Hello🤗❤️

This beautiful girl's name is Fatima. She is only 5 years old. Israel bombed her house, killing her parents, then bombed her aunt's house that she and her sibling were staying in, now her whole family is dead.

Her pain is all of humanity's pain. DON'T STOP TALKING ABOUT PALESTINE. DON'T GET USED TO THIS.

Intimate Moments

hugging them from behind, laying their head on the other's shoulder

breathing in the other's smell

whispering to each other

cuddling on the couch

walking hand in hand

playing with the other's hair

softly smiling at each other from across the room

telling each other how proud they are of them

leaning into the other person

feeling for the other's hand

pressing a kiss onto the other's hair

humming a melody together

playing with the other's fingers

holding each other's gaze

absentmindedly massaging each other

resting their hand on the other's thigh, slowly stroking it

handing the other one a hot cup of tea, their hands touching for a moment

moving closer in bed

reassuring touches

telling each other I'm here

cuddling in the first morning light

hiding their face in the other's neck

telling each other how much they love them

eating from each other's plates

brushing against each other, even if there is enough room

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

Hi everyone, my name is Khaled Smeer. I am the manager of a large mall in Gaza before the war, and I am also an English translator. I live in the northern part of Gaza, and I created this campaign after my home was destroyed. Now, in northern Gaza, we are starving. We have nothing—no clothes, no food. Please, if you can help by sharing this or donating, I would be extremely grateful. I am trying to evacuate from Gaza when the border crossing opens. We need 5,000 USD for one person to leave. Thank you for reading my story. Thanks to everyone who does anything for Palestine My first goal will be 500 euros. I hope everyone will🥺

❤️🖤🤍💚

Hello dears! 🇵🇸🍉🙏I am asking you to support my campaign to help me reach my goal. I am in dire need of your support now to help me stay alive and safe. Gaza is a very dangerous place both in terms of living and lives. The family consists of 12 members, most of them are young children. I need your financial support to enable me to get the basic needs for my family until the Rafah crossing is😭 reopened to transport my family to safety and peace. Please help a family stay alive through your small donations or through your shares to others. Thank you very much for standing by those in need.🍉🙏⬇️🍓

❤️🖤🤍💚

Let's talk about transitions.

Transitioning between fast-paced and slow-paced scenes is essential for maintaining the flow of your narrative and keeping readers engaged throughout your story, allowing for moments of reflection, introspection, and character development.

Here are some strategies to smoothly transition between different pacing levels:

Use scene endings and beginnings: End a fast-paced scene with a cliffhanger or revelation that propels the story forward, then transition to a slower-paced scene that allows characters (and readers) to process the events. On the flip side, begin a slow-paced scene with a hook or question that intrigues readers and draws them deeper into the story.

Bridge paragraphs: Include bridge paragraphs between scenes to provide a smooth transition. These paragraphs can briefly summarize the previous scene's events, set the scene for the upcoming events, or transition between different settings, characters, or points of view.

Change in tone or focus: Shift the tone or focus of the narrative to signal a change in pacing. For example, transition from a tense action scene to a quieter moment of reflection by shifting the narrative focus from external events to internal thoughts and emotions.

Utilise pacing within scenes: Even within a single scene, you can vary the pacing to create transitions. Start with a fast-paced opening to grab the reader's attention, then gradually slow down the pacing as you delve deeper into character interactions, dialogue, or introspection. Conversely, speed up the pacing to inject energy and excitement into slower scenes.

Symbolic transitions: Use symbolic elements within the narrative to signal transitions between pacing levels. For example, transition from a fast-paced scene set during a stormy night to a slow-paced scene set in the calm aftermath of the storm, mirroring the shift in pacing.

Foreshadowing: Use subtle foreshadowing in fast-paced scenes to hint at upcoming events or conflicts that will be explored in slower-paced scenes. This creates anticipation and helps to smoothly transition between different pacing levels by maintaining continuity in the narrative arc.

Character reactions: Show how characters react to the events of fast-paced scenes in the subsequent slower-paced scenes. Use their thoughts, emotions, and actions to provide insight into the impact of these events on the story and its characters, helping to bridge the transition between pacing levels.

See my post on pacing for more! ❤

Mastering the Art of Dialogue

Dialogue is the lifeline of any narrative. It brings characters to life, propels the plot, and creates depth in the story. However, writing dialogue that feels real and engaging can be challenging. Here are some tips to help you refine your dialogue-writing skills:

1. Listen to Real Conversations

The foundation of great dialogue is authenticity. Spend time listening to how people speak in real life. Notice the flow of conversation, the interruptions, the ums and ahs, and the unfinished thoughts. Real speech is rarely grammatically perfect or fully articulated. Incorporating these nuances can make your dialogue more relatable.

2. Each Character Should Have a Unique Voice

Your characters should be distinguishable by their dialogue alone. A teenager will speak differently from an elderly person; a doctor will use different terminology than a street artist. Think about their background, education, and personality. These factors should influence their speech patterns, vocabulary, and even the rhythm of their dialogue.

3. Use Dialogue to Show, Not Tell

Dialogue is a powerful tool for showing the reader what’s happening without explicitly telling them. Through conversations, you can reveal your characters' thoughts, feelings, and intentions. For example, instead of narrating that a character is nervous, you could show it through their stammering dialogue or their avoidance of direct answers.

4. Keep It Concise

In real conversations, people often meander through their thoughts. In written dialogue, however, it's important to be concise. Every line of dialogue should serve a purpose, whether it’s moving the plot forward, revealing character, or creating tension. If a piece of dialogue doesn’t add value to your story, consider cutting it.

5. Read Your Dialogue Aloud

One of the best ways to test your dialogue is to hear it. Reading your dialogue aloud can help you catch awkward phrasings or unnatural speech patterns. Better yet, have someone else read it to you. This can provide insight into how your dialogue will sound to your readers.

6. Use Subtext to Your Advantage

Not everything needs to be said explicitly. Subtext—the underlying meaning behind the spoken words—can add depth and complexity to your dialogue. Characters might say one thing but mean another, based on their emotions, relationships, or situations. This layering of meaning can make your dialogue more engaging and thought-provoking.

7. Balance Dialogue with Action and Description

While dialogue is critical, it should be balanced with narrative description and action. This balance helps maintain the pacing of your story and ensures that your scenes are visually and emotionally compelling. Action and description can also provide context that enhances the meaning and impact of your dialogue.

Conclusion

Great dialogue can transform a good story into an unforgettable one. By applying these tips, you can craft dialogue that captures the essence of your characters and engages your readers on a deeper level. Remember, writing is a craft that improves with practice. Keep experimenting with your dialogue, and don't be afraid to rewrite until it sounds just right.

Writing dialogue is a skill that can be honed over time. The more you practice and read, the better you'll become at capturing the essence of conversation on the page.

We need to bring back fanfics where the author talks to the characters in the chapter notes and occasional intertexual asides, and through this medium the reader gradually becomes aware of a whole secondary metanarrative concerning the interpersonal dramas of the notional "actors" playing the characters in the fic.

writers and artists will go "this isn't good enough." my brother in christ, you're creating something new out of nothing and expressing yourself creatively. your productivity and unrealistic standards of perfection do not define you or the worth of your art. you're doing great.

girls are like “I want a boyfriend” but reject everyone because none of them are their comfort characters