So Gaider tweeted these today and here they are voiced (aside from Morrigan unfortunately)!
This is the single best take on Dragon Age 2 I’ve ever read and why I will defend it with my life AND TWO OF THE WRITERS BASICALLY CONFIRMED IT??
(Also everyone go follow Margaret Owen on twitter. she writes books.)
twitter thread here
what we were in lothering was a lifetime ago
-They had Lando pronounce Han “Hān”
-and made it REALLY SUPER clear that parsecs were a unit of distance (but made doing the Kessel run in 12 parsecs still really impressive)
-just to cover some relatively minor plot holes from the original trilogy
-and I absolutely loved it.
George R.R. Martin: dragons are huge ferocious beasts who answer to a master
Tolkien: dragons are annoying, talking assholes
the unexpected joy of the worst summer of our lives by christine mi for vox
Critical role really said genderqueers stick together and I think in this case they understood the assignment.
Anyways, I am dying to get fan art of Milo
Be More Chill: sing along to ALL the instrumentals.
The Book of Mormon: passionately yell the lines. Then glance out the window awkwardly to make sure no one’s listening. Then resume passionately yelling. Awkwardly go quiet when you hear people passing your door. Repeat.
Dear Evan Hansen: two modes: either humming the songs peacefully to yourself or jumping to your feet, perfectly executing the “Sincerely, Me” dance and also doing all of Ben Platt’s physical tics and waiting for your Tony.
Falsettos: *singing along happily for hundredth time* *abruptly stops* What does that line even mean
Hamilton: there is literally only one way to do it: singing along to all the parts at once and incorporating all the furniture in the room for maximum effect.
The Last Five Years: have a hundred tabs open with the lyrics. It would be one of the easiest musicals to sing along to alone if there weren’t so many goddamn words.
Les Misérables: reconcile yourself to the fact that it’s physically impossible to sing along to all the parts. You gotta just pick a character to sing with. Which is actually fine, because most Les Mis fans have this one character that’s “their” character. And there’s probably only one character who’s in your range, anyway. I mean, you can try to sing along to all the parts, but prepare to get absolutely slaughtered in “One Day More.”
Newsies: whatever you do, just don’t try to dance along. Please.
Next to Normal: *singing along happily for hundredth time* *abruptly stops* Whoa. That line is really clever/weird/sad/beautiful.
The Phantom of the Opera: AHHHHH aaahhhh ahhhh ahhhHHHH SING MY ANGEL OF MUSIC AHHHH ahhhh ahhh hahhhHHHHH sing mY ANGEL ahhh hahhhhhhh ahhhhHHHHH SING FOR MEEEE AHHHHH HHHHHHHH HAHHHHH HHHHHH HHHHHHHHHHHHHHH SING MY ANGEL HHHHHHHH Ś̹̗̝̠̫I͓̻̰̲N̢̠͕G̦̬͟ ̲F̳̫̦̜̭̰O͙̹̪͕̞͉͟R̩̭̦ ̛̠͚̰M̫͍̬͇͈̖EE̖̙̬̳̞̞̹È̖E͈EE͏E̗̞̲͍̰̕E̗̙̬̻̭Ḛ̫͉̗̜ aaʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰʰ
Rent: ALL the air guitar.
Spring Awakening: *forgets lyric* 🎶 lonely grass purple horses hay bale 🎶
Waitress: wait until “I Didn’t Plan It” and “She Used to Be Mine,” and then let out YEARS of pain and sadness
Wicked: *searches on YouTube* how to belt
Breq:
Awn:
Seivarden:
Anaander Mianaai:
Mercy of Kalr:
Tisarwat:
Ekalu:
Kalr Five:
Raughd:
Dlique:
Zeiat:
Sphene:
“By the world I was taken By storm I was tossed But I told myself that love’s never lost.”
- Love’s Never Lost from A Man of No Importance
I was feeling a bit nostalgic about campaign 2, so I thought I’d draw a little something