WEBSITES FOR WRITERS {masterpost}

2011. 

I think that if you want relationships depicted in your fiction – whether primary media or fan-work – to be emotionally compelling, there's really no getting around the fact that one of the most compelling relationship dynamics in fiction is "hey, wouldn't it be fucked up if".

THE WRITER'S WORKBOOK - free

Hello hello, it's me!

Today I'm here to tell you about each feature of "The Writer's Workbook", which you can download for free.

Note: this workbook has two variations, so you can print it or use it digitally as a PDF.

I designed this workbook in an intuitive way so that the plot progresses as you go further in the exercises. It is divided in six big categories: Idea & Plot, Character Development, World Building, Writing, Journal, and Resources.

Note: feel free to skip exercises or to complete them in any other order than the one suggested by me!

IDEA & PLOT

This section is meant to help you develop your idea before you even know who your characters are.

In this part, you will choose the central conflict, write down keywords about your idea, and draw a mind map. Then, you'll proceed to find your voice through different exercises, to then find each key point of the plot, from exposition to resolution.

It's also in this part that you are going to come up with plot twists and the ending of the book.

CHARACTER DEVELOPMENT

Here, as the name says, you will completely develop all your characters, from the protagonist to the side characters. You will also have the opportunity to develop their relationships through mind maps and brainstorming processes.

WORLDBUILDING

Just like the other categories, worldbuilding is a fundamental step when plotting a novel.

In this workbook, you'll be asked to draw or generate a map of your world so that you always have it near you whenever you need it. There are also some prompts to fill out about it, and locations to create and explore.

In this part, you can also make a timeline for all the main events in your world.

WRITING

Now that most of your story is planned, it's time to think about writing it!

This section is perfect to come up with the best title for your book, brainstorming and develop the opening scene, and fully developing each key point using the snowflake method.

There's also a place to write down all the scenes and chapters you want to include in your book and check it off as you write it.

JOURNAL

This part is for you to reflect on your writing goals, on your ideas, and to see your progress. It's important to check this often and make sure you always have your goals in mind!

RESOURCES

Here you will find some useful resources from writing communities to courses and softwares to help you in this process and, hopefully, make it easier!

THE WRITER'S WORKBOOK

If you don't have it already grab it now here! It's completely free and I'm sure it will help you develop your new idea <3

El Crucigrama

SEGUNDA ESCENA

La niña, mira como su mama lee todos las preguntas, y cuando mira hacia el otro lado, mira otra hoja suelta con otro crucigrama que dice:

Dia, después de ayer?

Código personal que se usa para abrir archivos?

Qué hay adentro de la envoltura (wrapping paper) de un regalo que el novio regaló, y lo puso en el trunk del carro, en INGLES y todo en minúsculas, una sola palabra y cinco letras?

Después la mama sigue leyendo, las otras instrucciones que están en la hoja.

Como se le llama al conjunto de lineas de conductas que se ponen en una escuela o en las casas por los padres para evitar conflictos?

100 dividido entre 2 = 

Qué se hace para quitar el polvo de los objetos?

Cómo se le llama a la persona que participa en una sociedad junto a otra persona?

Cuál es la autoridad máxima y el tipo de autoridad que le otorga el Estado a un diplomático para ejecutar negocios en su nombre?

El tipo de autoridad que se establece sólo en una region específica es: regional, estatal, o nacional? 

Cual es el señalamiento que se pone a una obra de remodelacion en las calles?

Los museos tienen fechas de apertura? Cuándo?

Las audiencias están en canales distintos, y las represas están listos para abrir la compuerta, que llevarán al río de su inauguración.

Look for Letter to the protagonist, and follow the instructions.

Las casas, tienen los aromas y los aires, de los dos que la construyen?

I met Vikki Carr long time ago thanks to my sister. She used to wake up in the morning by listening to Vikki Carr’s songs using my old stereo system. She listened that Spanish song “Total” that says “At the end, if you would have loved me I would have forgotten your love/ You see, it was a lost time the one you have meditated to tell me now that this can not be possible”.

I liked that song, really, as I like to have this interview with the one that woke me up in the morning in a mysterious way. She is right now through the phone, with a set of pre-determined questions underling the kind of relationship with the entertainment business people.

Vikky Carr, according to her website (http://vikkicarr.com) was born in El Paso Texas "and raised in Southern California, the eldest of seven children, who later change her name to Vikky Carr." She started singing at the age of four, but it was not until 1961 when she signed a contract with Liberty Records. She recorded He's a Rebel which became the first hit in Australia, and later on she sang It Must Be Him "which charged up the charts in England" says her website.

