Eliot: ... Overconfidence Will Kill You Faster Than A Bullet Any Day. Fear's Good. Hardison: Oh, I Have

I couldn’t put into words why that scene left such an impact on me but you just did perfectly and might I say OUCH.

THIS SCENE IS SO MULTI-FACETED AND I LOVE IT SO MUCH AND I HAVE TO TALK ABOUT IT!

Anthony being touch starved and Lucy touching him so tenderly like that affects him so much from the get-go obviously cuz it fulfills that need. It also highlights their quickly burgeoning feelings/connection with each other but in the CRUELEST way cuz the reason she's touching him is not because she wants to but because she's possessed.

But, its not only just that she is acting in love with him (making the connection between them so hard to ignore) when its not really her that hurts but she's acting as if she loves him while he (his role) is HURTING her. With Anthony's past being so traumatic, you just KNOW he internalizes that shit even though its not really even Lucy talking and its not even him she's talking about. It hurts him to have Lucy act in love with him but also she's acting as if she has to FIGHT to believe he's not hurting her. She's acting as if loving him is causing her physical pain and that's horrifying for him cuz the one thing Anthony absolutely believes is that he hurts the people he loves. So to be slapped in the face with his growing feelings for Lucy but in a way that pulls at all of his trauma strings in the harshest soul twisting way?

Right after that you have Lucy reliving how Annabel choked to death to seal the traumatic incident with a cherry on top, finalizing Lockwood's internal fear that he kills the people he loves and is left alone.

Not to mention as the series goes on we see that Anything absolutely cannot STAND the idea of having hurt Lucy or her being unhappy with him even though he makes stupid decisions. Almost as if this incident triggered in him a crippling desire to never hurt her... So she'd never look at him like that again. Like he's everything... But also as if he destroyed everything in her to the point she fears him.

So in quick summation we have:

Lucy acting in love with Anthony under possession of a ghost while he very much does have growing feelings for her; and the love the ghost in her playing out being an abusive kind, the kind you have to convince yourself isn't harmful, forcing Anthony to relive his trauma and self-depreciate even more about the fact that it's hard to love him because all he can leave behind for his loved ones is hurt. Combine that with the traumatic way she relives Annabel's death and Anthony's genuine worry of Lucy's possession being... well... dangerous as is.

This scene is so beautifully acted. Ruby and Cameron's chemistry is insane. The way they portrayed that much range of emotion in such a short but impactful scene early on.

EDITED TO ADD: I also forgot to talk about the costuming cuz its the softest we've seen Lockwood in the whole series. All three characters are in their pajamas but Lockwood specifically is in a simple gray hoodie. Something that invokes comfort and relaxation. He's tense during the scene because of the situation but he's completely vulnerable as well. There's absolutely nothing for him to hide behind. No witty quips will work when Lucy can't hear him and he's fearing for her life, no physical force can be used to fight her either... And his emotional barriers are all down too. Not only because of the unexpectedness from the multi-targeted assault on his emotions but because he didn't exactly have time to prepare for such a thing occurring either. @locklyleiscanon pointed this out i think but Lockwood uses his suit as an armor. And he's not wearing it. There's no weapons near him. He's completely defenseless when it comes to Lucy in this moment as well as all the warring emotions that are overtaking him.

The first time I watched the scene my first thought was literally how soft and vulnerable Anthony looks. I didn't even have reference for the rest of the show (that he wears suits almost always) but it was a striking detail. Not just the vulnerability on Lockwood's face but in his body language and clothing as well.

Here's an edit I saw that made it all easiest to visualize and word for me:

Props to the person who made the edit cuz the close up scene and the slow motion at Just the right moment makes this so plainly visible to see.

This incident is simultaneously the best and worst thing to happen to Lockwood regarding his feelings for Lucy. It shows him early on just how much he needs her, but reminds him of all the reasons why he can't have her.

PAIN

"And I want you to know that Portland Row will always be open for business. There's a light burning in the living room, cakes on the table, new cases yet to solve...Please drop by any time. Its your home too after all."

im weeping mr shroud.

the grave danger job killed my grandma

AHH

okay but,, parker being the one to talk hardison through it the entire time, and calling him Alec for the first time

but eliot being the one to drag him out of the coffin and hug him tight

Eliot: Never do that again, man. Don't do that again. Hardison: I won't. I won't.

