Azurilmare - Azurilmare

force bond or sex night?

Found a bunch of Reylo rough drafts, I completely forgot about these! Some of these were for pin designs that were commissioned a while back :) which is your fave?

“One of the make-up artists, who stood beside me while we were shooting [the meadow scene], whispered very quietly: ‘I wish that was my life.’ And I think wish fulfilment serves a purpose. I think a lot of people consider it a cop-out or a cynical act, but I think wish fulfilment is very important in drama. And it’s important for the people who watch it and the people who make it. We need to have something to reach for. To not settle for less.” — Joe Wright, during director’s commentary of Pride & Prejudice.

HAPPY FIFTEENTH ANNIVERSARY TO PRIDE & PREJUDICE (2005) DIR. JOE WRIGHT

TIFF release date: 11 September 2005 UK release date: 16 September 2005 US release date: 11 October 2005

Waterhouse, but I made it reylo

All my pieces here

https://www.patreon.com/stavrogin80

Redbubble here !

https://www.redbubble.com/people/stavrogin80/works/92907725-sirens?asc=u

But forgiveness… I’ll hold on to that fragile slice of hope and keep it close, remembering that in each of us lie good and bad, light and dark, art and pain, choice and regret, cruelty and sacrifice. We’re each of us our own chiaroscuro, our own bit of illusion fighting to emerge into something solid, something real. We’ve got to forgive ourselves that. I must remember to forgive myself. Because there’s an awful lot of gray to work with. No one can live in the light all the time. - Libba Bray

STAR WARS: The Rise of Skywalker 2019 | dir. J.J. Abrams

A World Between Worlds

@thatgeekydame commissioned this Reylo piece based on a piece by J.C. Leyendecker and I had so much fun with it!

(please do not repost)

darth darcy and rey bennet, romancing in a galaxy far, far away… [2/?]: It is a truth universally acknowledged, that a single Dark Lord in possession of a galactic Empire, must be in want of a wife.

Seguir leyendo

– Amy and Roger’s Epic Detour, Morgan Matson