Part of Reigen’s bit as a ‘psychic’ is that he finds people with problems that they have attributed to Cursed Spirits, such as, lack of sleep, stiff shoulders, etc. and solves them with conventional means.
Only calling on Mob, or Serizawa when a spirit is actually the problem.
This is similar to how witches work in the Discworld series, only they can actually use magic.
Witches like Granny Weatherwax avoid using magic as much as possible, mostly using headology (psychology), Boffo (basically kayfabe) and their skills, only resorting to magic when absolutely necessary.
Now that I think about it Reigen uses a lot of Boffo in his work too.
Oh my god yes literally. Pre transition I had the biggest lighthouse keeper chops and moustache. I miss it sometimes but shaving beats explaining to strangers 🙄
anyway, uh, fish fish fish fish fish
Why do I keep shaving my beard? Is it because I prefer to look more feminine? Is it because I prefer a smooth complexion? No. I shave my beard because I cannot let it get too powerful. I shave it to keep others safe
Money money money
Am-a-zing!
▫️ “The Dearest Devotion ” ▫️
(air, land, sea)- to self, your loves, and community, on our ever so small yet vast planet.
(cone 5.5 stoneware, underglaze, glaze) ceramic wall tiles made from my gay and trans perspective :)
extras: The albatrosses stem from the broad number of female same-sex lifelong couples. The bucks and whales stem from documented homosexual behaviour of the species. A kobudai is also featured in the third tile changing sex from female to male.
Striped Marlin (Tetrapturus audax), family Istiophoridae, order Carangiformes, off the Pacific Coast of Mexico
photographs by Jeff Joel
I saw myself in the mirror
Finally some good food
Rick Riordan's Writing Tips
Rick Riordan:
Taste is subjective, and opinions differ about what "good writing" looks like. Most of us have read a bestseller or two and wondered, "How did this thing get published?" Nevertheless, I would argue that most work does not get published unless it demonstrates a certain level of technical competence. The grammar is correct. The prose is readable. I would further argue that most manuscripts are rejected because the writing is not technically competent. The manuscript never stands a chance because the writer simply doesn't know the craft of writing well enough. If you write well, you have already set yourself apart from 99% of what agents and editors see every day. Below are some notes on what I call "sentence level competence" — the ability to craft prose at the most basic level. These tips reflect the most common problems I've observed in unpublished manuscripts.
Sentence focus — the subjects of all clauses should be appropriate to the content of the sentence.
Favor the concrete over the abstract, the antecedent over the pronoun.
Example: It was a sunny day. (the subject "it" is boring and vague.)
Better: The sky was brilliant blue. (Here the subject is sky, which is what the sentence was supposed to be about.)
If you are writing a sentence about a guy named Fred, the subject in the sentence should be (surprise!) Fred.
Exercise
Go through a page of prose and underline your own subjects.
How many are abstract?
How many of your sentences are truly focused?
Be sure the modifier refers to the right thing.
The modifier should refer to the closest noun.
Confusing modifiers will trip up the reader, consciously or subconsciously.
By the same token, pronouns should have clear antecedents.
Always place the modifier as close to the subject as possible.
Example: Can you help other writers who are writing books like me? (I got this question recently. I understand what the person is saying, but 'like me' follows the word 'books' so he is implying, without meaning to, that there are people producing books that look like him.)
Better: Can you help other writers like me who are writing books?
Exercise
Color-code a page of your manuscript, making each phrase and clause a different color.
Match up dependent clauses and phrases with their modifiers.
Avoid getting your modifier too far away from the thing being modified.
Choose your details carefully.
A description should be vivid, but surgically precise.
The detail must be given for a reason, and have a logical connection to the plot or advancement of character.
Avoid long "grocery lists" of details.
For a paragraph-length description, offer a uniting theme — an extended metaphor — to give the details cohesion.
Example: He was six feet tall, three hundred pounds, with brown hair, small brown eyes, a big nose and big fists. He wore jeans and a muscle shirt. He looked angry. (this is way too much description for the reader to keep track of, and it is offered as a random list)
Better: He looked like a rhino, ready to charge. (then you can pick a few details that reinforce the image of a rhino)
Exercise
Go through a chapter and delete all adjectives and adverbs.
Read through, then add some back in sparingly.
You may find you can do with less than before.
Clauses or phrases that are part of a list should be similar in structure.
Unparallel constructions are awkward and difficult to read, even if the reader can't put her finger on the exact problem.
Example: He likes dogs, hiking in the woods and reads books a lot. (Dogs is a single noun, hiking in the woods is a participial phrase, reads books a lot is a simple predicate. These are all totally different things. Make them the same, and the sentence will flow much better.)
Better: He likes walking his dog, hiking in the woods, and reading lots of books.
Exercise
Try constructing your descriptions in parallel units — absolutes, infinitives, adjectives.
Source
El Ciclop, per Odilon Redon. Oli en cartó muntat en panell, 65'8 x 52'7 cm; c. 1914.
KING LINDWORM (FULL comic)
The shepherd’s daughter is newly wedded to a deadly Lindworm…
tickles me pink when you get a quest to kill ghosts in an rpg. like yeah this massive broadsword is gonna do just fine against these things.no rites no helping them move on just fucking cleaving them in twain
LOVE LETTER TO THE ELECTRICAL GRID
plexiglas etching
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