(is he crying too?)

and then afterwards, when hardison kisses parker on the cheek :(((

Hardison: You know I couldn't have made it out of that with you? Parker: Well, that's not true. Anyone can learn to hold their breath- Hardison: Thanks for not hanging up the phone.

the dichotomy between an attack dog vs a guard dog is like. an attack dog is sent out to carry out violence. it's starved and abused to ensure aggression. it has no other purpose outside of Attacking at the whim of its master. it's constantly on guard because a threat can come from any direction at any time. it's the dog chained up in a basement that's only set loose when there's something to kill.

but a guard dog is protecting instead of attacking. instead of being sent out to fight, it comes home to defend the house. it may be constantly on watch for an external threat, but it is content to lay with the sheep until a wolf comes to the door. the guard dog has a warm place to sleep, and is well fed and treated like a member of the household. it's free to leave at any time but it stays to protect the house anyway. do u get it. do u understand.

theres something so beautiful about things becoming dirty from their job. like a painter's desk being covered in paint stains, or a gardeners pants having mud stains that wont wash out, or a cutting board being stained from all the foods that have been cut on it. just a clear, distinct telling of "this was used as intended and it shows" an object clearly showing it's been used and loved

Ok so i don't have the time to go in and get a screen recorded video with volume but look here

When parker says she wants to kill Dalton Rand, she's looking to Nate. She's asking Nate if they can kill him. Eliot volunteers to kill him. Parker turns to look at Eliot when he starts to speak. Eliot "I don't kill people anymore" Spencer volunteers to kill Rand of his own volition. Parker isn't even asking him, looking to him. He just cares so much about Parker being hurt that he volunteers to do something that hurts himself without being promted or asked personally. This is just something that means so much to me. This is only season 2 but the strong connections are already there

My pettiest and most tenacious gripe with supernatural is that when Lucifer is not taking a vessel but projecting his own image of himself, he should be played by Jared Padalecki. I know that for whatever mysterious reason they wanted Mark Pellegrino back but I just think this was a huge missed opportunity.

Lucifer considers Sam's body his rightful vessel, as much his own body as it ever was Sam's. In the cage he should have presented himself this way when he wasn't actively possessing Sam, and Sam's hallucinations should have been of his own cruel smirk. It's consistent with Lucifer's characterisation, his objectification of and entitlement to Sam. And it's impact on Sam would be so powerful.

After Lucifer, he avoids mirrors. Looks away from the impala's night-darkened windows lest he catch his reflection. His stomach turns at old photos of himself. He doesn't have many, but he's held onto some of his family. In one with Dean, his arm is slung easily around his brother's shoulder, both of them with beers in hand and matching smiles. It's a rare memory of peace, an image he's treasured for years, and when he looks at it now he feels panic crawling up his throat. He grits his teeth to hold back the snarl of "get away from him". He never looks at his hands any more, when he changes the car's oil or cleans the guns. He touches other people as little as possible. Everything's different. His body makes him an invader in his own life. He was born unclean, a soul tainted from the start, but now he looks into his eyes and sees a monster.

I agree with everything that was said and have nothing to add😅. NETFLIX I NEED SEASON 2

If you have ever thought about watching Lockwood & Co. on Netflix, even in passing, please do so! Right now! This is your sign, it's the perfect time!

I apologize for being the asshole who cross-tags, I swear it's not normally me. But hear me out, I mean this with my chest: if you're someone who enjoys the YA genre whatsoever - especially when it comes to ~a group of young people~ banding together to ~fight off supernatural threats~ - then Lockwood & Co is perfect for you! (see I'm doing you a favor, just trust me😂)

It's about ✨the unique characters, the found family, the mysteries, the worldbuilding, the slowburn, the vintage/modern aesthetic, the soundtrack, the cluttered kitchen coziness, the cinematography, the attention to detail, the layers and nuanced storytelling!!!✨ It's literally the most captivating YA-led show I've ever seen, and I'm a big fan of Stranger Things and Shadow & Bone.

It's the character work in Lockwood & Co that makes it stand out from the rest. The main trio fills the hole in my heart. They're so unique and flawed and SHAPED, and the way they interact/work together is like crack for your soul. It's ridiculous how addicting their dynamic is.

Let's see what Twitter has to say...

This show heavily features themes of finding a family and a reason to live & die because of the home you've found with each other. I promise that you will fall in love with these precious, broken kids as quickly as I did.

Brief character descriptions under the cut, cause you're already this far, so why not?

This is Lucy Carlyle! She is wildly talented, takes no shit, and has suffered a lot in her past but holds so, so much capacity for loving others. She is sassy, practical, empathetic, and grounding.

This is Anthony Lockwood, aka tumblr babygirl who uses a facade of confident swagger to mask the well of pain he harbors underneath. He is charismatic, ambitious, reckless, and soft hearted.

And this is George Karim. He is the MOST precious bean who is a brilliant researcher, though struggles sometimes with feeling out-of-step. He is sarcastic, excitable, unashamed, and dedicated.

At the end of the day - all I can say is sorry for the brief invasion into your tag, but also THANK YOU for your consideration in reading this, and thanks in advance for checking out Lockwood & Co 😉💖✨ I cannot emphasize enough how much you won't regret it!

percy shoving annabeth and grover down the stairs so that he can stay and hold off the monsters exactly like thalia did and i bet that's all either of them can think about and just like last time they cant DO anything even though this time theyre older and they SHOULD be able to STOP it or HELP or do SOMETHING but theyre just as powerless as they were all those years ago watching a forbidden kid give their life to protect them because of the gods' pride and jealousy