With almost 50 years of professional experience as a singer, we had this awesome opportunity to talk with this wonderful woman, who have tasted the fame without losing her charm, her singularity, her qualities as a human being, and this is my way to thank her for this interview, which in this case is focused in making entertainment deals around the world due to her singing career.

  How do you deal with people in a negotiation process, do you play hard o soft ball?

“I think the artist should always be dedicated to his art, and let the manager or lawyer deal with those details of negotiation. My function is to sing to an audience and I do not want to get involved in those little details of the agreement. When I get involved in the contract is just in the final phase when it is time to sign that deal”, said Vikki Carr.

To his manager, Dann Moss, playing hard or soft ball depends on “who you are negotiating with, in what country you are negotiating with, because people in different countries negotiate in different ways”. To Vikki Carr’s lawyer you need to make sure that the money is there, in the USA, before the performance because “you do not want to get involved in a lengthy negotiation process” in case something is wrong. The Japanese, he explains, when you sign a contract “their word is their bond and integrity is their word that they will honor that contract”, while in the Middle East, he explains further, the negotiation starts when you sign the contract. We need to understand, resumes Vikki’s manager, “what every person or country or people put into the importance of a signed contract, and their words and what it means to them.” It is also then when we have a beautiful negotiation process.

  Have you ever applied dirty tricks in a negotiation?

  “We always play clear, says Vikki, and we do not want to make dirty tricks and we try to play fare. We recognize that everybody in the game should get something; however there have been times when the singer gets less than the other agents in the process, and this is the reason I got an agent who deals with those issues.”

I think at the end of the day, replies Dann, a good philosophy is that everybody needs to win something, and you cannot take everything off the table. Everything is about sharing, he explains, and “we need to make sure that the people we are negotiating with, make money so they can come back and do another contract”. According to the manager they do not take all the marbles off the table in a negotiation process.

Dann Moss is Vikki Carr's lawer. According to his resume Dann was a co-founder and partner in the Law Firm of Thompson, Shankman, Bond and Moss. The firm specialized in the entertainment and communication industries. Dann then began, his own practice discovering and building new artists, negotiating television, publishing, licensing and recording agreements and producing international television specials and motion pictures.

  What happen -I asked- with those people that are tricky in your negotiation and what do you do Dann?  Have you ever found people like that, trying to get advantage from you?

  Yes, says Dann, in Paris. We had an agreement with my director and the theatre manager to reserve 27 seats for 3 sets of camera that were supposed to record the show. We marked those seats in the planogram to make sure those seats were not sold to the public so we can record the show. A month later we came back to put our cameras in place using those spaces, and the theater manager approached to me to tell me I could not use those seats since they were already sold. I told the manager our agreement and he said, “I am sorry, they are sold”. Don’t worry, I said, I will take care of the problem and talked to my secretary to print an invitation saying “Please excuse the inconvenience. You are cordially invited to seat on the stage for the performance and I personally invited to a champagne reception with Ms Silva Gartan after the show”. Then the manager came and said “you can not have people on the stage and I said “that is your problem”. Obviously, he said finally, there were more people giving out their seat so they can go to the reception. In that way, he concludes, we separate people from the problem.

Music is one of the other key elements from Coca Cola to create its own brand. The stories around the music are families together, joy, love, Christmas time, dreams, Santa Claus, and all of the other key values that we already talked about. The same values, the same stories will be presented in every aspect of advertisement, marketing promotions, ads, brochures and commercials. Coca Cola stays Focused Focused and Focused. In this sense, the company creates its own brand and differentiate from the other competitors. Stay focused, focused, and focused is a key element of branding, according to Marty Neumeier.

Positivity Here

How To Write Friendships

🦢        ―        &. FRIENDSHIPS . ( steps to develop friendships )

Good friendships can turn a decent story into a memorable one as, it not only does it make the reader care more about the story, it adds emotional weight to the story.

But there's one problem. Good relationships are difficult to write. You thought writing romance was difficult? Well, writing friendships is a whole new level of difficulty.

Romances normally rely on professions of love and staring into one's eyes for lengthy periods of time. But, how do you develop friendships?

1) Make Each Character Their Own Person.

If a character's only purpose in the story is to act as "the friend", then it's guaranteed that they will be a flat and uninteresting character. This will lead to a friendship that no reader will be invested in.

Unfortunately, a lot of stories are like this ― you have your main character, and then their 1-dimensional friend who might crack a joke every once in a while. 

We have some good examples from movies like Samwise Gamgee from The Lord of the Rings. He isn't just "Frodo's friend" who tags along. He's a gardener and a cook. He has a fascination with elves, a crush on Rosie, and a bad habit of eavesdropping. He is loyal, brave, and can persevere even when there is seemingly no hope.

