Natsume And Dazai In Fifteen

Fukuchi's page is likely to be a fake. Keeping a page unused runs the risk of someone retconning what was already written on it, especially since they would see the exact phrasing used. But is the page does have some empty space, Fukuchi would like to keep it on his person as an assurance no ratly concerns are solved with it. So for the sake of good PR you give out a replica - when Fuku decided to use it, it would be either to do finishing touches (at which point it would happen to late to properly react to it's fakeness), or to cover a major fuckup (at which point, it's fakeness is the final nail in the coffin). If he suspects it's a fake, testing it out on something smol would risk eating up squares/space on the real page, but acknowledging the possibility prevents using it to it's full extent (as to hedge one's bets).

TIL: the phrase "who watches the watchmen" originates from 2nd century AD.

You ain't solving it today.

That said, it is that time again when i start pontificating on how to make the internet P2P. Somehow. For resilience.

A lot of folks are responding to the whole Reddit situation by calling for the return of decentralised forums, and I think it's important to remember that, contrary to certain popular narratives, the reason early 2000s forum culture has fallen by the wayside is not because people are Just Lazy. Certainly, ease of use is part of it, but a much larger part of it is how vulnerable self-hosted forums are.

Basically, the problem is that even the largest and most carefully managed self-hosted forums can be rendered unusable more or less indefinitely by a single sufficiently determined hostile actor. This can take the form of both attacks on the forum's social infrastructure (i.e., via sock-puppet accounts, botting, organised "raids", etc.) and attacks on its technical infrastructure (i.e., via hacking, DDoS, etc.). In either case, a self-hosted forum has effectively no defence, and the majority of decentralised forum communities survive only by virtue of their relative obscurity; once a self-hosted forum manages to attract the attention of That One Guy who's willing to devote his life to shitting the place up over some microscopic slight, it's effectively game over.

Right now, there are essentially only two mitigation strategies:

Gathering huge numbers of communities under a single, massively centralised technical infrastructure that's simply too large and robust for any one hostile actor to bring down; and

Hardening the community's social infrastructure either by going private and invite only (i.e., the Discord approach), or by making use of a vast centralised pool of volunteer labour to aggressively enforce community standards (i.e., the Reddit approach).

To be clear, these are not intractable problems; other solutions may well exist. However, any proposed plan for bringing decentralised public forums back needs to address them; if you're going in operating under the assumption that forums have become marginalised simply because corporations are evil and people are lazy, you're just setting yourself up to learn the hard way why self-hosted forums no longer seem to be capable of growing beyond a certain point.

Was Chuuya chosen for Project Arahabaki because of N’s personal grudge? A Stormbringer theory

One thing I find very interesting about Stormbringer is that there are a lot of elements in the novel that are left ambiguous, or that are only mentioned briefly, but if you start putting them together you can draw a possibly really interesting picture.

And my favourite interpretation for that picture has to do with the reason why Chuuya, specifically, was chosen for that experiment, and how it is very plausible it wasn’t a random pick.

For this theory, I am going to work on the assumption that Chuuya is the original and not the clone (this is after all heavily implied in the epilogue), but even if he wasn’t, the existence of the original human child that was cloned was also confirmed in the epilogue, so this would be applicable to him instead.

Let’s start with this thought:

Why, in a country where the War has left countless orphans, would the military pick one of the only characters confirmed to have parents in all of BSD?

They could have grabbed any random kid from the streets or an orphanage, after all. We know for a fact that the Director of Atsushi’s orphanage was quite happy to lend kids to random guys who wanted to experiment on them. It would have been easy.

Instead, they picked Chuuya. Wasn’t that risky, especially since we know that both of his parents were quite powerful and influential?

It’s an odd choice.

Let’s look at some possible clues that are explicitly stated in the text:

The picture that the Flags give to Chuuya in the first chapter, the one with him as a child next to N, was found when they were investigating Chuuya’s pre-experiment life. The photo is taken at a beach, near an old farming village that is now abandoned, and in a town nearby Doc found the medical records proving Chuuya’s human existence before he was taken by the government.

In the epilogue, we learn that Chuuya’s father is a now a simple doctor, but he was once in the military, and “not someone who could be taken lightly”.

The first fact is interesting enough on its own. If the photo was taken in the village where Chuuya was born, why is N there? Did he stop to take it on his way out from the kidnapping, as a fun memento? That doesn’t seem very likely.

And if we then consider the fact that Chuuya’s father was a military officer with medical background, just like N, a natural conclusion would be that N and Chuuya’s father were colleagues.

No, more than colleagues.

Would you invite a random colleague to your home and let your 5 years old kid take a picture with him?

They were probably friends.

