"ai Is Making It So Everyone Can Make Art" Everyone Can Make Art Dipshit It Came Free With Your Fucking

Can we talk about how a seriously concerning number of people are drawn to social justice not out of the goodness of their hearts but because there are prevalent circles within the social justice community that actively reward and encourage behavior that is nearly indiscernible from bullying and harassment with reassurance that it's the 'right and just' kind?

I love how literally every version of the Princess could be interpreted as a piece of the Shifting Mound and, no matter how weird our relationship with her gets, it’s still applicable to our relationship with her as a whole.

Smitten and Damsel show how the Long Quiet and the Shifting Mound are star crossed lovers.

Skeptic and Prisoner reflect their inability to escape without working together. They are both Prisoners, even if only one is wearing a shackle.

Hunted and Beast present them both as archaic forces of nature that must change and adapt. As death, Beast is an offensive predator, and as life, Hunted is defensive prey.

Stubborn and Adversary demonstrate that the two gods are true equals in every sense, and that death means nothing to them in the end as long as they have each other.

Cheated and Razor show how conflict is in their nature, and that no matter how much violence the Shifting Mound dishes out, the Long Quiet is always strong enough to stand against her.

Broken and Tower show the contrast of Shifty’s embrace of her godhood vs the internal conflict of the Long Quiet, as well as the desire to embrace her for everything she is regardless of her flaws. Perhaps, in a twisted way, Broken shows an embrace of our godhood as a whole…

Cold and Spectre demonstrate the dynamic set by the Construct: a killer and his victim, as well as showing the true power of the Long Quiet, and showing that, underneath the struggle and conflict, LQ could end this all disturbingly quickly if convinced to.

Paranoid and Nightmare show the fear that infects the dynamic of the two gods, like Paranoid’s fear of the Nightmare and the Nightmare’s fear of sharing her heart, along with the desire to know the other but the inability to do so organically.

Opportunist and Witch, like Stubborn and Adversary, show the equality of their relationship, but rather than one built out of mutual respect, its mutual animosity fostered by the artificial tension of the construct. It’s the opposite of Skeptic and Prisoner, as, rather than realizing they can escape together through mutual trust, they both try to win against the other when it’s not a winning game.

Contrarian and Stranger show the inherent contradictions in the Gods’ natures; like Shifty says, aspects of who they are contradict themselves, and nothing can exist without contrast and change.

“In a 1994 Harvard study that examined people who had radically changed their lives, for instance, researchers found that some people had remade their habits after a personal tragedy, such as a divorce or a life-threatening illness. Others changed after they saw a friend go through something awful, the same way that Dungy’s players watched him struggle.

Just as frequently, however, there was no tragedy that preceded people’s transformations. Rather, they changed because they were embedded in social groups that made change easier. One woman said her entire life shifted when she signed up for a psychology class and met a wonderful group. “It opened a Pandora’s box,” the woman told researchers. “I could not tolerate the status quo any longer. I had changed in my core.” Another man said that he found new friends among whom he could practice being gregarious. “When I do make the effort to overcome my shyness, I feel that it is not really me acting, that it’s someone else,” he said. But by practicing with his new group, it stopped feeling like acting. He started to believe he wasn’t shy, and then, eventually, he wasn’t anymore. When people join groups where change seems possible, the potential for that change to occur becomes more real. For most people who overhaul their lives, there are no seminal moments or life-altering disasters. There are simply communities⏤sometimes of just one other person⏤who make change believable.

One woman told researchers her life transformed after a day spent cleaning toilets⏤and after weeks of discussing with the rest of the cleaning crew whether she should leave her husband.

“Change occurs among other people,” one of the psychologists involved in the study, Todd Heatherton, told me. “It seems real when we can see it in other people’s eyes.”

The precise mechanisms of belief are little understood. No one is certain why a group encountered in a psychology class can convince a woman that everything is different, or why Dungy’s team came together after their coach’s son passed away. Plenty of people talk to friends about unhappy marriages and never leave their spouse; lots of teams watch their coaches experience adversity and never gel. 

But we do know that for habits to permanently change, people must believe that change is feasible. The same process that makes AA so effective⏤the power of a group to teach individuals how to believe⏤happens whenever people come together to help one another change. Belief is easier when it occurs within a community.”

⏤ The Power of Habit, Charles Duhigg

Americans really really need to be less paranoid and more capable of tolerating minor discomfort in public. Not everyone is a pervert/rapist/strangler/fiend. In fact, very few people are. Treating every violation of normal order as though it is a threat is why people are getting shot for turning around in a stranger's driveway. This happens within the frameworks of basically every ideology present in American culture. It is an American illness. If your vision of the world doesn't have room for saying "I'm sure it's nothing" then you really gotta work some shit out.

I keep toying with writing this, because words are hard and I'm not sure how to fully articulate this thought.

However, it's something I've sensed very deeply and I think it's important to start trying to talk about.

