Final Scene Of The Titanic

Final scene of the titanic

(via)

More Posts from Cacciatricediartemide and Others

7 years ago

How do you make people fall in love with you

challenge them to a duel 

6 years ago

I had nothing to offer anybody, except my own confusion.

Jack Kerouac / On the Road (via bnmxfld)

6 years ago
Radiohead / Packt Like Sardines In A Crushd Tin Box

Radiohead / Packt Like Sardines in a Crushd Tin Box

2 years ago
It Is Still Beautiful What Scares.
It Is Still Beautiful What Scares.

It is still beautiful what scares.

7 years ago
Cinematography By: Dan Laustsen The Shape Of Water (2017)* Directed By Guillermo Del Toro
Cinematography By: Dan Laustsen The Shape Of Water (2017)* Directed By Guillermo Del Toro
Cinematography By: Dan Laustsen The Shape Of Water (2017)* Directed By Guillermo Del Toro
Cinematography By: Dan Laustsen The Shape Of Water (2017)* Directed By Guillermo Del Toro
Cinematography By: Dan Laustsen The Shape Of Water (2017)* Directed By Guillermo Del Toro
Cinematography By: Dan Laustsen The Shape Of Water (2017)* Directed By Guillermo Del Toro
Cinematography By: Dan Laustsen The Shape Of Water (2017)* Directed By Guillermo Del Toro
Cinematography By: Dan Laustsen The Shape Of Water (2017)* Directed By Guillermo Del Toro
Cinematography By: Dan Laustsen The Shape Of Water (2017)* Directed By Guillermo Del Toro
Cinematography By: Dan Laustsen The Shape Of Water (2017)* Directed By Guillermo Del Toro

Cinematography by: Dan Laustsen The Shape of Water (2017)* Directed by Guillermo del Toro

“The way I’m shooting movies, it’s 1:1. What you’re shooting on the set is exactly how it’s going to look in the movie. When we did the color-correction, the DI, for this movie, Guillermo said, “I don’t want to make a DI, because I think I like exactly how it looks.” We spent some time on the set to do the right colors, and I think that’s very, very important for me, to shoot the movie exactly as it should look. So when we’re doing the DI, I’m just making a corner a little bit darker or a window a little bit brighter, but we’re not changing the color. So when you see framegrabs from the sets the day we shot it and you see the final movie, it’s exactly the same; we’re not changing colors at all.” — Dan Laustsen on the gap between what’s captured in-camera and the final image

*Academy Award nominee for Best Cinematography in 2018

2 years ago
Think On Your Feet

Think on your feet

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cacciatricediartemide - Diario di una cacciatrice di Artemide
Diario di una cacciatrice di Artemide

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