The reason why Scully and Mulder clicked so quickly and mesh so well as a pair is because they both posses a very natural, intense curiosity. It manifests in different ways, and in slightly different areas of interest, but the spirit is one in the same, and I think they recognize and love this in one another.
Scully is different, and so immediately endearing to Mulder, because she’s the first person to want to know what he thinks, and why he thinks the way he does, instead of writing him off outright. He's an interesting puzzle to her. Even if she’s steadfast in her constant disagreement, her curiosity itself is—in a way—an act of validation, respect, care.
Mulder is so immediately endearing to Scully because the way he thinks is unusual for their profession, and probably refreshing. He's anti-bureaucratic, emotionally sensitive, unapologetically strange. A "lone wolf" yet so open and easily taken by her. It turns out, his curiosity in the supernatural was born from something equally fascinating, and all too rare: his care for other people.
And love is a kind of curiosity… a deliberate interest, a constant desire to know…
I have a head canon that Mulder and Scully would have gotten married if only to have a legal claim to each other when hospitalized. Absolutely nothing romantic involved. They are separated on the grounds that they are not married in way too many medical situations and especially post his fake death, I think they would have wanted legal assurances
I think I'm having déjà vu. The light, the forest. As if all of this has already happened before. A glitch in the matrix.
Dark - S01E01 - Geheimnisse
I started watching the x files on this day 2 years ago, so here's some experiments with style/composition to celebrate it I guess. some details are under the cut
genuinely one of the worst things that’s happened to television in the last few years (exacerbated by streaming services) is death of Filler. going from 20 episodes to 8 because “we didn’t really need that episode where the main characters went to the beach right? it had no long lasting effect” but we DID!!! we needed to see how they act without the Big Bad Plot and to establish the dynamics between the characters and lay in the sun (do they forget sunscreen? how do they react to a thieving seagull? do they get buried in the sand or do they do the burying?). the plot isn’t everything. the action doesn’t hit as hard without the quiet moments. give us character development and our little scenes back
remnants of sectumsempra
How do you do it Scully, how do you fight that urge not to climb your hot nerdy coworker like a god damn tree at any given chance like HOW GIRL?
omg is the same image aoughhfhsh
i love zack addy so much. he's oblivious, he's loveable, he's dorky, he's pathetic, he's the youngest of EIGHT, he asked his friends what "take a hint" means, he wears stupid flannel shirts to work with dead bodies, he's secretly an amazing singer, his boss/mentor is practically his mom, he's only ever punched someone once and it was his best friend, he lives above his best friend's garage, he corrected the dissertation committee while he was defending his dissertation, he's a rational empiricist but his mother still thinks he's lutheran, he and his bestie put a frozen pig through a woodchipper, he broke out a psychiatric facility using a library card, he can do complex math problems in his head, he's a nerd but comic books and the likes and foreign to him, he often thinks about building robots to take over the world, he confessed to killing a man he didnt actually ever lay a hand on, and he does it all with a slightly disgruntled look on his face.
I kind of hate even asking this question but I’m going to ask it anyway.
Why do you think CC decided to totally retcon the mythology in the revival? Do you think he was bored of it? Did he think it didn’t fit in with “modern times”?
I know the mythology was kind of a mess at the end but I don’t think it was so bad that it was beyond saving.
It’s just, when you watch the struggles and accept the retcon it makes the Orginal Series feel like a waste of time. I’ve also heard theories that the Struggle episodes are told by an “unreliable narrator” for example CSM is an unreliable narrator in MSIII, Jackson is unreliable in MSIV. That just sounds like a cop out. It all just gives me a headache honestly. 🙁
tl;dr: CC is interested in new ideas; and will always be willing to cast off old ones in pursuit of fresher perspectives. His passion for the latter mythology was born from Dr. Simon's and Dr. Fearon's last-minute theory; but when it got fan backlash, he pivoted the focus from his revitalized mythology to the abandoned William arc. However: because he was chasing tantalizing ideas rather than a focused conclusion, Carter completely fumbled in his attempts to close up old threads in order to start afresh.
