Imagine your OTP in these scenarios and write it.
Fluffy fluff
Imagine your OTP where Person A is learning a new language and likes to say a few words to Person B in that language every day. They say it means random things, like “the door is open” but it really is a love confession. + if Person B finds out what it really means ++ if Person B answers one day
Imagine your OTP saying I love youto each other five times without the actual (romantic) meaning of it. + if one time they say it right
Imagine your OTP where Person A doesn’t have a birthday so Person B says they are allowed to choose the date. And they choose a day that they associate with Person B.
Imagine your OTP trying to bake cookies together and failing beautifully. It’s one big mess and in the end, they are lying on the floor, covered in flour and not able to stop smiling.
Imagine your OTP with Character A secretly learning Character B’s mother language to say stupid pick-up lines to them.
Supportive fluff
Imagine your OTP where Person A is really passionate about a social injustice and wants to go to a demonstration. Person B is not affected by that injustice, but turns up at Person A’s house with protest signs.
Imagine your OTP being next door neighbours that don’t know each other. But after a particular long night out Person A can’t unzip their dress (or can’t get the knot out of their horribly tied tie; get creative!) and they’re home alone. After struggling for a long time, they have to accept that they need help. And that’s what brings them to Person B’s door in the middle of the night.
Imagine your OTP where Person A would like to have a child, but doesn’t want to wait for a spouse and a nice house any longer, so they find Person B to co-parent with them.
Chaotic fluff
Imagine your OTP where Persons A + B always fight with each other, but they have a common friend and they both plan a surprise party for Person C’s birthday. + if they find out about the other party and try to sabotage them ++ if they have to cooperate eventually
Imagine your OTP trying to cook an elaborate dinner for their friends/families but it’s possible that they exaggerated a little bit while talking about their cooking skills and now they have to face the chaos together.
Imagine your OTP where Persons A & B sit together in class and Person A never brings anything so they always steal everything from Person B. + if Person B finally has enough
Imagine your OTP where both partners want to surprise the other one with a wonderful date but all of their cleverly thought-out plans fail and it looks like this is going to go down in history as the worst Valentine’s Day ever. + if it’s actually not that bad in the end
Imagine your OTP where Character A and B both applied to the same job and now have to work together for a day, before it gets decided who gets the job.
Imagine your OTP where the friends of Characters A and B try to be matchmakers on Halloween and get them each in one part of a couple’s costume without them knowing. + if they only find out they form a couple’s costume because people at the party keep coming up to them to tell them how cute they are ++ if they only see each other later in the night to see if everyone’s right about them
Imagine your OTP where Person A works in retail and Person B keeps coming into the shop and asks for help with the most ridiculous things. + if Person A loses it one day and confronts Person B about their motive
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Every year, we’re lucky to have great sponsors for our nonprofit events. Today, Sisters in Crime—a community platform for mystery, thriller, and crime writers—shares some tips for writing suspenseful storylines (even for non-mystery novels!). Sisters in Crime is a NaNoWriMo 2020 sponsor.
In the crime fiction genre—including suspense novels, mysteries, and thrillers—there’s nothing better than the reader review that says “I stayed up all night to get to the end.” The propellant writers construct to push readers through to the final page is known as “narrative drive,” something our genre relies on to get readers hooked and turning pages. But it’s not only genre fiction that needs to suspend readers’ attention for the length of a story. Any story needs to catch fire in the reader’s mind to be successful.
And anyone writing 50K in 30 days needs a few ideas for generating tension in their story—without slowing down. As you #NaNoPrep this year, consider these five tools from Sisters in Crime, the international, inclusive organization for writers and readers of crime fiction, mysteries, thrillers, and suspense.
Keep reading
Oh Ms Beautiful Ms Beautiful
Oh Ms Beautiful, Ms Beautiful
How many times have you fallen into the same spot?
Implementing strategies, you think they are right
And some others, mistakenly understood, your purpose and the right
Be brave! Be brave
Only heroes in their own characters stand the weight
And the purpose of your own inside the mess
Fight, the fight for you
For your principles
For your career
Fight, the good fight
But do not let them win the fight
Of liberating a mind, in a conflicted spot
Of a broken mind
Haz lo que te apasiona.
Pinta cuadros de belleza en lugares solitarios
Rehúsate a seguir pintando lo mismo
Estableciendo lo mismo,
Porque lo mismo, aburre.
No da sentido!.
Rehúsate a seguir recorriendo las misma calles todos los días
Bajo los mismos impulsos, bajo las mismas emociones y
Abrete a la vida!
Cambia los parámetros,
cambia los colores,
cambia las lluvias del corazón por carcajadas de colores,
pero no dejes que tu canto sea el canto de otros en su pesar, y en su penar.
Que la vida es Maddona, Britney Spears o Nicki Minaj,
que la vida es Ariana Grande, o SuperArchireColobombo
What the fuck!
La vida es lo que yo la quiera hacer
en mi libertad
con mis propias palabras
Con mis propios gustos
Con mis propias manos
Con mis propias tonalidades
De pintor a creador.
