Loved by god
Ojos de guerko / Eyes that see all
sebastian sdv i want to raise a family of cats with you
here’s my bold S2 prediction
regarding Dune Part 2: i am obsessed with its consistent visual theme of self-destruction. the shot of paul surrounded by his new followers seems triumphant - until the viewer remembers that each crysknife is made from a tooth of shai-hulud, and paul is standing in a circle of them, in the allegorical mouth of the worm. he orders a missile strike, and the viewer sees them fly directly through his head. every victory for the prophecy is a blow to paul himself; he's killing himself with every step he takes towards his destiny, and we know that already, and the film is screaming it, but it's a hell of a thing to watch it happen, isn't it?..
Been watching Yellowjackets recently and I may have some favourites…
Warning : not very coherent
I so badly wanted the slow extinction of fremen culture in dune messiah and children of dune to be an examination on how the colonial rule destroy indigenous way of life and fuck up the local ecosystem causing untold damages for the sake of "modern development" when its actually just a mindless chase for profits. But I know its not. There were some bit of writing that pointed in that direction (how terraforming destroys the habitat of desert animals, especially the worms, gradual loss of knowledge on water discipline, how riding the sandworms becomes rarer and rarer) but overall, it doesnt seem like its what frank hebert actually wanted to say.
From the first book, the fremen is seen as 'noble' or special because the harsh conditions of Arrakis made them into a society of honor with the strength and battle prowess that rivaled the sardaukar. The sardaukars were defeated by them because they've gotten too confident and comfortable from constantly winning. In dune messiah, we see the fremen slowly undergoing through the same thing as their planet becomes less harsh. The fact was regularly noted by people who went through the sietch days and somehow, its all they care about. Feeling resentment over how the new generations are weak and waterfat. Cultural things like music, communal gatherings, camaraderie, were all treated like a footnote. There was a scene in dune messiah where a veteran, Farok was complaining about living in suburban houses instead of the caves. IRL, suburban houses on a desert climate took so much to maintain. It's expensive. It wastes water, power that are currently sourced by burning fossil fuels, and it kills the local ecosystem. It also promotes loneliness because people are separated in tiny family units. There is a lot of plot potential in there. But in the book, its merely a rant that describes how Farok wanted the old ways without specifying why and how it was better for him and fremen as a whole. Meanwhile in dune it was specified how awful living in the old days are. And then of course, a part of why Paul had his downfall was because the fremen thinks its disappointing that theyre not brutal savages trained by the desert and a fear of the shai-hulud anymore
It's a wasted opportunity! The book wants you to believe the old ways of the fremen are better, but all it focuses on is how better living conditions makes them soft. They resent not sacrificing virgins and leaving blind people to die. The things they lost that the book narratively cares about is the things that aids the Atreides and their empire, not the things that makes the fremen who they are (communal living in the sietch, solidarity, appreciation for the environment).
Despite being glorified, the fremen is not treated like people. Their way of life is universally seen as best for the planet, but there is no sincere examination on why it actually works for the fremen. And the book suffers because of it. In the end, the fremen is merely a placeholder for frank hebert to spout his weird beliefs about survival of the fittest instead of a story about indigenous culture. My friend, you were so close but you missed it!
together forever :)
what if we were little bugs holding hands encased in amber forever and ever :))))
prints available here :p
The Last Days of Judas Iscariot saying that heaven and hell are a state of mind and nothing can obstruct you from salvation and the love of God except your own guilt. And despair being such a dooming force that even if Jesus were to appear in front of you himself and repeatedly remind you how much he loves you, hell, he'll try to hug you and wash your feet even, you can't be let free from the prison of suffering that you've confined yourself in. All because you're so disappointed in yourself that you're gripping the bars refusing to let go. How you cannot love God without first forgiving yourself. How the ultimate tragedy in this poignant dark comedy of a play is that Judas' damnation comes not from the fact that he betrayed Jesus, but from his self-disdain and perceived unworthiness that he basically condemned himself into an eternity of solitary anguish. I can go on about this play forever and ever. Do you get it.
yes girl you are so [if i loved you less i might be able to talk about it more] [hands are unbearably beautiful] [i'll take care of you it's rotten work not to me not if it's you] [if you are intolerable let me be the one to tolerate you] [i could recognise him by touch alone] [i love you i want us both to eat well] [on purpose i love you on purpose] [whatever our souls are made of his and mine are the same] [i am half agony half hope] [you have bewitched me body and soul and i love love love you] [he is half of my soul as the poets say] [i'm sick of people saying that love is all a woman is fit for but i'm so lonely] [i love you most ardently] [let me stay tender hearted despite despite despite] [someone has to leave first this is a very old story there is no other version of this story] [mostly i want to be kind] [tell me how all this and love too will ruin us] [you said i killed you haunt me then] [someone somewhere can you understand me a little love me a little] [i will love you as misfortune loves orphans as fire loves innocence and as justice loves to sit and watch while everything goes wrong] [sorry about the blood in your mouth i wish it was mine] [who will come into my kitchen and be hungry for me] can we kiss now
Inside Interview With the Vampire’s Most Tragic Hour: The Trial Explained
Dante. 24. he/him. autistic mess. i love making art, read fiction and watching horror movies. the rest is confetti. pt-br / eng / fr header by littlestpersimmon
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