The animatic I’ve been working on since last November is finally done!! Over 100 hours of work on this, much agony and tribulations, but it’s finally done.
journeys end in lovers meeting, every wise man’s son doth know
edit: credit
I’m back on my bullshit
- explain Vorloupulous’ law in detail and then break it like ONE SECOND LATER, because what’s the point of a vacation if it doesn’t involve some casual treason among friends - think unironically that maybe he can get over his thing for tall women by sleeping with an 8 foot tall supersoldier (spoiler: doesn’t work) - “Would you believe, I’m here by accident? Oser wouldn’t.” I WONDER WHY MILES! Maybe it’s because you just happened to turn up in the middle of an interplanetary arms race to steal his mercenary fleet for the SECOND TIME? - “Who are you?” “I don’t even want to talk about it.” - lost AN ENTIRE EMPEROR once - is a trained Imp Sec operative, but primary method of staying undercover is hoping no one looks him up on Wikipedia - memorized all of Richard III - only comes up with the cover story that he’s Miles Vorkosigan’s clone right before his actual clone tries to murder him - the dramatic farewell kiss with Bel in front of a room full of people - possibly the worst dinner party ever thrown in the history of the WORLD, so bad calling it a trainwreck is an insult to trainwrecks - after she proposes, immediately started doodling Ekaterin’s name in his notes like a lovestruck teenager while the Council of Counts was still in session - casual friendship with an enemy Cetagandan general who he can call in a pinch - when someone asked if he was Tien’s murderer and he got so fed up that he was like bitch I might be
you will live to witness manmade horrors that are completely within your comprehension if you've paid any attention to a single piece of human history but are nevertheless still huge bummers
Jeff “Joker” Moreau + Pilot jokes
A concept:
Jaime, Cersei, and Brienne meet towards the end of the book. Jaime stands behind Cersei, and she smirks, knowing she has gotten her brother back. Jaime meets Brienne’s eyes from over her shoulder, says,
“The things I do for love.”
and stabs Cersei in the back.
Star Trek: Discovery + The Onion headlines (1/?)
Low key I'm kinda bored of and annoyed by the preponderance of works that have Boring If Not Outright Malevolent Angels on one side and Nuanced, Charismatic, And Honestly Not Evil Demons because it just seems like a perpetuation of the idea that good is fundamentally flat or banal or not even good at all, that Goodness is something performed to achieve something else, usually power or control. In fact, I don't object to nuanced demons so much as the imbalance (only the "evil" side is allowed to be anything approching, well, approachable.)
But then I'm like "well identification with monsters is something that marginalized groups often feel because it forces us to question what is monstrous, so the idea of finding compassion and humanity in those deemed inherently unforgivable is actually very powerful and subversive"
But then I'm like "but is it subversive or is it laziness? It's hardly revolutionary at this point, it's like people making children's toys scary. It's supposed to have a tension between what something should be (childlike, innocent) and making it wicked. But now it's so common that dolls are often considered inherently creepy. So where's the subversion in a creepy doll? There's none. Where's the subversion in mean Angels or angels who have no interest in or love for humanity?"
But then I'm like "well but aren't angels traditionally destroying cities and saying Be Not Afraid?"
And I'm like, again just to myself as I pace my kitchen, "I mean YEAH but they're also like flaming wheels or whatever, I'm not sure how much these works are genuinely interested in angel mythology"
Then as I make coffee for myself, I think, "angels represent the traditional hierarchy, the traditional Christian dogma, and therefore are stand ins for the authority that we must question"
But then, as I realize we are out of sugar and my coffee is therefore ruined and am thus more susceptible to thinking there are demonic forces at work in this world, I go, "but demons in these stories aren't systemically kind. They're just cool. They're individuals and help individuals if they feel like it. In these stories, there's no mass concern for all of humanity really."
And then I conclude, "maybe angels are written cruelly because the world seems cruel and therefore there cannot be a Divine force involved in our daily activities looking out for us. Demons are by their nature doomed to fail which makes stories where they try to do Good have a more natural conflict and also explains why things in the world aren't better. For if there were angels, a legion of angels, always at work, shouldn't things be better? But we don't know how the world could otherwise be. But it seems hard to argue that this is in fact the best of all possible worlds. So demons make an easier to identify with protagonist while also being powerful and having cosmic impact. I believe many stories doing their own take on angels and demons would benefit from truly trying to imagine angels and beings of love, rather than the cold and distant figures I often see in fiction, but I understand the framework behind that conception."
Then I add to myself, "of course since I'm mostly talking about like urban fantasy, it might also be that people just wanna fuck demons more."
Turns out people really like me waffling about Narnia on Twitter.
So here’s a more hopeful spin on Susan Pevensie. (From the author’s pen to your eyeballs.)