Writing A Story From Start To Finish - Guide

Writing a Story from Start to Finish - Guide

                I see you guys in the tags and reblogs talking a lot about how you have a desire to write, but have no clue what to write about, or where to even start figuring that out. While starting any project can be incredibly daunting, I wanted to put together a little guide to hopefully make it a bit more accessible. Be warned, this will probably be a long post.

Step 1: Form an idea

All writing begins with this: an idea. Ideas can start as small as an object, or as big as a world or cast of characters. What’s important is that your idea genuinely interests you, and makes you want to explore it more.

                There are a million ways to gain inspiration for ideas, but my favourite method is a sort of brainstorm/mind map of all the little and big things you find interesting. Any tropes, characters, places, concepts, objects, animals, other stories, etc. you love—write them down. Then, start connecting the pieces. Each connection is one concept or idea you could explore further.

                If this doesn’t work for you, try using some writing prompts or check out 15 ways to spark new ideas.

                If you are a planner, proceed to Step 2. If you are a pantser, skip to step 7.

Step 2: Create your Protagonist

Now that you have a sort of concept or inspiration to work off of, you need your main character. There are about as many ways to create characters as there are characters themselves, and each method is going to work better or worse for every writer.

                At the barest minimum, all your protagonist needs is a Goal to work towards, a Reason for wanting it, and a Flaw that keeps them from having it right away.

                These three things can form a baseline character. Consider what the thing they want, why they want it, and what’s keeping from it says about them as a person.

                Rapunzel (from Disney’s Tangled) wants to see the ‘floating lights’ on her birthday. She wants to because she believes she will learn more about herself through seeing them. Her fear over disappointing and disobeying her ‘mother’ keeps her from it.

                My favourite character creation technique is actually Here—it takes you through creating character in order to create story.

                If that one doesn’t work for you, try this one. It is more focused on defining traits and figuring out the personality of the character first.

Step 3: Your Plot is your Protagonist’s Arc

As stated in the character creation technique I shared in Step 2, character is plot. By that I mean, the character’s journey is the plot of the story. We’re here to see the protagonist transform because of the circumstances incited in the beginning.

                So to form a plot, we need to know who the character is at the beginning, and what they need to learn by the end.

                Your character’s arc is A but B so C:

                A – your character and their flaw

                B – The conflict they go through

                C – how they change

“Obsessed with success, Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class, but when the new girl in town pulls her into a whole new world of excitement and fun, she must stand up for herself against her impossible standards and learn how to be a teen again.”

                This one sentence has everything we need to know about this story and character: “Obsessed with success (character trait/flaw), Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class (goal), but when the new girl in town pulls her into a new world of excitement and fun (conflict), she must stand up for herself against her impossible standards and learn how to be a teen again (change).”

                If you have these three things, congratulations! You already have a story. If you’d like, you may begin writing it now (skip to step 8). Or…

Step 4: Theme

                I did a whole post on theme you should check out here. Essentially, the big takeaway is that your theme is a lesson to impart to the readers—which means it is not a question, it is an answer.

                For the example given above, our theme would likely be something like, “Teens need to balance their additional responsibilities as they mature into young adults with the joy of being young and having fun.” Or, “Friends and a close social network is more important than having the best grades.” Or, “It’s important to take frequent time away from work in order to maintain one’s humanity.” Etc. Etc.

                Theme is conveyed through what your characters need to do to succeed (or what they do that causes their failure). If Jenny lets loose and suffers consequences for it in the end, we’re saying that she should have stuck to her studies rather than letting herself have fun. If she lets loose and is rewarded with a greater relationship with herself and her parents, we’re saying that was the correct thing to do.

Step 5: Outlining

                Now that we have a plot and a theme, we can outline our story. An outline is like a roadmap of what you’re writing. It can be as specific or broad as you want. My outlines tend to follow this structure, and I improvise the little stuff in between, but if you need to get all your ideas within your outline, that’s good too!

                Just make sure your notes make sense to you so when you need to know where to go next, you have a handy tool just for that.

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I used to be a first draft pantser. That’s cool if you are too, it worked really well for me in at least finishing a draft. What I’ve discov

Step 6: Worldbuilding

                Worldbuilding is probably where you’ll spend the most time because there’s just so much. However, I also find it one of the most fun parts. The minimal thing you need to know is your world’s normal, and how that normal is disrupted in the inciting incident.

                Jenny’s normal is school work and trying to impress her parents. The disruption is the new girl in town.

