The 3 Keys Theory

The 3 Keys Theory

The 3 Keys Theory

@nikutsuneart made a post about Kairi’s involvement in Melody of Memory to find Sora. In isolation, this part of the story also made me scratch my head. However, looking back at this with the context of Dream Drop Distance, it all clicked for me.

In Melody of Memory, the Fairy Godmother says,

“To find Sora, we need three keys… With Riku's dreams and Kairi's memories, you two have already done your part.”

Key and three is used very specifically, she says it multiple times in the conversation. The third Key is the Nameless Star. However, we are not told specifically what the Nameless Star’s key is (as specific as dreams and memory are).

Luckily, Ansem has our answer:

“The three realms of our world--light, darkness, and between--these are all places we can travel to because they are on "our side." This also includes the worlds of memories, data, and dreams.”

Memory, Data, and Dreams, then, must be the three keys.

But my mind began to wander. What if it’s the same ritual from Dream Drop Distance?

You see, at the end of Dream Drop Distance, Ansem also tells Riku about a key:

“You were questioned by three young people. That was the final key to awaken him. Sora is awake.”

The way “key” is used, the audience initially thinks, oh this is just a matter of phrasing. But what if Roxas, Ventus and Xion also represent the same 3 keys?

To talk about this, I think we need to look at that DDD scene a little differently. Is it really Roxas, Ventus, and Xion during that scene? They’re sort of apparitions, not reacting to Riku’s surprise; appearing and disappearing suddenly.

What if, like Ansem the Wise, they’re also forms of data? The knowledge that there are people in Sora’s heart that need to return to the real world: analogous to Sora in that moment needing to return to the real world, as well.

Essentially, the trio are supposed to represent something, here. Given that, who represents what? I think Roxas is Memory, Ventus is Dreams, and Xion is Data.

The Three Keys

First, Roxas as Memory. During Sora’s descent into darkness, Roxas provides Sora with all of his memories and experiences. Ergo, Sora’s heart chooses to represent that component, Memory, with Roxas’ data.

Next, Ventus as Dream. Of course Sora’s heart would use him to represent Dream. He’s been asleep, dreaming alongside Sora, during his whole adventure.

Finally, Xion as Data. Xion has ceased to exist in memories or dreams, yet her data and hurt still remains. It is through others believing and wishing for her to return that she may find her way back to her friends.

I think this works best because it follows the same order as Melody of Memory, ending on Data. However, I do see the argument to switch Roxas and Xion. Afterall, Data Roxas was a major player in Re:Coded.

Furthermore, isn’t this what the power of waking is? “For traversing hearts to reach worlds”? Each of these components, Memory, Dreams, and Data— Riku is using these 3 hearts to guide Sora back to his world.

To Sum It Up

I believe Melody of Memory makes more sense if we understand it as the same ritual. In DDD, although Riku freed Sora from the nightmare, he was still lost. Riku was presented with 3 keys held by 3 people. Each of these people once existed in the real world and represented the desire to return to it. By answering the questions, Riku was able to use the power of waking to pull Sora away from Quadratum—out of his Memories, Dreams, and Data—and into his reality.

Then, Melody of Memory is Riku doing it again. 3 people 3 keys, Riku dreams, Kairi’s memories and the Nameless Star’s heart filled with data of Unreality. Riku is instead traveling away from reality and in the opposite direction: into Quadratum.

More Posts from Bpdnanaseharuka and Others

9 months ago

On White Fear & Creating Diverse Transformative Works

So whenever fandom tries to address the question “Why aren’t there more works featuring characters of color?” there are a myriad of (predictable) responses.  One of which is appearing with increasing frequency: “Because we (usually: white creators of transformative works) are afraid of getting it wrong.”

And like.  I’ve already addressed how ‘thinking you’ll get it wrong’ is a failure of both imagination and of craft/skill (and a symptom of the racial empathy gap, which I forgot had a proper name when I wrote that post).  Meanwhile, @stitchmediamix absolutely accurately pointed out that the ‘fear’ being discussed is fear of being called racist, not necessarily fear of failure.

Now, we could go into the whole absurdity of white fragility here, but google is a thing and “white fragility” is discussed all over the place and I trust ya’ll to do the work if you actually give a shit about this subject… which I assume you do, if you’re reading this – but if you’re just here to find a way to dismiss the issue at hand, I’m gonna save you some time and recommend you scroll past.

Writers can also be fragile, especially in transformative works communities, where “if you don’t have anything nice to say, hit the back button and keep your mouth shut” is the primary expectation wrt feedback, and anything that deviates from that is considered a mortal insult (do you vageublog about my fic, sir?).  But if we’re willing to deploy an array of tools to make our writing not-My-Immortal-bad, from spellcheck to wikipedia to in-depth historical research to betas and britpickers and so on, then we should be willing to employ equivalent tools to avoid writing racist stories.

