Hello ๐Ÿ‘‹, I Hope You're Doing Well.. My Name Is Mahmoud, And I'm A 17-year-old From Gaza. The Ongoing

Hello ๐Ÿ‘‹, I hope you're doing well.. My name is Mahmoud, and I'm a 17-year-old from Gaza. The ongoing war has devastated my city, destroyed my school, and made daily life incredibly challenging. Despite these hardships, I'm determined to continue my education and build a better future. I've been given a chance to study abroad, but I need help to cover the costs of leaving Gaza, as well as living expenses and other essentials abroad once the crossing opens.. If you can, please consider donating or sharing, your kindness can truly make a difference, and thanks for your time. ๐Ÿ™โค https://gofund.me/bd3ccf0b

โค๏ธ๐Ÿ–ค๐Ÿค๐Ÿ’š

More Posts from Bxtchsimp and Others

10 months ago

Clarifications for Epithet Erased fan artists tagging their posts:

Trixie's last name is spelled Roughhouse, with two H's. It's just the words Rough and House smashed together.

Banzai Blasters, as in yelling "Banzai!" before jumping into a pool, not "Bonsai" like the tree

I'm so sorry but Yoomtah is a mononym now, her last name isn't Zing like it was in Anime Campaign. I've been tagging her as just "Yoomtah" for years but nobody has noticed and there wasn't really a time to bring it up. Whoops.

Phoenica Fleecity.

Phoenica Fleecity.

Phoenica spelled like Phoenix.

Clarifications For Epithet Erased Fan Artists Tagging Their Posts:

Phoenica is a reused OC from a project where all the characters were named after scientific classification for animals. Phoenica was male in the original iteration, so her name was Phoenico, after Flamingos.

1 year ago

The โ€œoh I could definitely write this fanfic in under 5000 words and it really wouldnโ€™t take me that longโ€ voice in your head is actually the devil speaking

1 year ago

The real barbie is Y/n.

Y/nโ€™s a doctor, a cop, a scientist, an agent, vet, hero, villain, astronaut, lawyer, spy, criminal, artist, chef, engineer, psychologist, architect, journalist, firefighter, event planner, mechanic, photographer, musician, actor, interior designer, bartender, fashion designer, barista, florist, forensic scientist, flight attendant, profiler, tour guide, translator, etc.

8 months ago

My dear friends ๐Ÿซ‚๐Ÿซ‚

When we resorted to asking for urgent help, we resorted to it because of the difficulty of the life we โ€‹โ€‹live, whether psychological, physical or material ๐Ÿ’”

We are a Palestinian family of seven people. We were living a decent and stable life and we had our dreams. Suddenly our situation changed due to the devastating war that caused us to lose everything we owned and negatively affected my children psychologically, educationally and otherwise ๐Ÿ˜ญ๐Ÿ˜ญ

Therefore, we are in dire need of help ๐Ÿ’”

Today, after nearly 330 days of war and five months since the start of the fundraising campaign, we have reached 22kโ‚ฌ thanks to your support, participation and donations. We hope that you will continue to support and participate until we reach 65% of the goal, as there is less than 750โ‚ฌ left to reach it ๐Ÿ™

Thank you very much

๐Ÿ‡ต๐Ÿ‡ธ๐Ÿ‡ต๐Ÿ‡ธ๐Ÿ‡ต๐Ÿ‡ธโค๐Ÿค๐Ÿ’š๐Ÿ–ค

โค๏ธ๐Ÿ–ค๐Ÿค๐Ÿ’š


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10 months ago

How the fuck I spell clown wrong? That shit is so embarrassing ๐Ÿฅฒ

bxtchsimp - Bitch

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8 months ago

Hi everyone, my name is Khaled Smeer. I am the manager of a large mall in Gaza before the war, and I am also an English translator. I live in the northern part of Gaza, and I created this campaign after my home was destroyed. Now, in northern Gaza, we are starving. We have nothingโ€”no clothes, no food. Please, if you can help by sharing this or donating, I would be extremely grateful. I am trying to evacuate from Gaza when the border crossing opens. We need 5,000 USD for one person to leave. Thank you for reading my story. Thanks to everyone who does anything for Palestine My first goal will be 500 euros. I hope everyone will๐Ÿฅบ

โค๏ธ๐Ÿ–ค๐Ÿค๐Ÿ’š


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1 year ago

Let's talk about transitions.

Transitioning between fast-paced and slow-paced scenes is essential for maintaining the flow of your narrative and keeping readers engaged throughout your story, allowing for moments of reflection, introspection, and character development.