                Rapunzel’s normal is the tower and her hobbies. The disruption is Flynn breaking in.

                I did a more in-depth post on worldbuilding here, but the basics is just ask questions, explore consequences, and do plenty of research.

                Which brings us to…

Step 7: Research

                This can also be done after your first draft, but can’t be skipped entirely. It’s important when trying to convey experiences that may not be wholly your own, or unique perspectives, that you understand the context behind those things in the real world.

                Once again, ask questions, talk to people, and remain open to what you find.

Step 8: We can start writing now

                Now that you have all your planning ducks in a row (or have a good inspiration to jump from) it’s time to start writing! Either go from the outline you built, or just try out scenes. I have some tips for actually writing the dang thing that I’ll put here:

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Have you ever been in a situation where you just can’t seem to get a scene to fill much more than a page or two? Or you’re at 500 words when
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I always find myself freezing on a really good writing streak because I end off the chapter and have to face the question of what should com
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I’m sure you’ve heard other writers and creators talk about ‘running out of words’ or ‘replenishing words’. I’ve also heard it called ‘fuel’

                Let me know how your writing goes, good luck!

More Posts from Beqnis and Others

1 month ago

re: Asagiri saying a lot of people working on bsd have asked him to write about Chuuya from Dazai's point of view yet Asagiri refuses because for all his intent and purposes the answer is "Dazai just doesn't like Chuuya"

Asagiri. Asagiri come sit with me. Asagiri do you realize how much this statement makes Dazai's internal monologue about Chuuya much more intriguing? He doesn't like Chuuya.

In Fifteen, his irritation comes from his perception of Chuuya as a shallow violent guy who's just looking for the biggest enemy (Arahabaki) to beat up. He doesn't like him. Turns out this perception was wrong. He still doesn't like him. Chuuya turns out to be someone who struggles with his humanity in perhaps a more relatable way than Dazai ever expected. And he doesn't like him. Seeing Chuuya and Rimbaud fight inspires Dazai to give a new go at life, and he conspires with everything he has to make Chuuya join the Port Mafia to be his underling. But he doesn't like him.

Then comes Storm Bringer, during which a guy comes along and wants to kill Dazai and take Chuuya away, and Dazai fights tooth and nail to prevent both from happening. He doesn't like him. Dazai vehemently denies the possibility of Chuuya being an artificial human. He doesn't like him. Dazai is uncomfortable for having to tell Chuuya their best course of action would get rid of the last remaining lead they have over his origins, to the point he starts planning for not doing it. And he doesn't like him.

Dazai has contributed to building up years of mutual trust between him and Chuuya. He doesn't like him. Chuuya is always executing Dazai's plans nearly perfectly. He doesn't like him. For a few minutes Dazai considered the possibility he would be drowning Chuuya for real and took the time to reminisce about their good times together. He doesn't like him. He was partnered with Chuuya for a maximum of 3 years, statistically probably a lot less, yet he insists on saying they've known each other for 7 years and still calls Chuuya partner once in a while. But he doesn't like him.

What could possibly be going on inside his head for all of the above to be true at the same time? He's admitted more than once to thinking about Chuuya night and day... but it was of ways to kill Chuuya, so it's fine, obviously, because it means he doesn't like him!!!

Asagiri. I understand your simple words of dismissal as a way to warn your readers you have no intention of pushing that particular thread further in your writing. But Asagiri. Do you not see the monster, this walking mass of contradictions, that you've created? What do you mean he "just doesn't like Chuuya"? Not Chuuya angst this ain't about him I'm holding Dazai up by the scruff and waving him around like a prop. What were his motivations then? Why does he do any of this? What unknown depth of character hides in those cracks, Asagiri?

1 year ago
1 year ago
Please— Don’t Go Where I Can’t Follow

Please— don’t go where I can’t follow

2 years ago

Sometimes I just wish I was a guy


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1 month ago

to pretend that horrible people cannot make good art is another way to conflate beauty and talent with integrity and morality. the works of monsters are best examined with knowledge of the author in mind but art is not inherently reflective. human beings are creative, and habitual liars- it'd be stupid to pretend art must always be a portrait of its creator

1 year ago
Shadowheart Has Two Hands :3c

Shadowheart has two hands :3c

2 years ago
I Will Give You All The Stars.

I will give you all the stars.

2 months ago
Ship Dynamic I Really Like

ship dynamic i really like

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beqnis - boo !
boo !

they22 i draw so,,,me,,;;(metimes^?!

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