Incidentally, writing stories that erase/ignore extant characters of color, especially if they’re prominent in the source text? is racist.  So avoiding writing characters of color altogether is not the solution to making your writing not-racist.

And, okay.  I feel it’s important to acknowledge here, as I have before, that the Fear of Fucking Up is a very real fear that genuinely does affect people’s enthusiasm for / likelihood to write, regardless of the validity or fairness of that Fear’s origins, and I’m going to be generous enough to assume that there are some people who are acting in good faith when they say “I want to, but I’m scared.”

So. This is for those who are acting in good faith, from the perspective of a white fan who has written fic about characters of color in several fandoms and never gotten pilloried for it, even when I know for a fact (in retrospect) that I’ve fucked up details.

(oh, side note: I know this is mostly tackling things from a writing perspective, but a lot of this can apply to creating transformative works overall with a few tweaks.)

First: realize that the likelihood of getting called out is actually pretty low.  And fans of color aren’t as Mean and Angry and Unfairly Sensitive as some people want us to believe.  (Do you vagueblog about That Dumpster Fire Meta, sir?  /  No, sir, I do not vagueblog about That Meta sir; but I do vagueblog, sir.)

This is not to say that there aren’t people out there who’re more than willing to make a (justified) stink about egregiously racist writing.  But it’s actually very rare to get targeted, especially publicly by a large number of unhappy fans.  Because you know what? most fans, including fans of color, want to just have fun in fandom as much as anyone else.

It’s just, y’know, a little harder for fans of color to ‘just have fun’ when us white fans are showing our asses with stories involving “Dragon Lady” Elektra or “Angry Black Woman” Sally Donovan or “Spicy Latin Lover” Poe Dameron.  And sometimes us white fans only listen to what fans of color are saying when they make a Big Deal out of it. 

That’s not a failure of their ability to stay calm.  That’s our failure to listen before they get loud and organized.  Because I’m willing to bet that people who get called out publicly? got a few polite, private messages about their screwup first, and they doubled down instead of listening. 

Also: there is a thing where, no matter how politely they word their critique, fans of color, especially black fans, are more likely to be unjustly perceived as ‘mean’ and ‘angry’ by white fans.  Again, that’s our failure, not theirs.  Plus, even if they are angry, that doesn’t automatically mean they’re wrong (see: Tone Argument).

Step Two is: pay attention to discussions about racist tropes in fiction.  Yes, even when it’s crit of our favorite shows/movies/characters/etc.  If you understand the Manic Pixie Dream Girl trope and why it’s harmful, or you understand the Bechdel-Wallace test, or you can have a meaningful discussion about Mary Sues, or you can (justifiably) rail about how Bury Your Gays sucks, then you can develop a similar appreciation for racial biases and stereotypes.  And then you can find ways to avoid them.  

No, no one’s expecting you to memorize bell hooks so you can write a drabble about Iris West, or demanding you write a dissertation on media stereotypes wrt the simultaneous fetishization and desexualization of Asian women (who aren’t a monolith, either, but Hollywood doesn’t seem to know that) before you’re ‘allowed’ to write Melinda May in a story, but like.  Pay attention when people, especially fans of color, are talking about common tropes so that you don’t unthinkingly replicate or perpetuate them in your fic.

Yes, racist writing can involve more than just thoughtless parroting of harmful tropes, but my best guess is, ninety-nine times out of a hundred, fanwork getting ‘called out’ in fandom involves those tropes.  So avoiding them takes your chances of getting criticized from ‘low’ to ‘almost nonexistent.’  Less to fear, see?

Step Three is: more research – basically, at least as much as you’d be willing to invest in any equivalent white character.  @writingwithcolor is a great blog, and has links to additional resources; .  If you’re the type to get a beta or a britpicker, find a sensitivity reader or a beta of the appropriate background.  Not all fans of color are willing to do this kind of unpaid labor, just as not all fans are willing to britpick/beta, but they’re out there.  Approach them respectfully, and listen to them if they say that something in your story looks off.

It’s worth noting here that writing about characters of color doesn’t need to involve - and in fact, some advice recommends avoiding - telling Special Stories About Racism.  Stories about characters of color don’t need to be about slavery or civil rights or the constant parade of microaggressions they have to deal with daily in order to be realistic or compelling (or angsty, for those who love writing angst, as I do).  Research can turn up useful information that can inform our choices as writers, but if we don’t share the oppression our characters face, it’s not our job to tell stories specifically about that oppression.

