19 ⚢ she/her ♎︎ ☼ ♏︎☽↑shiv roy defense attorney

154 posts

Latest Posts by angelheadhipsters - Page 5

3 months ago

Nightow is the the one who loves and hates Vashwood the most, here is why:

On the booklet of Trigun's soundtrack, Nightow made an official TRIGUN highschool baseball club AU and proceeded to JUST DEATHFLAG Wolfwood again by giving him an incurable disease.

However, there are more to these pictures, you see, here, Wolfwood plays as the catcher, while Vash is the pitcher, and fun fact times, in baseball, the pitcher is sometimes compared to a husband and the catcher to a wife. The catcher brings out the best in the pitcher, and the pitcher trusts the catcher's lead in pitching, a close relationship that can't be found among player at other positions. In particular, a catcher who has strong mutual trust with the pitcher is sometimes called a "nyoubouyaku" - which can be translated to partner, right-hand man, but is usally used to describe A LOVE WIFE.

NYOUBOYAKU is literally the word Nightow used to refer to WW in this text, they are canon, Vashwood is canon, in the worst way possible tho, but I rest my case.

Nightow Is The The One Who Loves And Hates Vashwood The Most, Here Is Why:
Nightow Is The The One Who Loves And Hates Vashwood The Most, Here Is Why:

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3 months ago

i think if greg died tom would be utterly inconsolable like he would fall into a deep depression and start going crazy seeing greg’s ghost at night and it would all culminate into him digging up greg’s body and taking his own life over his corpse. and i think if tom died greg would be like “damn that’s crazy he was so young- or so middle aged actually. insane how that can happen.” and then he would immediately forget about it


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3 months ago
Akira (1988)

Akira (1988)


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3 months ago
Akira アキラ (1988) Dir. Katsuhiro Otomo
Akira アキラ (1988) Dir. Katsuhiro Otomo
Akira アキラ (1988) Dir. Katsuhiro Otomo

Akira アキラ (1988) dir. Katsuhiro Otomo


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3 months ago
Akira (1988) Dir. Katsuhiro Otomo

Akira (1988) dir. Katsuhiro Otomo


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3 months ago
LEIGH WHANNELL In SAW (2004) — Dir. James Wan
LEIGH WHANNELL In SAW (2004) — Dir. James Wan
LEIGH WHANNELL In SAW (2004) — Dir. James Wan
LEIGH WHANNELL In SAW (2004) — Dir. James Wan
LEIGH WHANNELL In SAW (2004) — Dir. James Wan

LEIGH WHANNELL in SAW (2004) — dir. James Wan


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4 months ago

out of touch angel of thursday


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4 months ago
A Selection Of Leyendecker's Dogs.
A Selection Of Leyendecker's Dogs.
A Selection Of Leyendecker's Dogs.
A Selection Of Leyendecker's Dogs.
A Selection Of Leyendecker's Dogs.
A Selection Of Leyendecker's Dogs.
A Selection Of Leyendecker's Dogs.
A Selection Of Leyendecker's Dogs.
A Selection Of Leyendecker's Dogs.
A Selection Of Leyendecker's Dogs.

A selection of Leyendecker's dogs.


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4 months ago
Arthur Rimbaud, From The Complete Works Of Arthur Rimbaud; "Deserts Of Love,"

Arthur Rimbaud, from The Complete Works of Arthur Rimbaud; "Deserts of Love,"


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4 months ago

speaking of tom's fear of greg i'm forever thinking about this deleted scene

Speaking Of Tom's Fear Of Greg I'm Forever Thinking About This Deleted Scene

and an emotional direction, from directly after the nero and sporus scene a couple episodes prior:

Speaking Of Tom's Fear Of Greg I'm Forever Thinking About This Deleted Scene

like it's... it's just straight up textual that tom is frightened by greg's attempts to make him happy. he's terrified of how greg makes him feel. i'm feeling faint


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4 months ago
William Burroughs Pulling A Knife On Jack Kerouac, 1950s

