Writing great chemistry can be challenging. If you’re not super inspired, sometimes the connection between your characters feels like it’s missing something.
Here are a few steps you can consider when you want to write some steamy romantic chemistry and can’t figure out what’s blocking your creativity.
Tropes have a bad reputation, but they can be excellent tools when you’re planning or daydreaming about a story. Giving the romance a name also assigns a purpose, which takes care of half the hard plotting work.
You can always read about love tropes to get inspired and think about which might apply to the characters or plot points you have in mind, like:
Friends to lovers
Enemies to lovers
First love
The love triangle
Stuck together
Forbidden love
Multiple chance love
Fake lovers turned soulmates
There are tooooons of other tropes in the link above, but you get the idea. Name the love you’re writing about and it will feel more concrete in your brain.
You should always spend time developing your characters individually, but it’s easy to skip this part. You might jump into writing the story because you have a scene idea. Then the romance feels flat.
The good news is you can always go back and make your characters more real. Give them each their own Word or Google doc and use character templates or questions to develop them.
You should remember to do this for every character involved in the relationship as well. Sometimes love happens between two people who live nearby and other times it happens by:
Being in a throuple
Being in a polyamorous relationship
Being the only one in love (the other person never finds out or doesn’t feel it back, ever)
There are so many other ways to experience love too. Don’t leave out anyone involved in the developing relationship or writing your story will feel like driving a car with only three inflated tires.
Whenever your characters get to talk, what’s at risk? This doesn’t have to always be something life changing or scary. Sometimes it might be one character risking how the other perceives them by revealing an interest or new fact about themselves.
What’s developing in each conversation? What’s being said through their body language? Are they learning if they share the same sense of humor or value the same foundational beliefs? Real-life conversations don’t always have a point, but they do in romantic stories.
Body language begins long before things get sexy between your characers (if they ever do). It’s their fingertips touching under the table, the missed glance at the bus stop, the casual shoulder bump while walking down the street.
It’s flushed cheeks, a jealous heart skipping a beat, being tongue tied because one character can’t admit their feelings yet.
If a scene or conversation feels lacking, analyze what your characters are saying through their body language. It could be the thing your scene is missing.
No love story is perfect, but that doesn’t mean your characters have to experience earth shattering pain either.
Make one laugh so hard that they snort and feel embarrassed so the other can say how much they love that person’s laugh. Make miscommunication happen so they can make up or take a break.
People grow through their flaws and mistakes. Relationships get stronger or weaker when they learn things that are different about them or that they don’t like about each other.
When you’re getting to know someone, you bond over the things you’re both interested in. That’s also a key part of falling in love. Have your characters fall in intellectual love by sharing those activities, talking about their favorite subjects, or raving over their passions. They could even teach each other through this moment, which could make them fall harder in love.
You learn a lot about someone when they’re around friends, acquaintances, and strangers. The chemistry between your characters may fall flat if they’re only ever around each other.
Write scenes so they’re around more people and get to learn who they are in public. They’ll learn crucial factors like the other person’s ambition, shyness, humor, confidence, and if they’re a social butterfly or wallflower.
Will those moments make your characters be proud to stand next to each other or will it reveal something that makes them second guess everything?
And of course, you can never forget to use sensory details when describing the physical reaction of chemistry. Whether they’re sharing a glance or jumping into bed, the reader feels the intensity of the moment through their five senses—taste, touch, sight, sound, and smell.
Characters also don’t have to have all five senses to be the protagonist or love interest in a romantic story. The number isn’t important—it’s how you use the ways your character interacts with the world.
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Anyone can write great romantic chemistry by structuring their love story with essential elements like these. Read more romance books or short stories too! You’ll learn as you read and write future relationships more effortlessly.
A song to remember the great Oscar Chávez
CHIO SULAIKA Me gustaba tener la amistad de Chio Sulaika. Disfrutaba de su presencia. Chio era un reto a la imaginacion y a la ley del esfuerzo por ampliar horizontes musicales, y constantes esfuerzos de superacion personal en su arte. Graduado en el Conservatorio de Viena en Austria, con una beca nacional del Gobierno Mexicano atraves de CONACULTA, Sulaika regresa al Estado de Coahuila, donde poco despues se hace Director de la Escuela de Musica. Ese dia me invita a seguir la juerga cultural en el Teatro de La Ciudad donde la Orquesta Sinfonica del Estado tendria su presentacion anual y accedi. Ver treinta personas en el podium, de diferentes edades, con diferentes instrumentos es realmente un espectaculo sinigual. Ver al Gobernador del Estado, al Secretario de Educacion, a los profesores de Primarias y Secundarias y nivel medio entre la farandula, otorga un toque de esplendor al evento. Un palabras de Chio a mi oido durante la presentacion de la "Tocata y Fuga en Re Menor" de Bach, causan mi curiosidad y hacen la nota del dia: "Escucha lo desafinado de los violines y los contrabajos". Palabras benditas, en manos de un periodista porque a partir de ahi ardio Troya en la ciudad. La nota salio al dia siguiente a ocho columnas "Desafinado, el Orgullo Cultural de la Ciudad". Fuentes extraoficiales que pidieron no ser identificadas declararon que la presentacion de la Orquesta Sinfonica del Estado carecio de lo sustancial de todo evento: la afinacion. El orgullo cultural, la maxima excelsitud musical del Estado, la belleza musical que representa a un gobierno y sus gentes, no logra tan siquiera sonar armonica durante la presentacion, y aun asi el Gobernador del Estado aplaudio con beneplacito la presentacion. Brrrrrmmm, cae Troya. A la manana siguiente, la llamada del Secretario de Eduacion, aduciendo que si existia algo personal a lo cual el Director del periodico solo adujo: "lo unico que puedo hacer es que tenga una conversacion con el periodista, lo cual agradeci grandemente al jefe, por el respeto a un trabajo periodistico. Directores de musica que habian venido a la presentacion empiezan a hablar, el director de la Orquesta Sinfonica de la Ciudad de Mexico concede entrevista, le sigue lloviendo duro y tupido...
No dije que iba a escribir las Mil y Una Noches con Miss Beautiful?
Muchas veces, la gente no sabe lo que quiere hasta que se lo muestras.
Steve Jobs (via elcielosobremi)
Positivity Here
Here you will find some of the things that I really like. I like writing, music, poems, and producing any idea that comes to my mind. I hope you like it!
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