DEV PATEL in MONKEY MAN (2024)
any mention of marie never fails to make kennedy advert their gaze from santiago. it's subtle, usually under the pretense of being occupied with something else, like inputing a password into a laptop. "thank you." they say, not willing to comment on the two reminders that passweord held. 3126— the house the two grew up in. marie—that house was never meant for kennedy and their mother to begin with.
it takes them back to one of their earliest memories as a new 'family'. at the time kennedy was certain their mother's attempt of uniting their two families was just a ploy to make her own father jealous. a classic move: mom and dad split. mom and dad introduce new partners. mom and dad get back together again. but suzanne's affinity with jonathan herrera was of a different beast. when suzanne wasn't with him, she was daydreaming about him—his wealth, his gifts, his home—3126. the future he would provide her and by extension, his daughter... and kennedy absolutely hated it. so the first time santiago mentions his mother and how she was not coming back, kennedy responds with. 'well my father isn't dead so he is.'
an apology had been given. indignantly. from behind her mother's legs. an 11 year old who knew the cruelty in their words but was too overwhelmed by their own emotions to worry about anyone else's. though the years had slowly managed to mend the bad foot in which the two started their sibling relationship, there is a part of kennedy that still replays that moment. they can still picture santiago's expression—the hurt in his brown eyes, raw and clear in their memory. he deserved a better apology and maybe tonight was the best night to finally give it—
"that's so depressing, santi. don't say that." they say instead, brows pinching together both at his words and at their own internal cowardice. "the city could suit you too, you know." now that they secured access to a laptop, kennedy's shoulders visibly relax. "you know what? after crashing in that disgusting dumpster fire that june, finch, and avery like to gaslight everyone into believing is an actual apartment... the guest room doesn't feel too bad." they say with a chuckle. if a zombie apocalypse hits kennedy swears that their apartment will be ground zero. "i was thinking of renting something closer to work for the time being." closer to santiago too.
then maybe jon's requests to 'talk some sense' into santiago would lessen to the occasional text or phone call. kennedy knew coming back to town would revert them back to the role they often played within the family— the devils advocate. if the oldest can't lead by example, they're expected to play the role of a third parent. "he doesn't mean it." there they go. "he’s just saying that cus he thinks it’ll... i don’t know. stir something in you.” a sigh escapes them then as they go pinch the bridge of their nose, the wright of the night settling in. "sorry, i know i brought it up but... can we not talk about our parents tonight? i don't want to fight." not when their chest still aches from the panic that gripped them earlier—the panic at the thought that the body found tonight might have been his.
⁑ he rolls his eyes at the comment, all in good fun. ❝ yup. i'm, uh, so well - versed in it, didn't even open the laptop to clear it out. ❞ all said while the dust on the laptop cover tells an entirely different story. as it hums to life, he presses the back of his hand to his temple – like added pressure could stop the pounding in his head. as an afterthought, he adds, ❝ password's marie three - one - two - six. ❞ ( small reminders of his late mother are constants throughout his daily life, if one was to look close enough. )
❝ sorry, freshly accepted i'm doomed to red creek livin' forever. the city suits you, though. ❞ a tired laugh escapes him. just 5 years ago, santi would've shrunk away from the thought. now, it's met with bittersweet acceptance. a life in red creek is— well, it's exactly what he deserves. a small sting ignites in his chest at mention of his own father's excitement. for all intents and purposes, kennedy was his child too. she probably saw his fatherly side more than santi ever would. ❝ noooo. just makin' sure they haven't roped you into a permanent residency of the guest bedroom or somethin'. ❞ he exhales sharply through his nose at the invitation, not quite in him to have a laugh over it. ❝ tell jon he can ask me himself. last i heard from him, i'm not welcome at the table. ❞
kennedy stuart 🇯🇪🇳🇳🇮🇫🇪🇷 🇨🇭🇪🇨🇰 makes an appearance @ the warehouse, this halloween!
TEEN WOLF 3.03 Fireflies
on the dance floor, they couldn't make much out of their newfound companion outside of their killer set of legs ( badum tss ) but now that they are in a quieter spot, kennedy takes the opportunity to quench her curiosity and look her over. "minnie? as in the mouse?" they ask, wanting to make sure they have it right. "that's so pretty. i'm kennedy." they introduce themselves with a smile. "yeah? are you saying we have the cosmos to thank then?" they can drink to that! they raise their shot glass toward her, angling their body to face her better. "me? oh i grew up here. born and raised like ninety percent of the town." they offer a one-sided shrug. they found their upbringing to be so mundane. "left town to pursue a career in writing— journalism mostly. i've only been back in town a couple months." a little detail that provides another practical reason as to why the two have never crossed paths before, but kennedy thinks they like minnie's poetic explanation better. "just the weekends? what do you do for work?"
