Good Night Bells Hells
Good Night Mighty Nein
Good Night Vox Machina
I wish you would write a fic where Percy and Vex need to get warm.
Do with that what you will. (It is effing cold here so it’s on my mind) lol
900+ words | Gen | Perc'ahlia | TLOVM s3 and C1 compliant, set in the 1-year timeskip.
I wish you would write a fic where... prompt game
EDIT: Now cleaned up and on AO3!
--
Vex loves Percy. I mean, it’s a simple, straightforward fact. So much of him is reflected in Whitestone that it’s impossible not to love the city too.
She might just love it a bit less right now, though. Apparently something about turning Whitestone into a necromancer's paradise impacted weather patterns (guess it’s hard to raise undead in frozen ground?) - because Percy remarked, during Winter’s Crest last year, that it was an unusually balmy winter.
This one is not unusually balmy. It’s cold. It’s skin-prickling, hair-frosting, finger-tingling fucking oppressively cold.
Vex never knew it was even possible to be too cold for snow. But she’s definitely fucking familiar with the concept now!
It sure doesn’t feel like the Dawnfather smiles on her when the dawn was several hours late, and she woke up to several feet of snow, and to have any hope of catching anything she had to leave her very cozy bed and even cozier Percy.
Another thing to hate about this weather? Dressing up. Gone are the days of throwing on boots and bounding off for a hunt. She needs not one but two hosen on her legs, and a sweater and a jacket and a cloak on top, and gloves, and big huge boots that make her feel like the clumsiest thing in the whole fucking Alabaster Sierras if the rest of the outfit didn’t already accomplish that.
And a hat. A knit, tight hat that she has to drag over her ears or the points will freeze. It feels like she’s going deaf when she wears the thing.
After several hours of vigil in a tree - a third of them taken before sunrise when even that couldn’t warm her - Vex finally just gave up and trekked home. Because even for the Grand Mistress of the Grey Hunt there was only so long she could fight off shivers to stay still. And feel every breath sharply. And watch her scarf and fur collar and stray strands of her own fucking hair slowly prickle with frost.
She must have frostbite. Even if her magic doesn’t seem to catch on any damage. She’ll get inside, take off her gloves, and see that her fingers are black and falling off and Pike will have to leave the bakery to put them back on.
Not like she has any use for those stupid fingers; they’re stiff with cold, and she doesn’t have any game to haul back.
Everything sucks even more knowing she - don’t forget, the Grand Mistress of the Grey Hunt - didn’t even hunt anything. Not even a rabbit, or a turkey, or a glimpse of that Grey Render. Funny thing: the wildlife has the sense not to be out in this weather, even if she doesn’t.
(The worst part is that Trinket, for the first time in his whole life, has decided to hibernate. Because the Parchwood is the sort of place bears want nothing to do with when the days start to shorten. And it means that Vax is in Zephrah, where it never snows, and Trinket is soundly sleeping in the warmest part of her mansion, and Vex is out here alone.)
(It means there’s less body heat to keep her warm out here. Of course.)
Grand Mistress of the Grey Hunt who sucks at hunting in the Parchwood for a third of the year. It’s times like these where she’s really giddy the mansion was completed not long after the first frost; she can avoid the (surely super judgemental) stares of the townsfolk.
She just… has to fight through knee-high snow to get back. Or awkwardly step through the tracks she left in the morning. Or test the thin sheet of ice on the top of the snow, make it a few strides before crashing through. And no matter what she does her socks end up cold and wet!
By the time the lights are in sight she’s exhausted, and sweaty, and pissed, and really itching to kill something. And above all else, freezing. It’s almost enough to dull the ire - almost.
A petty part of her heart hisses that she never, ever should have fallen in love with a clever, thoughtful, nerdy, proud, cynical, and extremely sexy man who happens to live where it gets fuckoff cold for a solid third of the year.
Except as she trudges closer, she can see his silhouette in the window. And the moment that interruption in the light jerk upright because he’s seen her, too.
Except he leaves that warm, cozy home they’ve made to meet her outside with his coat and slippers. And he kisses her burning cheek and steals her hunting gear and rambles about some idle nothing - and notes he’s got hot chocolate on the stove.
Except once they’re in the mudroom, and her cold skin prickles at how balmy it is in here, he’s taking her hands and warming them in his. And he’s taking off her boots and grimacing in sympathy at the packed snow and agreeing it’s awful out there, she’s entirely correct, and he’ll be sure to have those poor cold feet in his lap as soon as possible. Yes, by the fire, of course, he’s not a madman.
Except he’s so delighted to have her back, so happy to have an excuse to pamper her. And Percy, with an impish delight, cocoons her in thick blankets and tugs her along to the little nest he’s made by the hearth. And Vex, impossibly, falls a little more in love with him every time he leads her through this dance.
Because Percy, as a man of fuckoff-cold Whitestone, has getting warm down to a science, and Vex can almost forget she was ever cold in the first place.
(She has her own thoughts on how two lovers could warm eachother up, of course - but she did fall in love with a clever man.)
"Whitestone Endures..."
HAPPY SATURDAY I CAN'T BELIEVE I'VE DONE THIS!!! And it's not DONE done, not yet. I still need to make the armor, but the clothes are pretty much done and I am THRILLED! I got so excited to finish this because it reminds me of when I first started cosplaying. I bought the accessories, but I am not a seamstress so I thrifted/found the clothes and painted the jacket for this.
