Mám Toto:

a theory:

Aelin, Feyre and Bryce have so much in common it almost seems intentional. What if the similarities are a part of a bigger scheme? Both the parallels in their stories and in their characters? What if she's plotting something?

A lot of people on tumblr are disappointed by her using the same pattern in the books -

almost too perfect first love, not that fitting second love and then the third - the mate

born to be someone really powerfull but hiding it/not knowing it

one specific form of art (music/painting/dance)

rattling the stars (inspiring/making a change in the world, in COEAB soon to come, I think)

the overuse of the word "incarnate" (anyone else annoyed by it?)

tattoed & flying boys (and gradually the girls)

Could be lazy writing, but what if she's done it in purpose? What if it all plays a big role in the future, maybe when they meet? We already know their worlds are connected, a crossover is imminent! I can't imagine that they won't notice anything when they meet?

So a bit of a laugh here, as the only remedy that worked to sedate my panic earlier this month of having to wait 36 hours on the 12th floor in a 50+ year old hotel through a tornado-prone hurricane at the start of the first vacation I’ve had in several years is: comic relief doodling.

And the one that has been sitting on the backest of back burners has been to showcase one of Rhysand’s greatest and unrivaled abilities. No one has come close to the proficiency and technique this high lord has honed for hundreds of years, the accuracy and precision never faltering, even while simultaneously throwing insults disguised beneath witty retorts, or gate-crashing weddings to keep very important appointments.

Nay, you all may fawn over the wings, the winnowing, the darkness, but I will whip out my foam finger and clap my hands each time a spec of invisible lint is vanquished on the page. ☝️😤

****

This has been licensed, so disclaimer time: The art depicted on the products listed for sale is wholly original to me and has been approved by Sarah J. Maas for use on the products. Notwithstanding such approval, Sarah J. Maas has not collaborated with me in any way in the creation of the art, and the traits of any characters depicted in the art is in no way based on any foreknowledge by me of the traits of any characters in future books by Sarah J. Maas.

Send me something to think about

the tiktok algorithm gets me in a way no one else will

I have memes for thirsty cockroaches

The Cindy Masterpost

I’ll edit and reblog this with updates as I post new bits of the Cinderella story I’m working on, but for now, here are all the current chapters out:

Part One (In Which Things Would Be Simpler If The Prince Was A Horny Piece of Shit)

Part Two (In Which No Rats Were Harmed In The Making Of These Horses)

Part Three (The OG post which technically is kind of told out of order because there’s a reblog and like, look, I could see this was becoming a thing, but I didn’t think it would be a thing-thing but now it’s a thing-thing and I have to deal with it. I mean I’m writing a masterpost for cryin’ out loud)

Part Four (In Which Cindy and the Fairy Godmother Run from the Cops)

Part Five (In Which The Prince Begins His Investigation While The Narrator yells About Foot Fetishes Because look I’m sick of that joke I’m SO FUCKING SICK of that joke it’s so fucking unoriginal.)

Part Six  (In which we meet The Queen because fuck you she was alive in the Rogers and Hammerstein version)

Part Seven (In which news of the slipper is spread throughout the kingdom and the narrator talks about this one time when they passed out at a Dickens fair and that’s totally definitely relevant.)

Part Eight (In Which the narrator wants to include more slapstick but is also wary about all the implications with regards to class differences and also the slipper is a non-euclidean object which defies all rules of mass and physics.)

Part Nine (In which Cindy is every drunk girl who has ever comforted you in a bar or club bathroom)

Part Ten (In which Cindy has no interest in being that wife chained up in the attic in Jane Eyre)

Part Eleven (In which tasty pies are consumed and also maybe the slipper fits someone or whatever)

Part Twelve (In which we meet the parents)

Part Thirteen (In which Cindy is going to be okay but also it’s not a fairy tale unless the ending has at least a little bit of threatening ambiguity towards the audience)

Canadian Nightmare

hear me out