Did it hurt when you fell from Heaven? Because it hurt when I did.
Licht (via incorrectservamp)
he’s amazed and scared at the same time
Drive-thru speaker: Good evening sir, what would you like?
Dazai: Reasons to live
fanbook oso icons / free to use w/o credit, scans from @osmt-files
A leisurely afternoon at Spirits and Such 🌇 🌤️
“day off”. 🔇 ← frames from right to left
hi! i hadn't drawn full-page manga (sort of) for 10 years. so.. this is my first new step since 2014. a silent doujin about reigen’s day off 🚋💛
POOR MACCACHIN, LOOKS SO SURPRISED.
As a fan of character relationship dynamics, I'm seeing a lot of odd "Serizawa and Reigen's relationship has no weight or substance" discussion on my tl recently, and it's important to me that this fandom actually understands the connection between these two characters.
The most prominent and probably most important narrative parallel being how Toichiro "freed" Serizawa by having him depend on him and CLAW, whereas Reigen freed Serizawa by encouraging him to be his own person while still including him in S&S and promoting real healthy connections with other people.
Toichiro towering over Serizawa while Reigen kneels to be at his level... Reigen sees Serizawa as an equal. Despite technically being "his boss," he includes him and encourages genuine discussions in both a personal and workplace environment.
This, and the way the two of them seem equally amazed and supportive/reliant of the other. Serizawa in Reigen's logical knowledge and street smarts and Reigen in Serizawa's psychic powers and spiritual experience.
On a more wholesome and personal note, there's also the fact that, after the climax of the finale, Serizawa was definitely calling Reigen in a panic to find out if he was alright.
Long story short, there's a lot of character interactions and development of these characters and their relationship if you really pay attention! Sure, they both have their own lives (Serizawa going to night school and Reigen... doing what Reigen does), but it's not like they're "just coworkers." They're very close, and they have a lot of canon material to work with!
Тебе давно пора начать жить одним днем. какая разница, что будет завтра или через неделю? Главное, чтобы тебе сегодня было хорошо. Жизнь одна и нельзя упускать счастливые моменты, потому что они больше не повторятся.
Стейс Крамер “50 дней до моего самоубийства”
(via deathleess)
“Carpe Diem. Seize the day, boys. Make your lives extraordinary.” (Dead Poets Society, 1989)