But how do you end up performing horrible experiments on your friend’s child?

The novel tells us nothing about the circumstances of that kidnapping; we only know that as far as the world knows, the child has passed away. Maybe Chuuya got sick or injured, had to be taken to a hospital where it would be easy for a government agent to snatch him. Maybe he got lost near the sea, and believed to have drowned. Maybe there was an airstrike from a foreign country, there was a war going on…

We will never know the details. But N was not quite sane after all, he claims to be solely dedicated to his science, so it is possible that he just saw the opportunity and took it, no logical reasoning needed.

However, I don’t believe N to be as emotionally detached as he wants to appear.

Insane, sure, you have to be to do the things he did, but he’s also extremely prideful. He lied about his own work to make it look so he created Chuuya’s body and mind, and then he gave Chuuya his own last name, signing his “scientific masterpiece”.

He also waited for the perfect opportunity to take revenge on Verlaine for killing his brother, even though that resulted in his own death.

And this is why my theory is that he chose Chuuya as his lab rat out of some grudge against his friend.

What that grudge would be, we can only speculate. Maybe it was envy for his colleague’s achievements, maybe something else entirely, there’s a lot of room to make up our own headcanons and interpretation.

(There is another possible hypothesis, which is that Chuuya’s parents were equally insane and they willingly gave their own kid to the government to be used as a weapon for the War. There’s however no hint of this madness in the brief scene that we see them, so it’s up to each of us to imagine if this is a plausible interpretation or not)

Anyways, that’s my thoughts on this subject, let me know what you think if you want!

I believe that many things in Stormbringer were left vague on purpose, but that’s why it is fun to try and look at it and come up with our own theories.

@lu-is-not-ok

i read lu-is-not-okay's sin analysis guide and it made me think about outis some more (mainly base outis)

TL;DR for the guide: Each sin's meaning is likely different from the mainstream interpretation of them (e.g. Lust does not necessarily mean being horny), and an identity's skills represent the layers of their psyche (With s1 being the surface layer and s3 being the deepest layer of the mind)

I should note that this draws from my previous theory of Outis's story so it might be needed to check that out to clear any confusion. Also, since Outis's story isn't going to be released for a very long time, this is really just conjecture.

Anyway...

Outis has a sloth s1 (Pulled Blade), a pride s2 (Backslash), and a gloom s3 (Piercing Thrust), right?

Going by the guide, Sloth S1 represents Outis's resignation to her circumstances. She's given up on hopes of ever returning home after the Smoke War, believing it to be totally impossible.

Pride S2 likely alludes to a fatal mistake Outis made out of hubris during the Smoke War, one that could possibly even be the reason why she cannot return home. Since we don't have her story yet, this is more based off of Outis's source material.

In The Iliad, the protagonist Odysseus had been captured by a giant called Polyphemus. When he demanded his name, Odysseus told him his name was "Ουτις" (Outis), which means 'nothing' in Greek. Odysseus later blinded the giant, who screamed "Outis (nobody) is killing me!" (and thus leading the other giants to ignore his pleas) and allowed them to escape.

However, before leaving, Odysseus revealed his true name to Polyphemus in an act of hubris, taunting him. As a result, Polyphemus was able to pray to his father Poseidon to curse Odysseus to “[never] reach his native land, to [never] come once more to his own house and see his friends again” and to “let him come late, in evil plight, with all his comrades dead, in someone else's ship, and find troubles in his household."

Sounds pretty familiar to Outis's predicament, right?

Afterwards, gaining a grudge against Odysseus, Poseidon began sabotaging Odysseus's journey. All of which would have been prevented had Odysseus's arrogance not gotten the best of him.

Returning to Limbus Company Outis, I feel like Pride S2 would represent her invoking catastrophe the same way as Odysseus -- in an act of arrogance, she will make a huge mistake with terrible consequences (perhaps being the reason why she cannot return home?). Could be her revealing her identity to the enemy to brag -> said enemy pulls a few strings and finds a way to prevent her from returning home, or it could be something less 1-to-1 with The Iliad. Either way, the skill would allude to her ignoring the consequences of her actions in that one moment.

Alternatively, it could refer to her participating in the Smoke War, not quite aware of the potential consequences that could result from leaving her home.

Finally, Gloom S3. This one is a bit hard to pin down with actual evidence because, again, we know very little about Outis's actual past. Additionally, nothing really suggests that Outis is "overwhelmed" with negative emotions at the time of this post. In fact, she's known for being the most rational and collected sinner, despite her obsequious attitude towards Dante. (There's probably something from The Iliad that I could connect to here, but I honestly don't know that much about the epic.)

