READING ROOM: 

READING ROOM: 

READING ROOM: 

Grapevine~ Magdalena Suarez Frimkess, Michael Frimkess, John Mason, Ron Nagle, Peter Shire, curated by Ricky Swallow. (Rainoff & David Kordansky Gallery, 2014).

From David Kordansky Gallery on the Grapevine~ Exhibition:

GRAPEVINE~ was conceived as way of exhibiting a group of artists who have all worked in clay, in California, for more than 40 years. Throughout that time these artists have always sought to contradict the limitations of the medium in terms of its craft parameters. It might sound obvious, but there is something about this work brewing on the West Coast. I can’t imagine it surfacing anywhere else with its strangeness paired with such dedication to finish and quality.

Courtesy David Kordansky Gallery.

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10 years ago

i feel satisfied that i left all my past behind... 


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8 years ago
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10 years ago
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FEATURED ARTIST: Linn Pedersen, Sedimentality, 2013. C- prints, textiles and spray paint. Installation at Gallery MELK, Oslo, Norway. Courtesy the artist. Photo: Bjarne Bare.

https://sculpture-center.org/

10 years ago
‘The Mainstay Of My Work Is Sideshow. I Swallow Razorblades, Walk On Broken Glass, Eat Lightbulbs And

‘The mainstay of my work is sideshow. I swallow razorblades, walk on broken glass, eat lightbulbs and stuff. For a circus performer, I’m neither fit nor flexible. It’s all in my fingers and tongue. I had an act where my assistant would feed me razorblades. She’d then swallow some string and then we’d snog. As we snogged, we regurgitated what we swallowed and tie the razorblades under the string with our tongues.’ How did you get in to this? ‘It’s weird. I studied business. I thought that was the smart thing to do. I didn’t study art and drama like I wanted to because like that’s ever going to make you a living. I picked up fire twirling just by randomness and started getting work for it. I then started to diversify. I went from fire dancing to fire eating to fire breathing to sword swallowing to swallowing other things to just working on controlling responses of the body that are normally automatic that we normally don’t have conscious control over – that your subconscious takes over itself. ‘What I do, it’s not like an adrenaline rush. I’m not seeking death or pain or anything like that. It’s actually more methodical. It’s more mastery of your body. It’s not even mind of body. It’s more mind over mind really. My old assistant used to say, “Everything is in the mind. Even the mind is in the mind.”’ https://www.facebook.com/pages/Dangerboy/56287834814?fref=ts

10 years ago
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10 years ago

Drawing the Body (It's all in the proportions!)

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10 years ago
Michael Behymer San Francisco, CA Fuji X-Ti
Michael Behymer San Francisco, CA Fuji X-Ti
Michael Behymer San Francisco, CA Fuji X-Ti
Michael Behymer San Francisco, CA Fuji X-Ti
Michael Behymer San Francisco, CA Fuji X-Ti
Michael Behymer San Francisco, CA Fuji X-Ti

Michael Behymer San Francisco, CA Fuji X-Ti

Michael, you’re not only an amazing photographer but also a very inspirational person to us all. Please tell us how your photography portrays your perception of the world?

Photography is a way to escape from our everyday lives. It gives us a reason to travel to new places for something exciting; it also gives us an excuse to go back to areas that we have been thousands of times in hopes of discovering something new.

My perception of the world is no different than anyone else’s. I just happen to have a camera. I like beautiful things and when I see beauty I like to capture it and keep it for myself. Photography has taught me an important lesson: everyday beauty will pass us by if we don’t actively seek it. This not only applies to photos, but everyday people. It isn’t simply the overall picture that makes something attractive, it is the individual parts that add up to make that something beautiful. 

Tumblr: @mbphotograph Instagram: @michael_and_kobe

SUBMIT TO WANDER

8 years ago
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10 years ago
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amazingapocalypse - screaming forest
screaming forest

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