"upped the budget? that sounds so for serial. i wouldn't know, i haven't been in town that long, i guess?" her nose wrinkled up. five years, give or take, could be a long time for some, but for minnie, it had passed in the blink of an eye. so much of that time wasn't remembered. she believed it though, and regardless, she twirls in the last song, and so does the other, and she thinks to herself: okay, yeah, this could be the whole point of this shit, and that's on that. eyes brightened at the rush of adrenaline, and the super change in the night, minnie sidles up to the bar, hand-in-hand, and look, it's the simple things. even this contact has them in a flush. oh, please blame it on the heat! "ooh, these are snazzy. we made a good choice. i'm minnie." is it a brilliant smile? at least the other can show it because her mask is over her shoulder, to avoid sweating her fucking balls off. "our orbits have totally chosen not to collide until, like, the time was right, and now's our time. that's just my opinion! or maybe it's because i work nights on weekends?" the nose scrunch returns. "okay, enough, what's your sitch?"
location : the dance floor @ the warehouse
time : approximately 10:30pm.
open : to anyone!
“are you thirsty? wanna grab a drink?” kennedy half yells into the other’s ear, yet her voice is barely audible over the music pumping around them. fingers flutter down the other's arm, ready to grab hold of their wrist to lead them out of the dance floor or loosely interlace her digits with theirs to twirl them around. depends on their answer!
Czeslaw Milosz, New and Collected Poems: 1931-2001
YOU'RE BIG. LARGER THAN LIFE. she’s heard that before. in a voice that sounded like rafaels, but wasn't his. close—painfully so— but not quite as deep. the familiarity is bittersweet, endearment and affliction flickering through her almost as quickly as the lights around them. kennedy is glad his back is to hers then, grateful for the bodies he has to navigate through, taking advantage of those extra seconds gained to compose herself before they reach their destination. “used to?” an eyebrow quirks at that, lips parted in a silent scoff. “don’t give up on me yet! i still have time.” that's what they would like to tell themselves anyways. that one’s life isn’t over if they don’t achieve all their goals by age thirty. that her return to redcreek didn’t mean she failed. it was only temporary.
now settled by the bar, kennedy is suddenly aware of how much they have had to drink. the room was still swaying even though they no longer were. they blink, slowly, the buzz from the liquor washing over them like a blanket, warm and heavy. maybe that’s why it’s easy to make promises for next time. to get caught up in the excitement of reconnecting with him. as if she hadn’t spent the last years carefully curating a distance between them. “yeah? are you saying i can just show up one day and ask for that dance? i know where you work, velazquez.” she flashes him a pleased grin as he slides the drink her way, quick to raise the glass to her lips. “it suits you, by the way. the tattoo shop. you always were the creative one.”
isn’t that right, joaquin?
the thought arises, a follow-up that feels as natural as breathing, but gets lodged in her throat when she turns to share a look with… NO ONE. picture frames of tender moments, but no house to hold them anymore. is that what grief is? as rafael leans into her initial touch, her hand flattens against his skin, the pads of her fingers pressing weakly, as if to check if he’s really here. she only catches the tail end of his question, gaze flickering to meet his once more. “no.” she breathes out, a subtle rasp in her voice, that knot tightening over her chords. dark hues scan his face, committing every feature to memory. as if he too was going to disappear the moment she let go. “you look beautiful.” once again taking his lead, dropping by her guard to reveal an unexpected moment of sincerity in the least ideal setting. only this time, she doesn’t have the time to think twice before another slip— “i really missed you, you know that?”
at that, rafael laughs - a small shake of his head all that's needed for a few stray stands to fall over his eyes. eyelashes blinking through them to watch her, "i'd love to see what you'd do with that power, kennedy - you're, big. larger than life." it's something joaquin would say; the memories barely skim the surface of his thoughts - he strikes a rainboot through them, sinks them further. "used to think you'd - conquer the whole world." it's genuine, too genuine for the club - for the crowd around them, for the buzz at the back of his head, warming where spine meets skull. "yeah," he agrees, easily; a passing laugh, "but it's still true, either way."
his forearms meet the edge of the bar, still close to kennedy - still allowing space between them. it's the most they've spoken since - since then. for once; rafael doesn't want to think about it. "you know where to find me, ken - door's always welcome for a good - waltz." beer left on the counter, rafael's turned towards them, sliding the tequila sunrise her way. he's always one to lean into touch, subconscious as their finger hooks onto him. another laugh escapes him, so easy. "you're the first one to get it, i think - yeah, the tall guy. dunno... felt easy, at the time. now i'm feeling a bit like a - misplaced film bro. do the wings make me look pretentious, ken? you can - be honest, with me. can handle the truth."
♰ ⋅ ⋆ ─── #𝑩𝑹𝑵𝑻𝑶𝑼𝑻 . . . is a dependent, multimuse blog for REDCREEKFM brought to life by aime, twenty7, she/her, mst.
Ⅰ . . . 𝚃𝙷𝙴 𝚂𝙷𝙴𝙿𝙷𝙴𝚁𝙳 — vikram shah. thirty5. he/him. funeral director.
ⅠⅠ . . . 𝚃𝙷𝙴 𝙿𝚁𝙾𝙳𝙸𝙶𝚈 — kennedy stuart. twenty8. she/they. journalist/author.
Ⅲ . . . 𝚃𝙷𝙴 𝙱𝚁𝙾𝙺𝙴𝙽 𝚁𝙴𝙲𝙾𝚁𝙳 — joey harlow. forty4. she/her. owner of redstone bar.
𝐢 𝐊𝐍𝐎𝐖 𝒘𝒉𝒐 𝐢 𝐀𝐌 !
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