Much has been said about how traumatic Oct. 7th was for Israelis and really Jews the world over, and lots has been said about why that was - from the fact that it happened on what was supposed to be a joyous holiday, the fact that this violence was as barbarous and sadistic as it was, the fact that it drew on deep historical wells of intergenerational trauma, to the fact that it was met with immediate denial, betrayal, and even celebration from supposedly progressive goyim - but something I have not seen much discussion on is how that ongoing denialism and even celebration of the carnage made sure that the trauma stuck.

See the thing is that one of the best predictors of favorable recovery outcomes from trauma is the support the victim receives, especially in the immediate aftermath. Victims with strong support networks, who are believed and whose grievances are taken seriously, recover much faster and much more holistically even from objectively worse traumas than victims who lack support and/or whose traumatic experiences are denied or dismissed. Seems obvious enough, right? That's why advocates for survivors exhort communities to listen to survivors and victims, and to hold space for them. We know what happens when that support is denied.

In some ways, the Jewish people is like a horrible case study in what happens when that denial of support happens - not just on a large scale, but over the course of time through numerous generations. In every generation they come for us, and every generation has the opportunity to step up. And so far, every generation has failed the task. (There are of course, some wonderful individuals who do step up; however they are the exception that proves the rule.)

The sadistic celebration of atrocities committed against Israelis and the denialism were not just unpleasant side concerns - these were active components of the violence.

The bottom line is this: if you deny the atrocities of Oct. 7th and the ongoing hostage crisis or try to excuse or downplay them, you are actively participating in violence against us.

And yes, of course these atrocities do not justify atrocities in return. Yes, of course confirming facts is important. But I think a big part of why we can't "just move on" to talk about other atrocities is because you people have never acknowledged our pain or let us grieve or be human. Not once. And the longer that goes on, the deeper the wound and the longer the road to healing from this trauma gets.

Okay, so here is my Thought…

It’s already being established that the majority of worlds in the AT Multiverse are born from wishes granted by Prismo. I mean, we know there are other types of alternative universes (Like Flapjack’s universe) - but Prismo’s exposition implies they are the exceptions and not the rule. And we already know the Wish that birthed Farmworld, and we even got a Word of God about Babyworld (a Wish made by BMO) but… 

Was Winterworld also born from someone’s wish?

While first watching the episode, I was wondering if that was a universe born from Ice King’s wish to, like, make Princess Bubblegum madly in love with him or something. But after all of the reveals at the end of the episode and thinking about it a bit more - I feel like this is unlikely. 

I mean for once, there is the question of how the ‘One Wish Per Person' rule works with the existence of a multiverse. Because we know our Simon also tried using his Prismo Wish

(And from their interactions in Episode 4 it seems like Prismo considers Ice King and Simon to be the same person, So a Wish made by Ice King would also count as the one Wish for Simon)

So like… if Ice King made a Wish with Prismo and then got teleported into Winterworld where his wish was granted and then like… a duplicate of him keeps going in Mainworld Ooo and that one’s actually the Simon we follow… would that Simon get his own Wish from Prismo? Or would the Winter King count as the separate Simon who didn’t waste his Wish yet? Finn has already used up his own Wish but his situation is kinda unique cause he, like, came back from being Farmworld Finn. I’m not sure about the rules here but I’m feeling like it shouldn’t work, Simon used up his one Wish failing to bring Betty back so that means he probably didn’t wish up Winterworld.

I don’t feel super-confident about that, but I feel a bit more sure of this next observation; Prismo says that the Wishes he grants, whatever he wants them to or not, always have some sort of a Monkey’s Paw or ironic twist thing going on. They never go quite right for the Wisher. And the Winter King was doing extremely well until our Free Radicals came along.

I mean… maybe the fact that Pre-Curse Simon would’ve been disgusted with the Winter King’s actions counts. Or maybe the implication is that with the Candy Queen’s recent ‘escalation’ he would’ve been killed sooner or later even without the Multiverse Trio’s intervention.

But… compared to how throughly and how quickly Farmworld went badly for Finn specifically- that honestly feels like a stretch. I think that if Winterworld was born from the Wish of any character - it was most likely Marceline.

She has all the motivation to Wish for Simon to have his memories and/or sanity back - and had it for the longest time out of all of his acquaintances. And if it was her Wish - then it sure as hell has gone extremely wrong for her. 

The woman that she loves has been doomed to the same torturous existence Simon has been trapped in alongside her entire kingdom. And Simon might have his sanity and identity again, but this vile man who willingly and knowingly condemned PB to a life of suffering in his stead is so much farther away from the kindly father figure Marceline remembers than Ice King the crazy old Wizard ever was.

And then he also stole Marceline's most beloved personal possessions and like… probably killed her and definitely replaced her with an icy duplicate who is forever the child he wants her to be. If this Wish is some sort of Ironic Monkey's Paw to anyone, I think Marceline makes the most sense. 