A couple reasons:
CC and Spotnitz wrapped up the original mythology in Season 6 (One Son), deciding that it had both blossomed out of control and somehow come together. Mythology wrapped up, they then finished off the Samantha arc in Season 7 and began a new mytharc in Season 8. Season 8's Existence, according to Spotnitz, functioned as the end of the original X-Files as a whole--
Spotnitz: "And the series will be different, whoever comes back for it [Season 9]-if there is another year. We’re still working out what that final story is, but there are a couple of elements that we know are going to be in there. And those two elements close the chapter.”
and,
Spotnitz: Whatever I said, what I mean to say is that 8 years of the series will come to a close this May, regardless of whether there is an X-Files next season. I actually believe most of the important questions about the mythology have already been answered, believe it or not, and you will see some new ones asked in upcoming shows.
--leaving room for Season 9 to begin a new chapter for the show (one no longer centered on Mulder and Scully's evolving story, since it had been concluded.)
That... didn't work. So, IWTB's focus, years later, was on a MOTW instead, with the hope that it would succeed and become a stepping stone to a movie-mythology franchise series.
That didn't work, either. But CC never gave up hope for a 3rd movie.
Then 2015 rolled around and FOX approached him for a revival.
Carter: I had one question thrown out to me at a meeting. [Fox Television CEO] Dana Walden asked, “If there were another series, when do you think you could begin work on it?” It wasn’t an overture, more of a practical issue. That was before the show ever aired and they knew what the ratings would be. There’s been no conversation about doing more of these. With the ratings news, it’s hard to imagine that they wouldn’t come back to us.
I would love to do another movie. Especially coming off that second movie, which had such a heavy weight upon it: A summer-release, low-budget movie, with no promotion, in a crowded field of tentpole fare. I was asked to do so much with so little. And I tried! If we were to do another movie, it would need to be akin to the first movie, which I thought was a story worthy of the big screen. That said, I can’t imagine they won’t want to somehow figure out how to do this on TV.
CC didn't know where to take the show, and only signed on after being told the season would be short (and might give him a movie, which is what he really wanted.) It was Dr. Anne Simon that actually got him excited about the mytharc again: as she tells it,
"What was the Conspiracy? This [Struggle I and II] is the conspiracy. Now, did Chris know that this was the conspiracy [since the original show]? Obviously not-- because I told him what the conspiracy was. But he knew that there was a Conspiracy-- he just didn’t know what it was. But when I told him, when I gave him this idea [plot for MSI/II], he was just, ‘This is amazing’-- I mean, he was so happy. ‘I want more, I want more, I want more!’ And every time I sent him these pages, typed pages, he was just, he was extremely happy. I could tell how happy he was.”
(Dr. Anne Simon's an interesting rabbit hole to go down, btw. Gonna do a post on her contributions in the future.)
He redid the focus of the show in Season 10; and his writers and collaborators and even his actors-- David Duchovny and Gillian Anderson, both-- thought it was a well-written season (I know....) But the fans did not.
So, CC made a statement after FOX confirmed S11: shippers had been heard-- there would be more MSR and William. So much so, he brought William back purposefully to give his arc a resolution.
And when that didn't work out-- when CC's 'perfect' ending was hated by fans (and famously, Gillian) for feeling more like a cop out than an address-and-move-forward conclusion, he felt slighted and misunderstood.
In short, Carter wasn't invested in his series anymore-- and, to be fair, neither were David and Gillian: all three (and Spotnitz) wanted to do movies instead. FOX said no; so, they took on Season 8 and 9. When the middling traction from S8 flopped in S9, CC deviated from the mytharc and did IWTB. That flubbed; and he let the matter rest for a few years (still hoping for more movies.) When FOX only agreed to do another series, he didn't know what to do with the mytharc. Then Dr. Anne Simon and Margaret Fearon gave him a direction-- and, yes, both worked on (and cosigned) the mytharc episodes-- and got him excited to do something new; and more of it. And we all saw what happened thereafter.
(Dr. Anne Simon also worked on the OG mytharc episodes, and has nothing but good things to say about them and the Revival. Again, a future rabbit hole.)
In conclusion: once CC's interest is engaged, he loses track of all else and devotes his aspirations to that one thing-- to the detriment of not only the whole picture (i.e. mythology) but also other equally important moving parts (i.e. Gillian's desire to move on.)
I could go on, but I think that's it for now.
the lowest it can possibly go is "severe" and that's only when he's busy doing something incredibly stupid