going forwards. The movie industry is going backwards to the days of Louis B. Mayer (and it’s capitalism’s fault) and we all need to boost the fuck out of this. The courts will handle the Disney case - but we must support ScarJo (I say as very much a non ScarJo fan) and make sure that she continues to have a career after this, to set the precedent that audiences will not stand for future blacklisting.
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My many operations are finally under way! After my first procedure, I can say that I am feeling significantly better, but I still have quite a long journey ahead of me. I am currently on a payment plan for my medical debt, and I won't sugar coat it: it's been extremely overwhelming. But I must press on and complete the 7 other operations before I can finally be deemed healthy. The greatest news to come out of my most recent operation is that I am no longer facing death as a likely end result; however, I am still facing the possibility of quadriplegia lest I continue with these operations. So I humbly ask you all to please consider donating, or at least sharing. Every penny put towards this fundraising campaign goes to saving my life. Every reblog is highly appreciated. Love and light to you all, and thank you all so much for getting me to where I am now 🤍
Getting a good night's rest is a journey.
In order: Fen (19), Mors (20) and Aeron (18). They're dating each other and are also in an international gang.
Fen is the explosion expert, Mors specializes in poisons and Aeron is a computer genius.
God, as somebody that grew up in a largely jewish community, holocaust denial is like... so fucking weird.
Because I don’t remember a time in my life when I wasn’t terrified of swastika’s, including when I was so young that I didn’t even know what a swastika was.
Because it’s such a strangely specific feeling to be born in the wake of a tragedy so massive that you can still feel it’s reverberations and were born with a weird sense of survivors guilt that will shadow you forever
Because when we were younger and our parents refused to tell us exactly what the holocaust was, we would trade our grandparents horrific experiences like they were scary stories across the camp fire, repeating them over and over to ourselves and eachother so we could figure out what it all meant.
Because I’d see those books with grey photos of Auschtwitz prisoners on the cover and feel like they were looking straight fucking at me.
Because every single Yom HaShoah you’d hear grade school children get up and say “my grandmother was the only one left of her family” or “they barely got out before it started” or “they managed to hide in an attic for months on end” or “my great grandmother managed to jump off one of the trains with her daughter in her arms” or “my grandfather has numbers on his arms but he won’t talk about it” or “my great aunt was shot just before the liberation so she couldn’t get out,” like it was normal.
Because we were always taught to run if we were in a group of non-jews that started making nazi jokes, to laugh along and then take the fuck off to stay safe.
Because the question always lingered over our heads, “what if it happens again? what if it happens to us?”
.... and them some stupid fucking college age white trash dickhead stands up and says “it didn’t happen” or “it wasn’t that bad” and I just can’t... fathom that? Like how the fuck wasn’t this part of your life? How is this not etched into your bones?
And its because it’s not. Like people didn’t grow up with this shit, some people can afford to deny the holocaust and deny antisemitism because it won’t hurt them.
It’s just... fucking wild.
(please reblog)