Thinking About Him Again

Great big fat boye

This scratched an itch for me… I need more

Serious question, because this might have changed the storyline of the tcm remakes. If Thomas ever had at least one friend, that ONE friend he managed to get from his upbringing. Possibly back from his childhood, too, let's just say that.

Would Thomas be possessive or a meek individual who would be desperate to keep them close. Like I'm talking about an extreme level of possessiveness that it would be considered sick. I think there's a word for that, I just don't know what it's called.

Because I can see Thomas becoming a stalker at one point and possibly following somebody close to him around if he needs to. Like a "threat" is close to his dear friend, and he's afraid that this person might take them away from him.

Proprietorial

Gender-neutral Reader x Thomas 🫀

_____

Thomas is and always has been desperate for connection. Genuine understanding - Not just acknowledgement. It's rare to be accepted when you're different - And it sure as hell doesn't get easier in a small, conservative town like Fuller. Luckily enough, he had found someone. Someone who didn't recoil in disgust - Someone who didn't laugh when he tried to speak. Someone his momma approved of.

That was back in grade school - Back when things in Fuller were "good." Though, were they ever really good?

When his momma told you about the slaughterhouse shutting down, you were nothing but empathetic. You even offered to help the family out with what little time and money you had. Luda Mae, being the prideful woman she was, declined your offer.

"Keep some for yourself, hun. Gotta do what it takes to survive out here...we'll figure out a way."

Everything got worse when you decided you couldn't stay.

--

One day, you stopped visiting Luda at the community center. No longer stopped by at the slaughterhouse to see Thomas. It was like you were never there.

You had to tell them you were leaving - It wouldn't be right to abandon them all on their own..especially not Thomas. So, you packed up a small basket and headed over to the Hewitt residence. That evening, when you'd knocked on the door, Monty answered.

"Whadd'ya want?"

"I'm here for Ms. Mae..Luda Mae; And Thomas - Are they home?"

He squinted his eyes and weakly scoffed before opening the door further, letting you walk through. He then directed you to the kitchen where Luda Mae was; She'd been preparing dinner just as you walked in.

Monty swiftly knocked on the doorframe, grabbing her attention. As she turned, she scoffed "Monty, for the last damn time, I-" She stopped. Her expression neutralized as she saw you.

"Oh, ____, there you are! Gosh, I haven't seen you in so long; Where've you been?" - "Tommy's been worried sick about you.."

There it was. You'd made Thomas worry..which is exactly why you dreaded coming over; You didn't want to be reminded of the guilty feeling festering inside your stomach.

"Is he alright?" You asked, and Luda nodded.

"Oh, he's just fine, dear. Why don't you go say hi? He's in that damn basement again.."

You agreed, but quickly remembered the basket you brought.

"What's that?" Asked Charlie, he had been watching from the opposing doorway..unbeknownst to you.

"Oh..gifts..for you."

"Me?"

"Well, the family, yes."

"That's so kind of you, dear. What for?" Asked Luda Mae, grabbing the basket from you and placing it on the kitchen table.

"Just..felt like bringing some joy to this dying town."

"That's very kind of ya - Now go see what Tommy's up to, he's missed you like crazy" Charlie said, unimpressed. He sniffled before taking a swig of his beer.

--

You'd known the Hewitt house's layout well; It's not like Thomas would invite you over after school some days...The basement was across from the front door, it'd be hard to miss unless the archway was blocked. As you approached the ominous door, you took back your hand from the handle. What if Thomas didn't want to see you? What if he'd grown resentful of you? You sighed, closed your eyes and went to open the door. To your surprise, a loud screeching sound interrupted you as the door opened seemingly by itself -Except, doors don't open by themselves.

Behind the doorway, a tall, familiarly built man stood before you. His half-mask..muzzle of sorts was tightly wrapped around his head, strangling his neck and chin. He must've heard you - or his family, talking.

"Hi Tommy; I'm so sorry, I know I've been absent - It's not you, I've just been so stressed and confused and-"

You were rambling. He never seemed to mind, especially when you called him "Tommy." He never liked when just anyone used that nickname, it was special. You were special - To him, at least.

"I need to talk to you about something." The way you said that caused him to tense a little. Talk about what? Was it his job? Did he disappoint you?

"Listen, Thomas" Oh no, you were being serious, weren't you? "I love you and your family so so much, and I'm so grateful to have known you for this long..but..I can't stay here."

..What?

"I can't afford to stay here any longer, Tommy. I don't know how you folks are staying - I..there's no jobs, no resources out here, no nothing. It's all gone! I can't live a life like that, how do you survive out here? I'd..I'd love to stay but it's not sustainable for me. I'm so sorry, Thomas."

You're leaving me. After all we've been through together, you're leaving. Just as uncle Charlie said you would..

"It's not anything you've done. I swear."

You can't leave. I won't leave you leave - I have nothing. I'll prove to you how good I am - How good I can be, I swear. You can live with us on this farm, just like momma always dreamed of. You're not leaving me; Not after you've met momma, not after the countless times you've saved me from callous assholes out here. No - I couldn't..

