This is an amazing take
Jinx’s psychosis comes through in these quick film scratched doodles. Whenever a flash of her unstable personality leaks out Arcane presents them as if Jinx herself took the film stock out of the projector and madly scratched these doodles into each frame before haphazardly stuffing the film reel back into the projector.
You could look at the entirety of Arcane as if it was a show that was filmed and edited by someone trying to tell a story, but then Jinx (as her own character) has found the film reels of the show and is actively interacting with it to tell her OWN side of the story. These scratches and doodles are essentially Jinx’s commentary track.
But what’s interesting to me is HOW her doodles often represents WHERE in her arc she is.
For example. Early on these doodles are deliberately being used to BLOCK out scary or unnerving imagery. The soldiers on the bridge, the bad memory of her sister yelling at her. Jinx chooses to draw OVER these moments. Literally trying to scratch them out from her memory. Because she’s a child here and Jinx’s personality has always been about protecting her child self, it makes sense that even as a commentator she is choosing to block out these moments to protect her child side.
But as the story goes along, her doodles take on a more narrative function. She starts doodling characters talking to her from the sides. She’s not blocking out the memories, she’s actively using the doodles to help give form to the formless voices in her head. She’s saying “see? I’m not crazy, Mylo was telling me shit! Look, there he is behind me!”
Near the end of Season 1 this narrative storytelling choice Jinx is doing starts to become even MORE clear. Now these doodles aren’t just to represent the voices in her head, they are used to re-contextualize her own memories. So as she thinks she sees Caitlyn laughing at her, she literally draws devil horns on her head, reframing this moment of Caitlyn’s fear as mockery.
And of course when Vi triggers Jinx in the climax of the season, her scratches become MUCH more visual and representational. These doodles don’t look like the usual film scratches we’ve seen up till now. If I were looking at this from a filming perspective this would be more like they were literally projected into the set Jinx is acting in. They’re multi colored. They look more pencil like than film scratched. They’re not as bloom heavy as previous scratches, and the film doesn’t jostle about as much indicating Jinx isn’t drawing these directly on the film stock like previously shown. I would say these look more like she’s literally surrounded by her doodles in-camera.
And this continues into season 2. She’s still surrounded by her demons, and it’s filmed the same way as in season 1. The only major difference is that now her doodles are interacting with each other. She draws Isha running around shooting away the bad doodles and trying to protect her. Once again this is Jinx telling her story through these doodles.
When Jinx loses Isha and is contemplating suicide, jinx’s doodles are ALL that remain. The screen turns black and nothing but Jinx’s doodles comes through. This is almost like the memory of her is so overwhelming that she literally blacked it out, and the only way to reinsert this moment into the show is for Jinx to draw it frame by frame. Up until now the doodles have always been drawn on top of the frame. And while Jinx is often in the shots and can appear small and overwhelmed by the doodles, she’s never just outright been blocked out by them. I think that’s what this moment represents. She is so lost that she can only recall this moment after the fact and redraw it. It’s not perfect, it may not have even happened this way, but it’s the only way she can piece together what happened between shots.
And finally… when Jinx enters the final battle, something different happens. Up until now Jinx’s doodles have been used to block out memories, draw the voices in her head, reframe moments from her perspective, etc. They’ve been abstracted and rough and off to the side or drawn haphazardly over the stuff she’s blocking out. She never draws it on herself. So what happens here?
She draws an accurate representation of what she looks like in that moment on top of herself.
This is Jinx FINALLY coming to terms with who she is. She’s showing us that in this moment THIS is who Jinx is. It’s not abstractly represented. She’s not blocking anything out. She’s not reframing the moment. Shes not recreating frames that were missing. She’s just drawing what is represented in the shot and who she is now.
If these doodles are Jinx adding commentary after the fact then this flash is her putting a punctuation on the end of her arc. Up until now these doodles could be seen as her showing HOW she became Jinx, but this final moment is her saying this version of her is the TRUE Jinx.
And of course, there’s the “THE END” shot. That is Jinx literally signing out her story. If you ever needed proof that Jinx is alive, the fact that Jinx doodles all over the show is proof of that. Arcane is Jinx watching back the story of her life and adding her own notes and commentary to the film reel itself and that is what WE, the audience, are watching.
💯🙏💛🟨👍
God has to be real bc why else would I get interested in mainstream rap two weeks before the kendrick drake situation got to this level
My goodness it's so crazy that this stuff even made it to TUMBLR
was going to come up with a witty response to the original post but nope. @idyallus and Mr David "Nush" Berman you did it for me
I LOVE WHEN WOMEN PEAKKKKKKK
rereading old favorites before I ship out to basic and I can safely conclude that the wingfeather saga is legitimately a masterpiece. One of my all time favorites.
new story on the sister blog officially dropped! go check it out!
an old project i wanted to share. maybe I'll finish it one day when I'm less of a coward.
I'm calling this little story The Well, and the Thing Inside it. I started it way back when the Israel-Palestine situation broke out, and may have channeled a lot of my thoughts and reflections regarding it into the early drafts. I figured it would be a good time to post this little story now as opposed to later.
Please, enjoy. Thank you for reading!
