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OKAY OKAY MY TURN TO SHARE SOME OF MY FAVORITE MYSTERY INCORPORATED CLIPS

Růže jsou rudé

nehty si natřu lakem

"Many species of polychaetes undergo epitoky whereby sexually immature worms transform into pelagic morphs capable of sexual reproduction. After fertilization, they release their gametes through rapid disintegration." worms are out here having insane sex we can't even comprehend

Canadian Nightmare

thinking abt how fucked up steam engine boiler explosions can look. theyre just pipes under there

gives me the idea of a ghost/monster engine that looks normal, albeit a bit battered, only to swing their smokebox door open and a myriad of pipes come bursting out like fucked up tentacles

just learned that magnolias are so old that they’re pollinated by beetles because they existed before bees

Writing Tips

Punctuating Dialogue

✧

➸ “This is a sentence.”

➸ “This is a sentence with a dialogue tag at the end,” she said.

➸ “This,” he said, “is a sentence split by a dialogue tag.”

➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”

➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”

➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”

➸ “Use a comma when a dialogue tag follows a quote,” he said.

“Unless there is a question mark?” she asked.

“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”

➸ “Periods and commas should be inside closing quotations.”

➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”

However, if it’s not dialogue exclamation points can also be “outside”!

➸ “Does this apply to question marks too?” he asked.

If it’s not dialogue, can question marks be “outside”? (Yes, they can.)

➸ “This applies to dashes too. Inside quotations dashes typically express—“

“Interruption” — but there are situations dashes may be outside.

➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.

➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”

➸ “Use paragraph breaks to indicate a new speaker,” he said.

“The readers will know it’s someone else speaking.”

➸ “If it’s the same speaker but different paragraph, keep the closing quotation off.

“This shows it’s the same character continuing to speak.”

The Cindy Masterpost

I’ll edit and reblog this with updates as I post new bits of the Cinderella story I’m working on, but for now, here are all the current chapters out:

Part One (In Which Things Would Be Simpler If The Prince Was A Horny Piece of Shit)

Part Two (In Which No Rats Were Harmed In The Making Of These Horses)

Part Three (The OG post which technically is kind of told out of order because there’s a reblog and like, look, I could see this was becoming a thing, but I didn’t think it would be a thing-thing but now it’s a thing-thing and I have to deal with it. I mean I’m writing a masterpost for cryin’ out loud)

Part Four (In Which Cindy and the Fairy Godmother Run from the Cops)

Part Five (In Which The Prince Begins His Investigation While The Narrator yells About Foot Fetishes Because look I’m sick of that joke I’m SO FUCKING SICK of that joke it’s so fucking unoriginal.)

Part Six  (In which we meet The Queen because fuck you she was alive in the Rogers and Hammerstein version)

Part Seven (In which news of the slipper is spread throughout the kingdom and the narrator talks about this one time when they passed out at a Dickens fair and that’s totally definitely relevant.)

Part Eight (In Which the narrator wants to include more slapstick but is also wary about all the implications with regards to class differences and also the slipper is a non-euclidean object which defies all rules of mass and physics.)

Part Nine (In which Cindy is every drunk girl who has ever comforted you in a bar or club bathroom)

Part Ten (In which Cindy has no interest in being that wife chained up in the attic in Jane Eyre)

Part Eleven (In which tasty pies are consumed and also maybe the slipper fits someone or whatever)

Part Twelve (In which we meet the parents)

Part Thirteen (In which Cindy is going to be okay but also it’s not a fairy tale unless the ending has at least a little bit of threatening ambiguity towards the audience)