When I wanted to cosplay Neon Katt and Nora Valkyrie from RWBY back in 2017/2018, buying the costumes outright wasn't really an option so I had to buy/find regular clothes and alter them. I still don't OFTEN outright buy full costumes and even more rarely do I use EVERY piece of a bought costume, unaltered, but getting together a bunch of unrelated pieces and making them a cohesive costume just feels like so much more of an accomplishment to me! So I'm thrilled I got to do this like this! I found the white jacket at the thrift store for LITERALLY a dollar and painted the collar and then a friend sent me the blue dress because she ended up not using it for level 13 Imogen.
The armor is NOT going to be quite this simple but I have a bit of a plan and we'll see how it works out! I'm also starting on Level 20 Percy for my fiance so HOPEFULLY Lord and Lady de Rolo will be out and about for Anime Frontier! (Why so late in the year? Well, you'll see 👀🤫)
ABOUT TIME
I KNOW WHAT SCENE THIS IS I KNOW WHAT SCENE THIS IS I KNOW WHAT SCENE THIS IS
As someone who has spent a year and half watching C1/C2/C3, is now finally caught up, and as a result is finally allowing myself to look at fandom reactions to episodes... Boy, critical role discourse is weird.
People will spend days arguing about who's evil and who isn't, which decisions made sense and which ones did not, whether the plot point is solid or not, what's the consequences of that fake action in that fake world, who's a psychopath and who isn't, which group is better than the other, etc etc etc.
Meanwhile I'm there enjoying every single episode of that show. For ten years, this group of friends has met every week to roll some dice. They've created characters that made them laugh, and cry, and smile, and frown, and shout, in excitement, fury, terror and joy. Through them, they've lived adventures, drama, tension, trauma, in a sandbox world they'll never put a foot in. They've created wonders in Exandria, then destroyed them just to see what would happen (shout out to Emon and the Chroma Conclave arc 🎉).
Their world had mystical artifacts, so they created lost civilisations to justify both their existence and rarity. It had Gods, so they gave them backstories and myths, to make this world feel real. They understood that history in itself is flawed, so the knowledge of the past is changing. Each campaign, they went on bigger questions, bigger challenges. From very early on, Campaign 3 has been questioning the status quo between Gods and Mortals, and what we know of the deities has evolved as a result. Why should I care, really, whether Bell's Hells are right or not to challenge the Gods. It's obviously a storyline that Matt and the rest of the cast were curious to explore, so they're doing it. Maybe it'll work out great, maybe it won't, they don't know, and that's fine. After all, what is the point of a sandbox world if you cannot push a few red buttons.
And of course, not every plot point or decision is going to be resilient to scrutiny. It's an improvised ttrpg game, with 100+ episodes per campaign, and we're almost at 500h in length for C3. Yesterday, in my ttrpg, I forgot who my new vice purveyor was, after I overindulged a few months ago (... It's a Blade in the Dark thing). Last week, I invented a drag persona for my character because I was trying to find a distraction and I panicked. Ttrpg are soooo random, mate. Even with professional players like the Critical Role folks, it stays a ttrpg. Things get forgotten. Some things get developed and others don't get the time to. Discussions happen, and sometimes they happen again six months later because maybe characters have changed or maybe not. It's not a scripted TV show, where things can be planned in advance and you know the characters will stick to the script. Inconsistencies will happen, and that's fine.
(Contrary to my ttrpg though, the CR folks are absolutely mind-blowing improv actors and watching them every week stays absolutely thrilling to me. Some of the things you all have apparently fought a long time about are some of my favorite moments, in any of the campaigns. See swordgate, a masterpiece of dramatic improv and bonkers choices. Those players are *not here* to stay safe, they want to feel the highest highs and the lowest lows and I am there for it 🥺.)
For what it's worth I do understand how much it sucks when a CR character's arc doesn't end up being what you imagined. This is an incredibly longform show and sometimes you've spent years investing in a story before you realize that it's not at all what you were looking for.
I've been there with Orym. There was a long time where I had incredibly high hopes for a compelling deconstruction of the whole straight man good soldier boy thing. I was incredibly bummed out when I realized Liam didn't intend for any of that.
You do need to accept it, though. I don't hyperfocus on Orym every week and whine about how his story isn't working. I just acknowledge this particular character isn't interesting to me and that I at times find Liam's choices frustrating and then move on.
You can be sad Imogen's story isn't about accepting that her mom is evil and killing her or whatever, but that ship has long sailed. This is the direction Laura has chosen to take her character and you are under no obligation to like it, but at a certain point you're just gonna have to let go of the arc you wish you had gotten.
also, my wife used the phrase “general, exandria” and my brain transformed that into General Exandria instead of Captain America and now I need fanart of Grog in spandex doing the sexy hero turnaround pose saying “Dat’s Exandria’s ass”
I've been searching for De Rolo children art for monthsss
he's tired
Gruumsh: I AIN'T TOUCHING THAT SHIT YOU'RE ON YOUR OWN.
Vasselheim soldier casts divine intervention to The Ruiner, but gets scared off by Imogen
“Discuss with who” -soldier
“Certainly not you, why don’t you step aside” -Laudna
i am the Bats of the trees,i speak jew speech and i steal your country's money since the 40's i'm from Israel, deal with it. huge d&d and comics nerd
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