"Thomas?"

He had been so lost in thought that he forgot to respond. His expression had dropped immensely - He had been so excited to see you again but now all that excitement was gone.

He'd lost Charlie once. Came close to losing everything, everyone. He would never let that happen again. Especially not when it came to losing you.

"Thomas.."

He had to keep you. Keep you here; In the basement; In the barn; Maybe in a spare bedroom - His bedroom. It didn't matter. You could would not leave.

As he stared you down, you felt an emptiness surround you - A dark, restless entity caging you in. Just as you thought he'd lose it, a voice pierced through from the archway:

"Thomas? Thomas, what on God's green Earth are you doing?"

It was Luda Mae. You didn't know if she'd heard your "conversation" but you were glad enough that she'd come through.

"Now, Tommy, I know you're upset, but let's just..leave ____ to breathe a minute. Okay?"

You mumbled a meek "Thank you" before wiping an unknown tear from your cheek. You'd never seen him like that - Most definitely not with you.

As your anxiety curtailed, you made your way to the living room to sit, holding your head in your hands. You hadn't noticed Monty sitting in the armchair beside the couch; Hell, you hadn't noticed the TV playing either. It was playing some..random news station - One of the few you could get out here.

"So you're leaving us, huh?" He spoke in a rough, gravelly voice.

"You heard that?" You sniffled.

"With the way you were talking, the whole damn house heard." Shit..had you been loud? It didn't seem like it in the moment..

"Don't worry about Thomas, he's an emotional crybaby, ain't he?"

You refused to answer. Seeing Thomas so distressed, so..frightened by the idea of you leaving, it made feed your already aggravated guilt. So many hours in his room, so many repetitive school days spent together, drawing in the back of the class. The days when you two used to spend hours at the creek, collecting all sorts of treasures. He even picked a wildflower-bouquet for you - Granted, it was all dirty and withered, but it was enough to signify how much he cared about you. How grateful he was to have you.

You were stripped of your thoughts as you heard Monty grown and yawn, falling asleep in his chair. The TV had become background noise for the both of you. On the table, two glasses filled with water..dirty water at that, and a note; Folded and slightly dirty. You wiped your eyes again and picked up the note, unfolding it.

Don't leave.

Please.

_____

Guys this is ass should I log off

Anyway, if I didn't cover everything you wanted, please let me know and I'll update it!

Germany: Köln

By Peter Steele

Me when a song has honestly nothing to do at all with a character but I played it a lot while thinking about them

TheArtPrintStudios

ultimate character development template

basics

name: meaning of name: nicknames/titles: age: gender: location: birthday: strengths + example where it's shown: weaknesses + example where it's shown: how it affects others:

emotional depth

attachment style + how it manifests in the story: physical fear: emotional/abstract fear: happy memory: sad memory: object of significance: philosophical outlook/belief: what characters are ignorant about themselves: how confident are they: goal: long-term dreams: what they're embarrassed/ashamed to tell others about: regrets: source of pride: source of misery: what they admire above all else: do they believe in fate:

personality

mbti: enneagram: big five: character archetype: star sign: who they pretend to be on the outside: who they actually are/how they feel towards the mask: mental health conditions: how it manifests for them: iq: eq: humour: reputation:

habits

bad habits: mannerisms when stressed: mannerisms when content: mannerisms when scared: mannerisms normally: verbal mannerisms/distinctive speaking style: how do they move across a room: what do they say and what remains unsaid: how they express love: hobbies:

appearance

defining features: eye shape + colour: hair texture + colour: skin texture + tone: vibe: height: build: clothing: any bodily disfigurement (scars, etc.): overall attractiveness: their opinion on their appearance: appeals to:

relationships

who they trust most: what they wish they could do for them: what's holding them back: who they hate most: what they wish they could do to them: what's holding them back: relationship with the protagonist: relationship with the antagonist: siblings: relationship with them: parents/step-parents: relationship with them: previous broken relationships: why did it break: what others expect of them: who believes in them: their mentor character/who they look up to: political/religious/other affiliations: what makes them different from every other character: non-human relationships + why: romantic "type" + why: relationship dynamics:

backstory/background

primary emotion towards their past: primary feelings while in their past: where did they grow up: defining incidents: earliest childhood memory: saddest memory: happiest memory: major accomplishments: their opinion on it: notable people in their backstory: effect on them today: trauma: what have they already lost: financial circumstance:

progression

why are they important (eg. why're they the only one able to do something?): what do they learn about themselves throughout the story: what do they learn about the world: how do they feel towards their newfound knowledge: character arc (positive, negative, neutral): how relationships change because of their actions: what mistakes do they make: what scene is their character highlighted: do they get what they want: why or why not: what happens to them after the story ends:

It's the cruel beast that you feed It's your burning yearning need to bleed Through the spillways Through the spillways of your soul

Ghost – Spillways

after 7 years of non drawing I returned to post this art piece and now going back to design

What it feels like digging into the lore of the Texas Chainsaw Massacre franchise. (Both the remakes and OG movies)