It’s been a privilege to have been asked again by Lucasfilm and Disney to do Australian Exclusive poster for The Rise of Skywalker. Inspired by the simplicity of the striking Return of the Jedi poster my aim was to create a design that featured all of the movies in the legacy and not simply a poster about the Rise of Skywalker. Rey’s hand and saber hilt was inspired by the Arthurian legend of the Lady of the Lake reaching up to grasp the hilt of Excalibur and it is also a play on the word “Rise”. Rey’s finger touching the hilt and the flare of white is symbolic of the “Force” —Mark Raats
The Angel of the Birds, 1910
Franz Dvorak
David G. Benner, from “My Kingdom, Thy Kingdom,” in Desiring God’s Will
Art ✨
I decided to have a sketchbook totally dedicated to Adam Driver. Yesterday it started to look nice.
Image from Jacob Christian Schäffer’s Entwurf einer allgemeinen Farbenverein (1769) illustrating the idea of colour as genealogical and hierarchical: the principal colors are not presented as a continuous line but as families, each with its own coat of arms.
this love is alive back from the dead these hands had to let it go free and this love came back to me
Happy #ReyloValentine! I have a happy Dyad for you- in TLJ clothes ‘cause it’s my missing TLJ hour (it’s a standalone piece, my story will continue in March, I must rewrite the script and decide how long it will be. Originally it ended on part 20 with Ben saying 'I want to help’)
art
The Sleeper and the Spindle
Neil Gaiman
Illustrated by Chris Riddell
— Vicent Van Gogh