Step Four is: before posting, anticipate the worst.  What will you do if someone says you fucked up?  If your answer is “argue with them and talk over their concerns,” stop.  Remember that you’re not a victim of a ‘mean fan of color,’ but that you’ve probably written something that they consider harmful.  Being told that you wrote something racist isn’t an attack on your moral fiber.  You’re not an irredeemable monster if you fuck up, but your response to being told you fucked up is far more telling.  Acknowledge their concerns, fix the issue if you can, learn from your mistake, and fail better next time.

You cannot improve if you don’t try in the first place.  Failure to try is failure, so try your best, and improve incrementally – just as you already do as a writer with any story.

In conclusion: The 4 Steps to Getting Over Yourself as a White Fanfic Writer: (1) recognize that the likelihood of getting called out is pretty low; (2) educate yourself about the most common racist writing issues, so that likelihood will be even lower; (3) do your due diligence when writing; (4) in case of the worst: apologize, fix the issue, learn from the experience, fail better in the future.

(And again, google is your friend – there are a lot of people who’ve written about this subject, like Kayla Ancrum, Morgan Jenkins, the mods at Writing with Color, Thao Le, and Monica Zepeda, among many, many, others.  I’m merely sharing my own perspective from what I’ve learned from listening to a lot of smart people, in case it might help some of you – if it doesn’t, keep looking, a ton of great resources are out there.)

9 months ago

it is so fucking exhausting and annoying how white women, including and maybe even especially in progressive and leftist spaces, continue acting like they are not themselves still beneficiaries of tremendous privilege simply because they endure sexist or misogynistic discrimination. being a woman does not excuse the fact that you are still white and you still reap the benefits of being white! you do not get to "but sexism!" your way out of being held accountable for saying and doing racist shit!

9 months ago
L Tried To Imagine And Draw Encounter Scene Of Terra And Namine , From KH Concert 2016 In Japan.
L Tried To Imagine And Draw Encounter Scene Of Terra And Namine , From KH Concert 2016 In Japan.
L Tried To Imagine And Draw Encounter Scene Of Terra And Namine , From KH Concert 2016 In Japan.
L Tried To Imagine And Draw Encounter Scene Of Terra And Namine , From KH Concert 2016 In Japan.
L Tried To Imagine And Draw Encounter Scene Of Terra And Namine , From KH Concert 2016 In Japan.
L Tried To Imagine And Draw Encounter Scene Of Terra And Namine , From KH Concert 2016 In Japan.
L Tried To Imagine And Draw Encounter Scene Of Terra And Namine , From KH Concert 2016 In Japan.
L Tried To Imagine And Draw Encounter Scene Of Terra And Namine , From KH Concert 2016 In Japan.

l tried to imagine and draw encounter scene of Terra and namine , from KH concert 2016 in japan.

9 months ago
If Only I Could, I’d Make A Deal With God…
If Only I Could, I’d Make A Deal With God…
If Only I Could, I’d Make A Deal With God…
If Only I Could, I’d Make A Deal With God…
If Only I Could, I’d Make A Deal With God…
If Only I Could, I’d Make A Deal With God…

If only I could, I’d make a deal with god…

- Running Up That Hill (A Deal with God) by Kate Bush

8 months ago

in the end all customer service workers are like the rose bride

5 months ago

Xeha mom and baby xeha! requested from my last post!

★:・゚・゚。✷ Request more Kh characters ! ⋆.ヽ. ✳︎・ ゚。✷・

Xeha Mom And Baby Xeha! Requested From My Last Post!
Xeha Mom And Baby Xeha! Requested From My Last Post!

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9 months ago

people love ignoring canon to a brainrotting degree until you ask them why they don’t give any attention to female/poc characters then they start crying and sobbing about how canon doesn’t give them anything to work with

1 month ago

tags from tofixtheshadows: #I keep saying that fandoms will always flatten characters into shallow versions of themselves#because they will just sort of skim the surface of the media and let their expectations fill in the blanks#which are usually easy stereotypes#and this will inevitably hit marginalized characters harder; particularly people of color#and these stereotypes will more often be benevolent for the white characters#and more unfair towards the nonwhite ones

the problem of fandom reducing characters who are women and/or people of colour to sexist/racist stereotypes is definitely aggravated by the fact that a lot of fans simply do not pay very much attention to these characters in the first place then subconsciously paper over the gaps in their perception with things they’ve been culturally conditioned to believe are true about people in the same category as said character


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9 months ago
2021.6.3 at Home(呪廻)

2021.6.3 at home(呪廻)


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bpdnanaseharuka - i deleted but remade
i deleted but remade

mideum. an archive for my meta posts and critiques. formerly/notoriously known as alphaunni lmao

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