Me: *looking at a porcelain hand in the home decor aisle of a store* if I lost my hands in some kind of tragic accident, I’d decorate my entire home with hand-shaped things. Then I’d invite guests over for like, dinner parties and such and sit there expectantly just basking in their discomfort.
My boyfriend: Do you hear what you say when you talk? Do you know what you just said to me?
Okay but is there a premise better than "protagonist starts out alone and gradually gathers more and more and more friends as the story progresses, including former enemies they beat, because protagonist has the powers of kick-ass AND friendship on their side"? No. No, there is none better, this is peak story telling.
No because pride and prejudice isn't "I changed myself for you so you would love me back." It's "your blatant rejection and disdain for me made me realize things about myself no one had ever been bold enough to tell me so I sat down and evaluated all my behavior patterns and why they came about and came to the realization myself that I had to work on myself. Also I don't expect you to love me now that I'm a work in progress, so I'm just going to do nice things for you because I don't like seeing you hurt." No wonder P&P fans refuse to settle.
I love when I’m writing a scene heavily focused on a characters drives and fears and suddenly something clicks and it’s like
R. - They/Them - Queer SF/F/Romance writer - Carrd with social media links.Avid fan of anything gay. This is my writing journal.
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