Here are some strategies to smoothly transition between different pacing levels:

Use scene endings and beginnings: End a fast-paced scene with a cliffhanger or revelation that propels the story forward, then transition to a slower-paced scene that allows characters (and readers) to process the events. On the flip side, begin a slow-paced scene with a hook or question that intrigues readers and draws them deeper into the story.

Bridge paragraphs: Include bridge paragraphs between scenes to provide a smooth transition. These paragraphs can briefly summarize the previous scene's events, set the scene for the upcoming events, or transition between different settings, characters, or points of view.

Change in tone or focus: Shift the tone or focus of the narrative to signal a change in pacing. For example, transition from a tense action scene to a quieter moment of reflection by shifting the narrative focus from external events to internal thoughts and emotions.

Utilise pacing within scenes: Even within a single scene, you can vary the pacing to create transitions. Start with a fast-paced opening to grab the reader's attention, then gradually slow down the pacing as you delve deeper into character interactions, dialogue, or introspection. Conversely, speed up the pacing to inject energy and excitement into slower scenes.

Symbolic transitions: Use symbolic elements within the narrative to signal transitions between pacing levels. For example, transition from a fast-paced scene set during a stormy night to a slow-paced scene set in the calm aftermath of the storm, mirroring the shift in pacing.

Foreshadowing: Use subtle foreshadowing in fast-paced scenes to hint at upcoming events or conflicts that will be explored in slower-paced scenes. This creates anticipation and helps to smoothly transition between different pacing levels by maintaining continuity in the narrative arc.

Character reactions: Show how characters react to the events of fast-paced scenes in the subsequent slower-paced scenes. Use their thoughts, emotions, and actions to provide insight into the impact of these events on the story and its characters, helping to bridge the transition between pacing levels.

See my post on pacing for more! โค

1 year ago

Mastering the Art of Dialogue

Dialogue is the lifeline of any narrative. It brings characters to life, propels the plot, and creates depth in the story. However, writing dialogue that feels real and engaging can be challenging. Here are some tips to help you refine your dialogue-writing skills:

1. Listen to Real Conversations

The foundation of great dialogue is authenticity. Spend time listening to how people speak in real life. Notice the flow of conversation, the interruptions, the ums and ahs, and the unfinished thoughts. Real speech is rarely grammatically perfect or fully articulated. Incorporating these nuances can make your dialogue more relatable.

2. Each Character Should Have a Unique Voice

Your characters should be distinguishable by their dialogue alone. A teenager will speak differently from an elderly person; a doctor will use different terminology than a street artist. Think about their background, education, and personality. These factors should influence their speech patterns, vocabulary, and even the rhythm of their dialogue.

3. Use Dialogue to Show, Not Tell

Dialogue is a powerful tool for showing the reader whatโ€™s happening without explicitly telling them. Through conversations, you can reveal your characters' thoughts, feelings, and intentions. For example, instead of narrating that a character is nervous, you could show it through their stammering dialogue or their avoidance of direct answers.

4. Keep It Concise

In real conversations, people often meander through their thoughts. In written dialogue, however, it's important to be concise. Every line of dialogue should serve a purpose, whether itโ€™s moving the plot forward, revealing character, or creating tension. If a piece of dialogue doesnโ€™t add value to your story, consider cutting it.

5. Read Your Dialogue Aloud

One of the best ways to test your dialogue is to hear it. Reading your dialogue aloud can help you catch awkward phrasings or unnatural speech patterns. Better yet, have someone else read it to you. This can provide insight into how your dialogue will sound to your readers.

6. Use Subtext to Your Advantage

Not everything needs to be said explicitly. Subtextโ€”the underlying meaning behind the spoken wordsโ€”can add depth and complexity to your dialogue. Characters might say one thing but mean another, based on their emotions, relationships, or situations. This layering of meaning can make your dialogue more engaging and thought-provoking.

7. Balance Dialogue with Action and Description

While dialogue is critical, it should be balanced with narrative description and action. This balance helps maintain the pacing of your story and ensures that your scenes are visually and emotionally compelling. Action and description can also provide context that enhances the meaning and impact of your dialogue.

Conclusion

Great dialogue can transform a good story into an unforgettable one. By applying these tips, you can craft dialogue that captures the essence of your characters and engages your readers on a deeper level. Remember, writing is a craft that improves with practice. Keep experimenting with your dialogue, and don't be afraid to rewrite until it sounds just right.

Writing dialogue is a skill that can be honed over time. The more you practice and read, the better you'll become at capturing the essence of conversation on the page.

1 year ago

This beautiful girl's name is Fatima. She is only 5 years old. Israel bombed her house, killing her parents, then bombed her aunt's house that she and her sibling were staying in, now her whole family is dead.

Her pain is all of humanity's pain. DON'T STOP TALKING ABOUT PALESTINE. DON'T GET USED TO THIS.


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