the tragedy of characters attempting to break free from the cycle (violence, fate, generational trauma, etc.) that they go down a path and become someone they don’t even recognize all to fulfill the cycle they had every intention of breaking and fail the quest
new fanfic: i use hozier’s lyric "i’ll crawl home to her" to apply it to an AU with the doyle storyline
I started watching the x files on this day 2 years ago, so here's some experiments with style/composition to celebrate it I guess. some details are under the cut
she says this to mulder every chance she gets
2005 TV changed lives oh my god
watching atla for the first time
Spooky Mulder? More like Pookie Mulder AMIRIGHT???
*puts hands on hollywood exec's shoulders, staring unblinking into their eyes* listen to me. you will never get people who hate musicals to like musicals by making your musical less of a musical. if you hide the fact that your film is a musical in the advertising, you're going to get a lot of low ratings from people who hate musicals and went into your movie not expecting a musical and got one anyway. people who hate musicals will hate them no matter how realistic and diegetic and lowkey you try to make it. they will hate musicals even if you completely excise anything complicated, over the top, silly, or even slightly challenging. they will hate musicals even if you cut half the songs. they will hate musicals even if you cast that a-lister who can't sing worth a damn. stop trying to market to people who hate musicals. they're a lost cause. your audience should be people who love musicals. this half-assed middle ground pisses off both camps. just embrace the fact that your movie is a musical. lean into it. don't try and trick musical haters into coming to your film when you could be marketing to the theater kids. better cringe than a coward.
Sometimes I think about how and why some people had such a *bad* reaction to the end of Steven Universe, specifically in regards to the Diamonds living.
Even though they no longer are causing harm to others and are able to actually undo some of their previous harm by living, some folks reacted as though this ending was somehow morally suspect. Morally bankrupt, even.
And I think it might be because so many of us were raised on a very specific kind of kids media trope:
They all fall to their deaths.
Disney loves chucking their bad guys off cliffs. And it makes sense- in a moral framework where villains *must* be punished (regardless of whether their death will actually prevent further harm or not), but killing of any kind is morally bad for the hero, the narrative must find a way to kill the villain without the protagonists doing a murder.
It's a moral assumption that a person can *deserve* to die, that it is cosmically just for them to die, that them dying is evidence that the story itself is morally good and correct. Scar *deserves* to die, but it would be bad for Simba to kill him. So....cliff. (edit: yes, cliff then hyenas. But cliff first. Lol.)
Steven Universe, whatever else it's faults, took a step back and said "but if killing people is bad, then people dying is bad", and instead of dropping White Diamond off a cliff, asked "what would actual *restorative*, not punitive, justice look like? What would actual reparations mean here? If the goal is to heal, not just to punish, how do we handle those who have done harm?" And then did that.
Which I think is interesting, and that there was pushback against it is interesting.
It also reminds me of the folks who get very weird about Aang not killing Ozai at the end of Avatar. And like, Ozai still gets chucked in prison, so it doesn't even push back on our cultural ideas of punitive justice *that much.* and still, I've seen people get real mad that the child monk who is the last survivor of a genocide that wiped out his entire pacifist culture didn't do a murder.
say what you want about bridgerton I know it's not a Good Show or whatever but nicola coughlan insisting on being 'as naked as possible' in this series as a 'fuck you' to everyone saying she's too fat to be a romantic lead and because 'when I'm 60 I wanna watch it and remember how fucking hot I was' is ICONIC BEHAVIOR
life sucks but at least you didn't get divorced, attend the golden globes physically attached to your co-worker at hand and hip, win a golden globe, kiss your coworker on the mouth, forget to thank him in your speech, then have to stand by on stage while he wins a golden globe and emphatically remembers to thank you, which is exactly when you and the live tv camera realize you forgot. that's what it was like to be gillian anderson in 1997