Circus
What if I broke my spine forever? My sister would come into the room to draw her portraits in charcoal, of two bulging eyes in a sea of haze grey. Each portrait is no bigger than an index card, arranged on a piece of rigid stock paper, tessellated and horribly consistent. All those dead eyes staring out at her as she renders them incapable of telling her anything. “I hate you” she would say to me, every time she would finish another. “You’ve ruined it. You’ve completely ruined it.” She would storm out the room, echoing for complete lack of furniture, and I would be left alone with them to watch over me.
I would ask you to pick me up and you would do so carefully, my limp body soft and complete. Can you carry me, lay me on the mattress in the back of the house? Or on the ground, it doesn’t make a difference to me. Sometimes I think you don’t believe I can’t feel anything and most of the time I don’t believe you can imagine what that’s like.
“Crush me” I tell you. I can only blink my eyes and move my mouth. I could probably wiggle my ears if I tried but I never feel up to it. You would gently press down on my breasts and my rib cage.
“Can you feel that?”
I slowly move my head left to right and back again.
I think about outside and what it feels like to be there. The treetops and the june-bugs and the hatred I feel for summertime. Everyone has gone on without me.
“Hit me.”
You look at me like you don’t want to but I know where your wonder hides, in the small places like a boy afraid of his own shadow.
You punch me in my side, my arm, my stomach.
“Can you feel that?”
I smile so big like I’m at the circus.
“Cut me.”
“What?”
“Cut me.”
You look down at me on the mattress. Here I am, unmoving and so horny.
“Please, baby, if I never ask anything of you ever again, just cut me.”
Wonder-boy takes his buck knife and carves a small canyon on my upper thigh. I wouldn’t know if I hadn’t watched him do it.
“Again.”
He looks me in my eyes as he separates another layer of subcutaneous. It is pink and red and yellow and blue and disgusting. I am butter and cottage cheese inside.
He stands there over me, belt unbuckled, denim undone, sweating, afraid, wonder creeping out for a closer look. His eyes are wild, so far from the fog of mine. Yet, we both want the very same thing. He removes his penis from his clothes and his clothes from his body and he slides it, hard as stone, back and forth through the gushing flesh of my upper thigh. I can’t feel a thing but I could cum just from watching. I have my own wonder too. The air in the room is hung from the ceiling unmoving like a puppet sleeping on his gallows. I am so lucky that he loves me, I am I am I am. He fucks my butchered leg like a stray dog and I cum over and over and over again watching him.
We embrace like kin in the hospital waiting room. “I am so lucky that he loves me” I think as he holds me. Despite the bright red picture I’ve painted in the white lobby tonight, they ask of me just five minutes. I don’t mind. If I don’t look, it makes no difference to me.
Sailor's Slops
1600s-1700s
Extremely rare survival of a shirt and breeches, called slops, as worn by sailors from the late 16th through to the 18th centuries. This unique set of loose, practical sailor’s clothing reveals life aboard ship. They are made of very strong linen to endure the hard, rough work. There is tar across the front from hauling ropes. The breeches are heavily mended and patched, which the sailor would have done himself.
The Museum of London (ID: 53.101/1b)
most people glue it but you can just slide a piece of paper under it and like assemble the frame around it
i forgot how incredibly absorbing jigsaw puzzles are. i was just going to work on my new puzzle for a little while and then i looked at the clock and realized 5 hours had passed. for some reason it's the only thing i can be completely focused on for an unlimited length of time without a second source of entertainment, not even background music. i basically forgot my phone existed. it's honestly kind of unsettling.
80s nuclear / world war III artwork - full (inside) sleeve of Megadeth’s “Peace sells…” album by Ed Repka ☢️
X
Thomas Eakins
The three first photos is Thomas Eakins himself in some naked selfies. The last one is Samuel Murray in Eakins’ study in 1890
Joey Ruddick 2022
David Lynch is directing dreams now btw
Power in Buildings, Hugh Ferriss, first ed., 1953
Source: Bryan Schutmaat
“Socializing” - 1962
Send me back to the glue factory fandom blog -> https://www.tumblr.com/undeadassistant
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