Темные духи Алтая. Фотограф Кулакова Екатерина. Россия 

No, witchcraft book market, I would actually like professionally cited texts on actual ancient folk practice based on actual archeology and historical text, not another garbage modern deconstructionist take on mythology you didn't even understand in the first place.

Codex Rotundus “266 almost perfectly circular pages of parchment have been bound together to build a block of 3cm height with a diameter of only 9cm.”

The initials of the metal clasps point us to Adolph of Cleves, Lord of Ravenstein (1425 - 1492) as the owner.

Invocating Pan to the Devil’s Revelry

In Peril (1879) by John Atkinson Grimshaw

Freud said that we endlessly repeat past hurts, forever re-enacting the same patterns in a futile attempt to patch the un-healable wound. This, more than anything, is the terror of the personal, digital archive: not that it reveals some awful act from the past, some old self that no longer stands for us, but that it reminds us that who we are is in fact a repetition, a cycle, a circular relation of multiple selves to multiple injuries. It’s the self as a bundle of trauma, forever acting out the same tropes in the hopes that we might one day change.

Navneet Alang, "Terror of the Archive"

A phenomenally enameled silver Swept-hilt Rapier, Germany, ca. 1606, housed at the Staaliche Kunstsammlungen Dresden.

Little Red Riding Hood

by Olga Solarics & Adorja’n von Wlassics / Atelier Manassé c. 1920s

Eve - Petra Brnardic

Szilveszter Makó, Armour of Couture, Vogue Hong Kong 𝟤𝟢𝟤𝟤.

eternally yours