You see this is in Toy Story as well. Even though Woody and Buzz both have the same goal ― to escape Sid's house ― they both have different journeys. The story means different things to each of them .Woody learns to not be as selfish and Buzz struggles with accepting that he is just a toy.

2) Give Them Something In Common.

Once you have fleshed out your characters, you need a reason for them to be friends. What brought them together? What gives them the reason to hang out? You need to give them similarities.

This can be a number of different things, like:

Status

Hobbies

Struggles

History

Background

Interests

Enemy

Goals

Dreams

3) Give Them Meaningful Differences.

Once you've established their similarities, it's time to dig deeper and create their meaningful differences. Don't just make your characters different. Give them meaningful differences that can build off of each other.

With those differences, your characters can help support their strengths and build them up during their times of weakness. This can lead to a strong friendship.

Here are some great ways to give them differences:

1) Skills.

One of the friend can be smart in terms of intelligence while the other is good at using her hands and inventing stuff.

One might be good at coming up with plans, while the other might be good at improvising when the plan goes awry.

2) Conflict Resolution.

If there is a bully bothering them, one might want to go and blow up at the bully, while the other chooses to ignore it.

If they are having an argument, one friend would want to talk it out maturely, while the other just likes to play devil's advocate and throw more heat into the argument.

3) Personalities.

One is confident and sly while the other is shy and awkward.

A is cold and determined while B is relaxed and compassionate.

B is an easy-going pleasure seeker, and B is a serious planner.

4) Method of Action.

Both friends are trying to break into a house. One will look up videos on YouTube about how to pick a lock. The other friend will just break the window with a rock.

The two friends are trying to persuade someone to do something. One friend uses bribing techniques, and the other friend uses a more passive-aggressive approach.

5) Reaction.

One friend with freak out and the other friend will stay calm.

A will get discouraged and want to give up, and B will encourage them to keep going.

One person is terrified out of their mind, while the other tries to stay positive.

Originality and creativity combined with a great set of colors, in addition to a wonderful team of dancers, make this video the one hitting the top in the first place in the USA.

What can we say about the song? Original! and even Meghan Trainor recognize that point by saying to DirectLyrics "I wrote the song for myself and my insecurities and it seems to have helped many other people in world too. I'm so happy others can relate to it and understand what I'm singing about." .

Obviously that was one parte of the whole enchilada. A song without an artistic idea is flawless, and as you watch the video, we enjoy every second not only for the dancers and their funny way of expressing themselves, but also for the point that the singer is trying to convey."Every inch of you is perfect from the bottom to the top".

Here is the song for those who want the lyrics:

                                  "All About That Bass"

Because you know I'm all about that bass 'Bout that bass, no treble I'm all about that bass 'Bout that bass, no treble I'm all about that bass 'Bout that bass, no treble I'm all about that bass 'Bout that bass Yeah, it's pretty clear, I ain't no size two But I can shake it, shake it Like I'm supposed to do Cause I got that boom boom that all the boys chase And all the right junk in all the right places I see the magazine, workin' that Photoshop We know that shit ain't real C'mon now, make it stop If you got beauty beauty, just raise 'em up Cause every inch of you is perfect From the bottom to the top Yeah, my mama she told me don't worry about your size She says boys like a little more booty to hold at night You know I won't be no stick figure silicone Barbie doll So if that's what you're into then go ahead and move along Because you know I'm All about that bass 'Bout that bass, no treble I'm all about that bass 'Bout that bass, no treble I'm all about that bass 'Bout that bass, no treble I'm all about that bass 'Bout that bass Hey!

I'm bringing booty back Go ahead and tell them skinny bitches that No I'm just playing I know you think you're fat But I'm here to tell ya Every inch of you is perfect from the bottom to the top Yeah my mama she told me don't worry about your size She says boys like a little more booty to hold at night You know I won't be no stick figure silicone Barbie doll So if that's what you're into then go ahead and move along Because you know I'm All about that bass 'Bout that bass, no treble I'm all about that bass 'Bout that bass, no treble I'm all about that bass 'Bout that bass, no treble I'm all about that bass 'Bout that bass Because you know I'm All about that bass 'Bout that bass, no treble I'm all about that bass 'Bout that bass, no treble I'm all about that bass 'Bout that bass, no treble I'm all about that bass 'Bout that bass Because you know I'm All about that bass 'Bout that bass, no treble I'm all about that bass 'Bout that bass, no treble I'm all about that bass 'Bout that bass, no treble I'm all about that bass 'Bout that bass 'Bout that bass, 'bout that bass Hey, hey, ooh You know you like this bass