Nicolas de Staël - Montagne Sainte-Victoire (Paysage de Sicile), 1954, huile sur toile, 89 x 130 cm
Henri Matisse, La fenêtre bleue - Issy-les-Moulineaux, été 1913 130.8 x 90.5 cm, Museum of Modern Art, New York
Long Distance by Man Ray, 1916, Guggenheim Museum
The Solomon R. Guggenheim Foundation Gift, Peggy Guggenheim, 1979 © 2016 Man Ray Trust/Artists Rights Society (ARS), New York/ADAGP, Paris Medium: Pochoir print with ink on paper
https://www.guggenheim.org/artwork/32208
Ceramic cubist sculpture – Roger Capron, Vallauris
Jean-Michel Basquiat (American, 1960-1988), Untitiled, 1986. Acrylic on canvas, 150 x 120 cm.
On the Bridge, 1903 Edvard Munch
Takashi Isobe.
A View of Sintra, Portugal
Artist: Cedric Morris (British, 1889-1982)
Date: 1950s
Medium: Oil on canvas
Collection: Private Collection, UK
Description
Among the numerous places Cedric Morris visited during his extensive travels, Portugal was one of his most frequented.
Morris’ first trip to Portugal, with his partner Arthur Lett-Haines and artist-plantswoman Primrose Harley, was in 1950. He returned many times, often in the company of the plantsman Nigel Scott; these trips were primarily plant-hunting expeditions, with the purpose of finding new species of plants native to the area, to add to their full and varied plant collection back home at Benton End, Hadleigh, Suffolk. Morris had always preferred the countryside, and after the war Morris and Lett-Haines had moved to Benton End from London, which included a large house, studio and garden.
Soir Bleu, Edward Hopper, 1914