That being said, I imagine it'd have something to do with regret. Whatever conceited mistake Outis made came back to bite her in the ass, and now she can never return home to those that wait for her. Indeed, she would definitely dwell on her unfortunate circumstances even if she is resigned to them. "If only I hadn't let my hubris get the better of me."

As for appearing rational and seeming the exact opposite of "overwhelmed with negative emotions"...

I have nothing to support this, but it's possible that Outis's implied duplicity through her sycophantic behavior towards Dante is a front. She's well aware that all of the other Sinners and Vergil think she's going to backstab them at any moment -- that's the point of it. It's a smokescreen to cover up how she actually feels, which is intense lament due to being unable to see her loved ones ever again.

That doesn't necessarily mean said treachery is "fake", since she could still backstab them (although you could argue that if she really did want to betray them, she wouldn't make it so obvious). It's just that she intentionally uses said sycophancy and hints of disloyalty, however genuine they may be, to mask her actual issues and her past.

uh, i am pretty sure the manga didn't have so many objects sticking out of it's panels

Check for understanding:

What tone does the phrase 'fun fact!' give to the next statement?

Why did crabs-but-better phrase the extra time as 'forbidden'?

How does capitalizing 'Watch Out', as opposed to 'watch out', change the interpretation of these words?

What could have caused amiru-shubfeast to reblog with commentary?

What does the use of exclamation marks imply about their mood and mental state?

What formatting choices did their followup post use? Why?

Discuss with a mutual: what are the short and long term effects of sleep deprivation? Have you experienced any?

@reading-comp-posting

fun fact! did you know that you can gain extra ‘forbidden time’ by staying up late in the night? but Watch Out

day 365 — on a day like this, 365 days and doodles ago, i started drawing my favourite bsd character every day. what a journey, hope i will be able to say the same thing in another 365 days !

also i actually posted 1st doodle on 28th of august, maybe the 265th day is because it was posted a few minutes after midnight and some doodles were posted before midnight, i don't know, i am not calender specialist (anyway, now i am posting after midnight)

write. your. own. if not now, when? if not you, who? i certainly started crying at code out of sheer lack of gameplay as good as ruina; and implore you to do the same. The other option is to just be miserable, with no end in sight.

...that said, seems like this fandom needs to learn of the existence of Wisecrack:

It hurts

After talking with people in discord for the week that this has been going on, I think my feelings on the Project Moon situation are just. Like, this was a company I felt was "safe". Obviously corporations are not your friends, but this was a studio that consistently pushed out games with progressive - and at times even radical - messaging. This was a studio that has consistently written solid characters with gender as an absolute afterthought. Emma is a boy! Harold is a girl! That's how little gender matters, which, ironically, is something that matters.

I can't think of another franchise I've engaged with that just... writes women as people. I've heard George R.R. Martin is like that, but I never engaged with the TV series that introduced the US to the concept of filler or the book series it was based on. I'm gonna gloss over Lobotomy Corporation a bit here because the story only has 13 characters, but 12 of them return for Library of Ruina. In Ruina you have Binah, Angela, Nikolai, and Elena as assertive women that take control of the situations they're in. You have passive uwu smol beans like Hod and Eileen! You have characters who are war criminals and that's not a mark of a villain, that's just a part of their backstory! Some of the women here have just Done Crimes! One of the women IS a crime! And men are treated the same! There are characters with traumas and behavioral disorders who act like real people would! Lesti saw the aftermath of Love Town and started talking about food! Beef intestine no less! Philip saw his colleagues get murdered and physically manifested a mental breakdown! Xiao saw her husband get murdered and physically manifested literal burning rage!

All of the writing has been good! All of it! And it has consistently written women in a way that is flat out rare, even in 2023. And Limbus has been doing the same! Outis is assertive! Ryoshu is assertive! Hermann is assertive! Don is an idiot and Faust refuses to talk half the time! Heathcliff is assertive! Meursault is assertive! Gubo is assertive! Hong Lu is an idiot and Sinclair is/was a pathetic sop! Across the board, the character writing is just GOOD. As Lobotomy Corporation progresses, Ayin's shitty behavior becomes more and more apparent! And that all culminates with Angela being tossed aside like garbage once she's no longer useful to him, as you hear her desperate wishes to just be seen!

All of that, or at least most of that, was Kim Ji-hoon. But Kim Ji-hoon is also the person who hastily fired VellMori at 11 PM, over the phone, while he was out of office in Japan, because some incels accused his company of being sympathetic to feminists in 2023.

And it fuckin hurts that the source of those stories, the stories that I just spent three paragraphs praising, the stories that are so important to me, could turn heel in half a second like that. As if he was writing completely different stories than the ones I've been reading. And I hate that? I hate that. Because there isn't a replacement! I don't get Grandma War Crimes and Dumbass Justice Enactor in other stories! Like, maybe some will come close, maybe some will have the same exact character somewhere, but never all of it together. Never written as amazingly as the City is.