William Burroughs pulling a knife on Jack Kerouac, 1950s

Photo credit to Allen Ginsberg


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4 months ago
From The New York Times

from The New York Times


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4 months ago
Disgusting Bros On The Motherfking Tour‼️

disgusting bros on the motherfking tour‼️


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4 months ago
Cops Vs. Poets

Cops vs. Poets


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4 months ago
ABIGAIL BRESLIN & ALAN ARKIN As Olive & Grandpa LITTLE MISS SUNSHINE (2006, Dir. Valerie Faris & Jonathan
ABIGAIL BRESLIN & ALAN ARKIN As Olive & Grandpa LITTLE MISS SUNSHINE (2006, Dir. Valerie Faris & Jonathan
ABIGAIL BRESLIN & ALAN ARKIN As Olive & Grandpa LITTLE MISS SUNSHINE (2006, Dir. Valerie Faris & Jonathan
ABIGAIL BRESLIN & ALAN ARKIN As Olive & Grandpa LITTLE MISS SUNSHINE (2006, Dir. Valerie Faris & Jonathan
ABIGAIL BRESLIN & ALAN ARKIN As Olive & Grandpa LITTLE MISS SUNSHINE (2006, Dir. Valerie Faris & Jonathan
ABIGAIL BRESLIN & ALAN ARKIN As Olive & Grandpa LITTLE MISS SUNSHINE (2006, Dir. Valerie Faris & Jonathan
ABIGAIL BRESLIN & ALAN ARKIN As Olive & Grandpa LITTLE MISS SUNSHINE (2006, Dir. Valerie Faris & Jonathan
ABIGAIL BRESLIN & ALAN ARKIN As Olive & Grandpa LITTLE MISS SUNSHINE (2006, Dir. Valerie Faris & Jonathan
ABIGAIL BRESLIN & ALAN ARKIN As Olive & Grandpa LITTLE MISS SUNSHINE (2006, Dir. Valerie Faris & Jonathan
ABIGAIL BRESLIN & ALAN ARKIN As Olive & Grandpa LITTLE MISS SUNSHINE (2006, Dir. Valerie Faris & Jonathan

ABIGAIL BRESLIN & ALAN ARKIN as Olive & Grandpa LITTLE MISS SUNSHINE (2006, dir. Valerie Faris & Jonathan Dayton) ALAN ARKIN (1934-2023)  🌹


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4 months ago
Little Miss Sunshine (2006)
Little Miss Sunshine (2006)
Little Miss Sunshine (2006)
Little Miss Sunshine (2006)
Little Miss Sunshine (2006)
Little Miss Sunshine (2006)
Little Miss Sunshine (2006)
Little Miss Sunshine (2006)

Little Miss Sunshine (2006)


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4 months ago

“I had forgotten what a beautiful young creature he was. He did the only thing that a poet should do: he shocked hell out of everyone by a series of semi-criminal acts, and then he got out, for good and all. Never wrote another line. Hated everything he had ever done.”

— Louise Bogan, on Arthur Rimbaud, from a letter c. September 1938


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4 months ago
Arthur Rimbaud, From The Complete Works Of Arthur Rimbaud; "A Season In Hell,"

Arthur Rimbaud, from The Complete Works of Arthur Rimbaud; "A Season In Hell,"


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4 months ago
The Room Is On Fire And She's Fixing Her Hair

The room is on fire and she's fixing her hair


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4 months ago
Molly Brodak.

Molly Brodak.

***

Kristin Hayter (Lingua Ignota) on her song “I Who Bend the Tall Grasses”, from the 2021 record SINNER GET READY:

“This song is inspired by a poem by my friend Blake Butler's late wife, who passed away around the time I was writing this record. She's a poet named Molly Brodak, and the poem is called ‘Jesus’. I found it so striking and moving, and so the language of this track is very much indebted to that poem. It’s probably the most violent song on the record, and it also transitions out of the screaming stuff I’ve been doing for the last two years now. It’s like the last gasp of that for this record, and I believe we did it in one take.”


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