Y da besos a la vida
Por la oportunidad de pintar
Como te place!
Como te nace!
Porque puedo
Porque soy!
Porque es mi santísima voluntad de hacerlo!
Y para muestra...
Mil botones!
Instagram: iliketoseeeverythinginneon
1. Set specific goals: Before each writing session, establish clear objectives for what you want to accomplish. This helps you stay focused and motivated throughout the session. Whether it's completing a certain number of pages, reaching a specific word count, or finishing a particular section, having a goal in mind keeps you on track.
2. Create a conducive writing environment: Find a quiet and comfortable space where you can minimize distractions. Eliminate clutter, turn off notifications on your electronic devices, and set up a writing area that inspires creativity. Some people find instrumental music or ambient sounds helpful for concentration, so experiment to find what works best for you.
3. Develop a routine: Establish a regular writing schedule and stick to it. Consistency builds momentum and makes writing sessions feel more like a habit. Whether you prefer to write early in the morning, late at night, or during specific time blocks throughout the day, find a routine that aligns with your energy levels and other commitments.
4. Use productivity techniques: Explore different productivity techniques to enhance your focus and efficiency. One popular method is the Pomodoro Technique, which involves working for a concentrated period (e.g., 25 minutes) followed by a short break (e.g., 5 minutes). Repeat this cycle several times, and then take a longer break (e.g., 15-30 minutes). Other techniques include time blocking, task prioritization, and setting deadlines.
5. Minimize self-editing during the drafting phase: When writing your first draft, try to resist the urge to constantly edit and revise. Instead, focus on getting your ideas down on paper without judgment. This allows for a more continuous flow of thoughts and prevents self-censorship. Save the editing for later drafts, as separating the drafting and editing stages can lead to increased productivity and creativity.
La escena; la escena de transición capitulo 4: It is just the fucking rain! No, it is not!.
Primero que nada, me gusto el cambio de escena.
1.- Venia de una escena digamos “tradicional” a una escena de “aventura”. Teníamos que inventar algo que pasara suave de una escena a otra, a partir de dónde nos habíamos quedado para dar continuidad. La continuidad era importante, para conectar una escena con la otra, y darle seguimiento a la historia.
2.- Después, se pensó en el diálogo que necesitaba para entrar en el capítulo nuevo, y se pensó en algo elocuente, que llamara la atención, como el concepto del beso. Y teníamos que darlo inmediatamente a la entrada del capítulo, porque siempre las primeras líneas tenemos que atrapar al lector entre la trama.
Entonces parte de ello, era voltear los papeles tradicionales de las mujeres (femeninas, unas pintadas, zapatos) a otro mas agresivo, más masculino, y los ejemplos estaban en los otros personajes femeninos tipo Lara Croft, con instintos de valentía masculina, o la otra personaje de Katniss Everdeen en “Hunger Games”. Es decir, queríamos pasar de una escena tradicional con una mujer tradicional, a otra de aventura con un personaje femenino de aventura.
El propósito era copiar personajes femeninos con características masculinas (poder, fuerza, destreza, cáracter, empuje), y la jugada, en esta escena, fue mas bien, desmitificar el ser femenino y ponerlo en un carácter masculino. Tener la cara de la mujer, pero el carácter del hombre, y por eso el juego del beso, y las otras escenas de “Quedate aquí, no salgas”, mientras su amigo está en la escena atrás, y ella está dispuesta a enfrentarse a los villanos.
3.- En críticas que he escuchado acerca de estos cambios (y mire que no es solamente en linea, sino con otros amigos que han leído la historia) se menciona que no van muy de acuerdo en el sentido de que sea la mujer la que se aproxime a un beso, y tenga la libertad de hacerlo. Parece ser que esa idea que presentamos en los primeros párrafos del beso, no tuvo mucha aceptación no fue mucho de agrado, pues se dice que traspasa la cultura, ideas y valores de la mujer en el sentido de ser ella la que es seguida y cortejada.
4.- El voltear la historia de una tradicional a otra de aventura, también exigía voltear los conceptos de los personajes.
5.- Será el beso considerado como una osadía al género femenino en un ambiente de aventura?” Usted me besó primero!” “Quédese aquí atrás”, serán conceptos trastocados de la cabeza en una escena de aventura femenina?
Usted qué piensa?
6.- Y es cierto! Le falta trabajar más los caracteres y la ambientación para que no suene el pasaje como flojo. Le falta todavía más trabajo de soporte a ambientaciones y caracteres
Coca Cola has been very successful at transmitting the same message over and over again to create a brand of its own. A brand that tells a story: There is always happiness, there are dreams, there is love, there is hope, peace, kindness, laughter, generosity, magic scenes. Coca Cola uses also a Christmas time to promote those stories.
LoveSucks: remeber?
Sad? Insecure? Looking for a sign? This 2 minute song may change the way you look at yourself.
Here you will find some of the things that I really like. I like writing, music, poems, and producing any idea that comes to my mind. I hope you like it!
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