(I will give an honorable mention to Betty, because she also very much has the motivation and it is kinda weird we haven’t seen her try and save Simon with a Prismo wish. But I think that while, like, dying in the Mushroom War unmourned and unremembered by the man you did all of this for is a pretty miserable fate.... I still think that Marceline’s narrative fits the idea of cruel irony a lot better)

forgot to post it here but i drew this a little while back when when dainix was initially exploding on the boat.

its micheal, watching in horror as the boss bars stack up

Fanfiction Authors: HEADS UP

(Non-authors, please RB to signal boost to your author friends!)

An astute reader informed me this morning that one of my fics (Children of the Future Age) had been pirated and was being sold as a novel on Amazon:

(And they weren't even creative with their cover design. If you're going to pirate something that I spent a full year of my life writing, at least give me a pretty screenshot to brag about later. Seriously.)

I promptly filed a DMCA complaint to have it removed, but I checked out the company that put it up -- Plush Books -- and it looks like A LOT of their books are pirated fic. They are by no means the only ones doing this, either -- the fact that """publishers""" can download stories from AO3 in ebook format and then reupload them to Amazon in just a few clicks makes fic piracy a common problem. There are a whole host of reasons why letting this continue is bad -- including actual legal risk to fanfiction archives -- but basically:

IF YOU ARE A FANFIC AUTHOR WITH LONG AND/OR POPULAR WORKS, PLEASE CHECK AMAZON TO SEE IF YOUR STORIES HAVE BEEN PIRATED.

You can search for your fics by title, or by text from the description (which is often just copied wholesale from AO3 as well). If you find that someone has stolen your work and is selling it as their own, you can lodge a DMCA complaint (Amazon.com/USA site; other countries have different systems). If you haven't done this before, it's easy! Here's a tutorial:

HOW TO FILE A COPYRIGHT COMPLAINT FOR STOLEN WORK ON AMAZON.COM:

First, go to this form. You'll need to be signed into your Amazon account.

Select the radio buttons/dropdown options (shown below) to indicate that you are the legal Rights Owner, you have a copyright concern, and it is about a pirated product.

Enter the name of your story in the Name of Brand field.

In the Link to the Copyrighted Work box, enter a link to the story on AO3 or whatever site your work is posted on.

In the Additional Information box, explain that you are the author of the work and it is being sold without your permission. That's all you really need. If you want, you can include additional information that might be helpful in establishing the validity of your claim, but you don't have to go into great detail. You can simply write something like this:

I am the author of this work, which is being sold by [publisher] without my permission. I originally published this story in [date/year] on [name of site], and have provided a link to the original above. On request, I can provide documentation proving that I am the owner of the account that originally posted this story.

In the ASIN/ISBN-10 field, copy and paste the ID number from the pirated copy's URL. You'll find this ten-digit number in the Amazon URL after the word "product," as in the screenshot below. (If the URL extends beyond this number, you can ignore everything from the question mark on.) Once this number has been added, Amazon will pull the product information automatically and add it to the complaint form, so you can check the listing title and make sure it's correct.

Finally, add your contact information to the relevant fields, check the "I have read and accept the statements" box, and then click Submit. You should receive an email confirmation that Amazon has received the form.

Please share this information with your writer friends, keep an eye out for/report pirated works, and help us keep fanfiction free and legally protected!

NOTE: All of the above also applies to Amazon products featuring stolen artwork, etc., so fan artists should check too!

I’m in the Hollow Knight fandom and one of my favorite parts about being in it is how we all know who mossbag is, and his videos are always like special events for the whole fandom. It’s one of those things that really builds a sense of community.

i love how the stp fandom is more of a circle where everyone knows who everyone is and is like "omg this person posted"

overall so supportive 👍

If there's anything I've felt about ace attorney since playing through the original trilogy, it's how cheated I've felt about the fandom interpretation of it. Y'all were so caught up with your gay boys and your Miles Edgeworths I didn't realize how much of this game was about WOMEN. THE CORE OF ACE ATTORNEY IS IN ITS FEMALE CHARACTERS. From Mia jumpstarting Phoenix and guiding him throughout the whole trilogy even after her death, her presence being the primary connecter of Phoenix and Maya, Maya and Godot, heck even Dahlia and Iris and the whole lot of them. From Franziska's earnest faith and consolation of Miles Edgeworth, even begrudgingly, pulling him out the trauma of his childhood with the face to face confrontation of a bullet wound in the same spot as the man who killed his father. Lana and Ema dragging Phoenix back into the thing he does best. Lana and Ema who's tragic story lies in a pair of sisters ruined by the heinous law system and their unconditional love for each other. Dahlia and Iris with a different version of sisterly tragedy, struggling through generational trauma in separate settings and support systems. The matter of the Fey tradition looming over the entire narrative and all the legal and social terror that comes with it. CAN WE TALK ABOUT THE ACE ATTORNEY WOMEN.