Harry practice
Bonus shaved version below
"Former culture undersecretary Vittorio Sgarbi defends the girl who climbed Giambologna's Bacchus statue in Florence miming a sexual act. 'It is a transfiguration: when art is truer than life. An amorous exaltation. No real man can compete with Cellini's Perseus. A drunk girl performs a critical act, not an erotic one.'"
mom called me a fag yesterday by accident
if game about cowboys why sad?
lol
Nosferatu (2024) is unquestionably a multifaceted work, but what I personally consider to be the unifying idea behind its facets is that, for Ellen, Orlok represents validation.
Her fears are dismissed and called childish?.. He's a nightmarish manifestation of them.
She is consistently disrespected by everyone around her?.. He considers her his only equal. She never uses his title, it's permitted.
She is told to fix herself, misunderstood, and always isolated?.. He knows all the darkest parts of her and is delighted by them. He wants her just as she is, so much that he will lie, kill, and cross the ocean to find her.
The scene in their death/wedding bed is a direct parallel to the scene of her waking in that bed at the beginning of the film. She complains to Thomas that the "honeymoon is yet too short" and tries to pull him down with a kiss - however, he is worried about being late for work, and so he extricates himself and leaves. Cut forward to her sharing the same bed with Orlok, similarly early in the morning; he is startled by cock-crow and begins to rise, but she guides his head back down - and, even though he knows that he will die, he stays. He is her sexual and emotional desire, realized.
Given that there is a plethora of emotions Ellen is forced to suppress on daily basis, there is no singular correct interpretation of her relationship with Orlok. To erase any one of them is to render it shallower than it actually is; but there is no doubt as to why their attachment is mutual. To each, the other is something they’ve never had before.
Hilma af Klint, Tree of Knowledge, No. 1, 1913–15, watercolor, gouache, graphite, and ink on paper, 17 7⁄8 × 11 5⁄8".
"Be cunning, and full of tricks, and your people will never be destroyed"
Okay for context the other rabbit is nanabozho! (Also called Wenabozho, Nanaboozhoo, Nanabush and Manabozho, they have a lotta names--) and he's a prolific and prominent character in many of my people, the anishinaabe (Ojibwe), stories!
I drew him interacting with el-ahrairah because he reminds me so much of nanabush-- they both have a connection to a higher power, their gods, both are tricksters, both are part of their respective creation myths, and both care deeply about their people!
Nanabozho is a shape shifter, while he takes many forms their most common is a hare! So that just made me think of them even more fjdndndn
(I posted this on insta a while back and the artist for the Watership Down graphic novel liked it and I still haven't recovered mentally from that--/pos)
Oh btw, nanabush is genderfluid, no I am not joking--