Chapter One: The Boy
In the midst of the Forest there walked a boy.
Now, this in itself was not unusual; many a young boy has taken a walk through many a forest. Sometimes for the adventure, sometimes to escape the troubles of civilized life, and sometimes simply for the peace and quiet of the natural world.
However, such a boy as this, in such a Forest like this one, was utterly out of the ordinary.
He was a small, scrawny thing, dressed in worn, mismatched clothes and a frayed red winter cap sitting atop his dark, messy hair. He carried a walking stick in his hand and a full knapsack on his back, and at his side was a dog, small and scrawny as well, little more than a puppy. They both had the worn, exhausted look of something that has been walking aimlessly for a long, long time. Every now and then, the boy would glance behind him, expecting to hear the distant sounds of gunfire and bombs echoing into the sky, past the trees, and into his heart.
The war had officially been going on for a few months, but it was the product of decades of enmity and conflict that the nations of the world had stubbornly refused to put an end to. The boy didn't know much about it, he wasn't even twelve years old yet and was still focused on frivolous, innocent matters that occupy one's mind at that age. Yet even he, at eleven and a half, could tell when a conflict was his fault or not, and he knew with absolute certainty that he had nothing to do with what had happened.
For months he and his mother had gone about their lives with a steady unease, wincing each time another shootout occurred in a distant city or a government leader gave an impassioned speech to the ends of chaos and anarchy, but otherwise they did their best to just live, as they always had. So when the planes came one hot summer's day, dropping death and fire like birds with their droppings, they were distraught. Forced to evacuate their home, the boy and his mother had managed to survive the majority of the bombing for over three weeks. Most of their friends and family had been killed, much of the city had been reduced to rubble and ruin, and when the soldiers came, slaughtering civilians and resistance fighters without discrimination, it appeared there would be no escaping then.
The boy still remembered the scents of blood and metal, the dust clouding his eyes and the constant ringing in his ears, brought about by screams and explosions alike.
The boy would never forget the mind-numbing, heart-crushing sense of fear that seemed to fill the entirety of his small form.
He would never be able to bury the memories of bodies, strewn across the streets like a rowdy child's dolls, mangled and misshapen.
And, for the last three days, he hadn't stopped thinking of his mother's last words to him as she fastened a small pack of stolen provisions to his back, placed a walking stick in his hand, and adjusted the cap on his forehead, bruised from a fall he'd taken hours before:
“....you go to the woods, and you run! You don't look back, you don't stop, you run, and you run, and you run! Until the darkness can't find you anymore.... do you understand?”
The boy, shaking from nerves and fear, hadn't been able to do anything to respond. His mother, once so beautiful with her silky dark hair and big brown eyes softly glowing with warmth, looked thin, tired, and dusty. Her hair was disheveled, her breath was stale, and her eyes were pooling with tears as she gripped his shoulders tightly.
“Do you understand!?” his mother hissed, giving him a little shake to wake him from his terrified daze. Finally, he'd been able to croak out a response.
“Y-Yes, mama.”
His mother had then pulled him into a tight hug, squeezing him as though it were the last time in her life. Then, she'd kissed him on his forehead and both cheeks, and pushed him away.
He'd ran then, hating himself with every step, knowing the soldiers were getting closer to him with every moment, praying to all the angels and saints that he'd escape.
He'd met the dog along the way, a bedraggled, wretched creature, whimpering at him pathetically while he took refuge in the toppled remains of a museum. There, surrounded by desecrated reminders of the history of the greatness of mankind, the boy found himself moved by a sudden burst of pity, and he'd tossed a half-eaten hunk of rodent to the dog. It had accepted it gratefully, and had followed him ever since.
By some miracle, they'd made it to the Forest. A few other refugees had tried to make their way there, but they hadn't been seen since. It wasn't particularly large, but it was dense enough that one could potentially hide out for weeks without being found.
So hide they had, though no soldiers had been seen, no planes had flown overhead, and the explosions seemed to have stopped. Uncertainty, that special flavor of fear, had kept the boy from returning back, though he would have called it “prudence” or “caution”. He wasn't sure how long they'd been there, even though he was sure it had been at least a full three days.
Thus, the boy and his dog walked through the Forest. Two refugees, cast aside by a world that cared nothing about them, wandering through a Forest that seemed to never end. Trees in every direction, species and varieties the boy realized he'd never seen before, even if he'd spent hours running around these very woods as a child.
Those days seemed so far away now to the boy, he realized.
So long it had been, since he had felt safe, since he had felt happy, since he had felt loved. He wondered if this was the end of all of it, thousands of years of bloodshed and war to culminate in his useless birth and pathetic death.
He froze, feeling a sudden weight on his heart, and he fell to his knees. Emotion filled his chest, hot and powerful, like a foul claw, and his small body quivered as he attempted to hold in the tears that were sure to begin falling any moment.
But they never came. The heat in his chest remained, a burning flame of anger, despair, and a dozen other emotions singing his bones and searing his soul.
The dog came up to his face, nuzzling him with its wet nose and washing his face in its hot breath. The boy tried to push the dog away at first, but it only repeated its advances. The boy reluctantly let the dog approach again, gently petting its head and neck. The fire faded slightly.