So it hurts. And the silence is loud.

i remember someone mentioning that a Sonia-like character would work to set up Dostoy for a redemption arc, but it couldn't be Sigma b/c they're wrapped around his finger. BUT NOW, their self-esteem should be improved via Dazai + they're being given all intel in a way that would prevent lying + apparently they're held in high esteem by Dostoy + being 3yo gives relatively biasless outlook.

bonus rephrasing: now Sigma has taken the offer to have their knowledge be equal to someone they percieve as having absolute control over everything.

or, you know, just flip them over and step on their trachea.

Alright so part two of my explaining BSD french authors:

Arthur Rimbaud !

This is the boy. Looks young, right ? That's cause he's seventeen in this. (Funnily enough, he's exactly the same age as Verlaine's wife. Verlaine, though, is 27 at the time they meet. Yeah, I wasn't kidding when I said he was a piece of shit.)

Rimbaud is kind of THE poet of teenage rebellion. He was born in 1854, under Napoleon III to place him back in his historical context. He wrote quite a bit in opposition to Napoleon, actually.

His father is absent at first, and then not here at all later. He has... A complex and complicated relationship with his mother. He gave her a disrespectful nickname, she was seen hitting him several times (although at the time that's hardly surprising...), but at the same time when he asked her to go see him in London (at a time where the trip was very expensive, and she'd never left France in her life before that) she came, and his sister described him then as "the happiest I'd ever seen him". She's often seen as the source of his inner anger and rebellion.

What he hates for sure, though, was living in his house, with his family, and especially in his hometown, Charleville, which he despises.

He's especially known for having fled his house a lot, as in several times a year, for several days every time, walking during the day and sleeping on the road during the night. His most famous poem, "Ma bohème" (unstranslatable title because "bohème" is a french concept, but it basically means living your life day after day, in communion with nature and/or your dreams, often with an artistic dimension and no money whatsoever - also has travel connotations because it derives from "bohemian"), actually talks solely about that.

He wrote from his fifteenth to his nineteenth birthday, and was - still is - seen as a genius, being one of the most influential french poets ever despite having written for only four years. He was famous for being uncontrollable, and it translates back to his style : he took extremely traditional forms and changed their rules. (Which weirdly enough actually kinda fits with Rimbaud's ability ??)

If we ever have a Baudelaire in BSD, know that his character will probably look up to him, seeing as Rimbaud is usually seen as continuing Baudelaire's legacy of completely revolutionising french poetry. His two most famous books are "A Season in Hell" and "Illuminations", his last one. His literary movement is symbolism, invented by Baudelaire, characterized by melancholy and an attraction to the ethereal and mysterious. Rimbaud himself thinks that "the poet must search and describe the unknown" and, well, too bad if he sacrifices his sanity. He's also one of the first after Baudelaire to write prose poems.

He stopped writing, forever, at twenty, after the Verlaine fiasco. Actually, he wrote "Illuminations" directly after, then gave it to Verlaine so that he could get it published instead of doing it himself.

That's where his life gets really weird. He tries to learn seven different skills and languages while traveling everywhere, fails, his sister dies and he shaves his head for her funeral, is forced into the military to fight in Java, then deserts, gets hired on a boat on his way back and becomes a sailor, then tries to get hired in the American Navy, doesn't get any answer, goes in a circus then a factory, and all of that while traveling everywhere in the world in the space of about three years.

Nobody knows where he was for the nine months after that - and during all of this, everyone who knows him is hoping that he gets back to writing poetry - and then he goes home to help his brother with his farm before leaving, AGAIN. He walks from France to Italy, then gets in a boat to Alexandria, where he works in a construction project to manage the workers. This keeps going for about eleven more years, so I can't list everything this guy did : we'd need a whole ass novel.

He stays in Northern Africa for almost the rest of his life, although he travels quite a lot in that region and never stops moving. In France, he's still as famous as he was at 17, and several eulogies are written for him without his knowledge. We can also note that he does weapon trafficking, for a very short period, at some point. He writes to his family that he's "bored", of all things. He's described by the people he meets then as "smart, sarcastic, not very talkative, never talking about his past".

He then dies in Marseille, in his thirties, from cancer in his leg.

I'm gonna be honest : I don't like his BSD characterization. Rimbaud's a wild card, a chaotic teenager, as an author. I also ! Hate ! That he's Verlaine's mentor. But that'll be the next part, where I'll talk of IRL Rimbaud and Verlaine.

Previous and future parts are in the #IrlBSDFr tag.