which fucking queer sat down in the writer’s room for leverage and wrote the rundown job huh ??? HUH ???
why is hardison fist bumping his “best friend” about how hot his girlfriend is ?? why is eliot grabbing hardison by the back of neck, pulling him in with the most intense stare ever, and then doing the verbal praise equivalent of making out with him ??? eliot is an obviously traumatized self reliant prickly bastard, and yet he decides to throw away his crutches and completely rely on the other two for support ???
god take me now. leverage writers had absolutely zero business drenching this episode with all this polyamorous energy in the year of our lord 2012– hell gay marriage wasn’t even federally legal yet. they knew exactly what the fuck they were doing and i am kissing them on the mouth for it.
Revisiting this point from an earlier post of mine about how much I love that Lockwood & Co. specifically does not do this to Lucy:
Can we TALK for a SECOND about how the writers wrote the whole Towel Scene (which admittedly did not make the final cut but still) and managed to make LOCKWOOD the most uncomfortable out of three?? Because he's a massive dork??? Instead of the girl who's literally standing in a towel in a hall with two boys???
Like they put the love of Lockwood's life in a towel in front of him and rather than taking it as an opportunity to objectify her and make her an object of lust, they turned it into an absolutely hilarious moment that showcases not only how much of a dork Lockwood is, but how SAFE Lucy is in that household. Yes it's funny and very awkward but it doesn't broach the sickening feeling of a girl being exposed and unsafe and objectified.
I can't even begin to express how comforting it is, the way this series lets Lucy be safe in this area. I wish I could explain it more clearly but the words aren't wording. Y'all get it.
ALL I KNOW IS PAIN
guys can we just sit back and really take in the fact that lockwood & co was so good as a show, that everywhere we look, there are new people in the fandom actively going out and purchasing the books to read them? including myself, who didn't know of the books until the show released because i live under a literary rock.
but like, the show was good enough and compelling enough that it drew us all in and we wanted more, and we have it. we have the books. we can read them. and we want to. can we bask in that? can we appreciate this? this amazing. this so cool. idk i just find this so neat, you know? there's plenty of media that releases, based off books, and people don't go out and read the source material. but... it feels different with this one. and i love that.
Hahah true
Sometimes when I'm cooking, I think to myself "would Eliot approve of this or would he have an aneurysm if he saw what I was putting in this meal?" Then I shrug and do it anyways because it's a win-win either way.
Just started reading it and love it already 💙
Alex “my reputation's never been worse, so, you must like me for me” Blackwood and Molly “I hate accidents, except when we went from friends to this” Parker
I feel like this is an accurate representation of my current mental state
Anthony Lockwood my beloved
One of the things I love most about Lockwood is that he is the textbook example of the "one who is scared to love" but instead of being extremely cold and callous all the time like your normal tragic backstory male mc, he can't stop himself from loving.
The thing is, we know he tries. (See THB). He tries to keep everyone at a distance, tries to be cold and calculating, but he can't do it. He wants to be Sherlock Holmes, highly functioning sociopath, but he can't do it.
And it shows up in the smallest ways: how immediately understanding he is of Lucy when she doesn't want to explain what happened at Jacobs' even though he is interviewing her for a job. How he stood up for the bratty nightwatch kid when Ned was bullying him, simply because he didn't like watching someone smaller get picked on. Or when he mercifully changed the bet with Kipps, because at the end of the day it was a petty bet to begin with, and they had just been through so much together, and honestly it didn't matter anymore. There was no reason to humilate anyone. How he will always protect another agent, even if they are Fittes. Heck, he even stands up for the Fittes' agents, saying "they're just kids like us." It's the adults he has beef with.
Lucy mentions that any news of a death by ghost-touch weighs on Lockwood. He is incredibly patient with Danny Skinner and perturbed that a kid this young is in his living room alone.
All three of them think of Lucy as the one with the bleeding heart. She's a Listener, a feeler, the one who is most affected by the past suffering of the ghosts. But that's for the dead.
Lockwood is a bleeding heart for the living. He tries not to be. He hates it. Because caring means risking hurt. Caring means you can lose what you care about. But for as hard as he tries to pretend he doesn't, for as good as he is at acting like nothing can phase him, it does.
Lockwood is scared of loving. But he can't stop.
Some more headcanons when the Pevensies come back to England:
-All of them have a strange lisp from living in Narnia for so long. When they are together, they will often speak Narnian, and when asked about the origins of the strange language no one else understands, all they give you is a mysyerious smile.
-It is absolutely impossible to get a rise out of Susan. When taunted, ridiculed or tested by other girls who envy her confidence, all she will do is smile and offer some words of advice. She has dealt with threats far more serious and deadly than high school British kids, and she finds their little power plays nothing but funny Soon, it becomes an unwritten rule not to mess with her. She'll smile back and kill you with kindness.
-Edmund and Peter spend the first few weeks learning how to walk without a sword at their side. All their adult lives, they've worn one, and they still compensate for the weight slightly. Especially Peter, commander of the armies, feels extremely naked without his blade.
-Lucy has the hardest time getting used to England again. The girls her age are mean and stupid, and she finds it hard not to call them out on it. Her intelligence is often mistaken for arrogance. She throws herself into dancing, the one thing Narnia has given her that is of use in the normal world.
-Edmund is completely changed, overnight it seems. Where he was first a nagging, annoying brat, he now seems a beacon of calmness and wit, able to solve any problem. The bond with his brother Peter is so strong the two seem to be able to read each others minds. This is especially true during fencing class, where they are the two best students by a distance. They move so in sync some people wonder if they are twins
-The first time the Pevensies ride horses together again the rest of class gasps audibly. They all seem to grow taller in the sadle, and they communicate with their horses in a way that seems impossible.
-Peter never gets used to the disrespect other kids show him, and will respond to every insult with a blow. He doesn't get over what they have lost , and writes story after story about the most beautiful imaginary world he calls Narnia. His teachers, from English to theology to history, all agree that he should be a writer. But the fighting only gets worse. Soon, kids have to gang up on him to even be able to touch him. And when Edmund decides to help, it's basically a wrap. He is far smarter than he lets on, and his back is always so straight it seems like he is 3 inches taller than his classmates. Bullies learn to avoid him, and he is fiercly loyal to his friends, even if that gets him in trouble.
-There is a rumour that the Pevensies are royals or at least nobles . No one knows from where, but the war could have changed things. Either way, they are everyone's favorite gossip subject.
❤️❤️
locklyle + hands
Random stuff I love. Currently obsessed with Lockwood and co. Pls go stream it on Netflix we need season 2!!
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