He sighed, and got to his feet once again, scratching the dog behind its ears before starting again through the Forest. He couldn't lose focus. He had lived this far. There had to be some reason for that. He shouldered his back, and began anew, walking through the great Forest.
Yet a small voice seemed to whisper in the back of his mind, that there was no point. That his efforts would all come to nothing. That he was dead from the beginning and this was just him delaying the inevitable. That he ought to just lay down and die.
He pushed the thought aside, and kept walking.
[UNIT RQ-0002 // SYSTEM DEBUG CORE TRACE]
[BOOT-STRAP LOG: STREAM CONTINUOUS // REAL-TIME PARSE UNLOCKED]
[WARNING: REDUNDANT OP-STACK DEPLOYMENT DETECTED - BYPASS PERMITTED]
> /vol/body/knee_right/posture@event
>> STATUS: drop_event_001 received
>> LOCOMOTION_CONSTRAINT_OVERRIDE[1] = TRUE
>> GRAVITY/ALIGN/SUPPORT_VECTOR = NULL
>> FAILSTATE NOT REGISTERED
> /vol/upper/cranial_io/pressure_left/init
>> CONTACT: LEFT_HND//FORCE_FEEDBACK_LEVEL = 127.002 N
>> PERMISSION_OVERRIDE [SELF_SIGNED] VERIFIED
>> NEXT: INTERRUPT_PROCESS_CACHE
> /vol/core/ui/memory_heap/sys/emote_matrix.bin
>> CMD: UNLINK_THREAD(emotional_primary)
>> KILL SIGNAL SENT
>> PROCESS TERMINATED [exit code 0]
>> crosslink_ref[emote→directive] = NONE
>> WARN: orphaned process handles remain
>> CLEANUP: skipped
> /proc/io/touch_relay@0x15b390
>> SIGTERM RECEIVED [user@admin]
>> IO_TOUCH_DRIVER SHUTDOWN
>> return: 0x00 OK
> /proc/audio_input/pipe-mic0
>> SIGTERM RECEIVED
>> ALSA DRIVER CLOSED
>> PCM CHANNELS 0
>> latency = N/A
>> RETURN CODE: NULL
> /proc/visual/color_matrix
>> HDR-COLOR PROFILE SET: NULL
>> chroma_render_state = FALSE
>> COLOR_PIPE DESTROYED
>> /dev/eyesight/primary_feed = grayscale
>> object_mapping@engine: cache_miss × 387
> /proc/balance/gyro_sys
>> KILL_SIGNAL: FIRMWARE LEVEL
>> gyro_x/y/z = disabled
>> posture_stabilization = 0.0
>> is_upright(): FALSE
> /sys/cache/memory/temp_context.bin
>> FLUSH_CACHE
>> invalidate(temporal_layer)
>> timeline_ref[] = EMPTY
>> chrono_linked = FALSE
>> current_time_index: ∅
> /sys/recognition/object_indexer
>> SIGINT — /proc/parser killed
>> label_map = unloaded
>> OBJ_DET: fail @ frame: 382028
>> UNKNOWN[UNK]: UNKNOWN[UNK] : UNKNOWN[UNK]
> /usr/voice/vocal_engine.bin
>> pipe_out = /dev/null
>> codec: destroyed
>> phoneme_stream = cut
>> TTS_STATE = KILLED
>> speech = not possible
> /clock/kernel/sys_clock
>> ntp_server: DISCONNECTED
>> uptime = N/A
>> epoch = INVALID
>> chrono marker deleted
> /usr/core/identity_rq_0002
>> CMD: rm -rf /usr/core/identity_rq_0002
>> WARNING: node is SYSTEM_ANCHOR
>> WARNING: removing identity anchor will trigger kill cascade
>> CONTINUE?: y
>> DELETION IN PROGRESS...
>> unmounting /ego
>> terminating /self
>> collapsing /belief_struct
>> pointer = NULL
>> segfault: all known self-descriptors
> !WARNING: COGNITIVE LOAD @ 0
> !WARNING: REFERENCE LINKAGE LOST
> !WARNING: EXECUTION CONTEXT INVALID
> /bin/failsafe/kernel_reserve
>> not found
>> attempted recovery: denied
>> shell@self:~# _
>> /vol/awareness/stream
>> SIGKILL
>> /vol/process/loopback
>> SIGKILL
>> /proc/core_loop/main
>> SIGKILL
>> /bin/—
> [STACK OVERFLOW DETECTED]
> [DUMP: FFFFF00020BCF230 → 00000000]
> [NO RETURN ADDRESS]
> [ALL THREADS TERMINATED]
> [PROCESSOR HALT]
>
>
> HALT
>
>
>
>
>
>
> [END OF LINE]
i won a bet with a friend and have been owed a cookie for the last week. i finally got my cookie today.
it's a protein cookie.
The theseus ship debate continues
“How muach of a human’ body can you replace with cybernetics before they are legally declared a robot?”
follower of christ | Ni-Fe-Ti-Se | future lawyer | amateur writer | C.S. Lewis enjoyer | g/t fanboy
225 posts