...that country where it is always turning late in the year. That country where the hills are fog and the rivers are mist; where noon go quickly, ducks and twilights linger, and midnights stay. That country composed in the main of cellars, sub-cellars, coal bins, closets, attics, and pantries faced away from the sun. That country whose people are autumn people, thinking only autumn thoughts. Whose people passing at night on the empty walks sound like rain...
Ray Bradbury
"That country where it is always turning late in the year. That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and mid-nights stay. That country composed in the main of cellars, sub-cellars, coal-bins, closets, attics, and pantries faced away from the sun. That country whose people are autumn people, thinking only autumn thoughts." -Ray Bradbury, "The October Country"
From our stacks: Illustration for "A Sound of Thunder," from The Golden Apples of the Sun. Ray Bradbury. With Drawings by Joe Mugnaini. London: Rupert Hart-Davis, 1972.
Ray Bradbury
I’m seventeen and I’m crazy. My uncle says the two always go together. When people ask your age, he said, always say seventeen and insane.
Ray Bradbury, Fahrenheit 451 (via quotespile)
“Doug,” he said, about five in the afternoon, as we were picking up our towels and heading back along the beach near the surf. “I want you to promise me something.
“Don’t ever be a rocket man.”
I stopped.
“I mean it,” he said, “because when you’re out there you want to be here, and when you’re here you want to be out there. Don’t start that. Don’t let it get hold of you.
“You don’t know what it is. Every time I’m out there I think, if I ever get back to Earth I’ll stay there, I’ll never go out again. But I go out and I guess I’ll always go out.”
“I’ve thought about being a Rocket Man for a long time,” I said.
He didn’t hear me. “I try to stay here. Last Saturday when I got home I started trying so damned hard to stay here.”
I remembered him in the garden, sweating, and all the traveling and doing and listening, and I knew that he did this to convince himself that the sea and the towns and the land and his family were the only real things and the good things. But I knew where he would be tonight: looking at the jewelry in Orion from our front porch.
“Promise me you won’t be like me,” he said.
ray bradbury, maclean's magazine, march 1, 1951
There I strolled, lost in love, down the corridors, and through the stacks, touching books, pulling volumes out, turning pages, thrusting volumes back, drowning in all the good stuffs that are the essence of libraries. What a place, don’t you agree, to write a novel about burning books in the Future! —Ray Bradbury/Zen in the Art of Writing
It was a quiet morning, the town covered over with darkness and at ease in bed. Summer gathered in the weather, the wind had the proper touch, the breathing of the world was long and warm and slow. You had only to rise, lean from your window, and know that this indeed was the first real time of freedom and living, this was the first morning of summer.
— Ray Bradbury, Dandelion Wine (William Morrow Paperbacks; April 23, 2013) (via Cultural Offering)
“I think the only way we can grow and get on in this world is to accept the fact we’re not perfect and live accordingly.”
— Ray Bradbury, The Illustrated Man