girl did you really kill cringe culture or did you just replace it with the need to prove the media you dislike to be morally wrong and bigoted so that you have a reason to bully its fans again đ¤¨
I don't know who needs to hear this but you don't need to expose every single facet of yourself online. There is no inherent requirement for you to be 100% transparent about your personal life and yourself in your online presence. Your online persona is a curtain, and it can be as thin or as thick as you're comfortable with. You can share your chosen name and leave it at that, and there's nothing wrong with that. Don't let people bully you into thinking you need to share all your intimate details, wants, needs, diagnoses, because you don't. There is no bare minimum, you can share nothing and that is completely acceptable.
This is your internet stage show and you're in charge of the curtain. Both the material it's made of, and how far up it goes. Remember that.
I think they should make a fighting game where all of the characters are from the public domain
Lol just found McDonald's doordash on someone's doorstep #hunter #gatherer
Iâm telling yâall that if you donât jump around erratically bc a wasp or hornet flies close to you, youâll have less interaction time with them
If youâre nervous about them (not yknow. allergic. letâs not intentionally misinterpret what Iâm saying) ignore them. And I do mean IGNORE. Donât react.
Also, are you watering or generally handling a source of liquid and they wonât leave you alone? Share some at a distance from yourself. Hell are you eating and they want some? Share it.
Honestly if people treated them with the calmness and affection they show bees theyâd have better experiences.
Anyway, have a little plate for the yellowjackets when you picnic. They are eating the bugs that you donât like so offer them a gift.
Iâm really confused on what my gender and sexuality is, what do you have to say that would help?
Try not to stress out about putting a definitive label on it, because at the end of the day, the label doesn't matter that much. It comes down to what you feel, who you like, and what you identify with. Sometimes this takes a long time. It took me until I was 20 to finally realise this stuff myself, for some this realisation happens even in like their 60s!
My advice would be that you don't need to rush anything. Like who you want to like and if you absolutely feel like you NEED to have a label, use whatever just feels best at the time, you're allowed to change. Or you could use a more vague, yet overarching term like "queer" or "genderqueer" as those cover basically everything.
I wish you all the best in your journey! :D
Meet Viktor Hargreeves (ART BY: @lydsirabella on IG)
damâŚâŚ.. that website âyou feel like shitâ (itâs like a questionnaire / troubleshooting guide for when you feel like shit) really worksâŚâŚâŚâŚâŚâŚâŚ.. im not even all the way thru it and i even half-assed a lot of the suggestions and i already feel loads better
i can't remember what was going through my head when i made this but i'm sure it was very deep
okay but jaskier fucking whiplashing himself for the first month of being at kaer morhen bc the other witchers donât just let him manhandle them the way geralt does, and jaskier didnât FULLY realize exactly how pliable geralt was until he goes to playfully hip check eskel and bounces off into the fucking WALL
When you see it, you will think it strange and pitiful, but you will flee all the same Because it stares And flight has always served you well before. You will run for awhile, and it will be gone so you will return to your business.
When you see it again, you will think it foolish. How can it be so optimistic? But you will flee again, as before Because it still stares and Because running is easy for you.
You will run fast this time, and far. You will run until you are tired, and think Surely that is all. And you will return to your business You may even forget, for awhile.
But there it is, again And it stares, again. So you run, again. And run. And run.
You run until you have run farther than youâve ever run. You run until your blood is fire And you cannot take another step. You cannot know, how could you? You were doomed from the moment it saw you.
The creature that wants to kill you will not growl.
The function of a growl is as a warning. It is a communication that violence is available as a tool, but is not preferred. Other outcomes, besides your death, are available and should be considered.
But the creature that wants to kill you will not growl.
If your death is the goal, then growling will only serve as a delay and may result in your escape, which runs counter to the goal. There will be no growl, no warning. There will be no snarl or hiss or bluster. The creature that bares its teeth with the intent to kill only does so to bring closer its fangs to your demise.
The creature that growls does not want to kill you, but will if it must.
I advise you to appreciate the warning. You may not receive another.
people talk all the time about âprimal instinctsâ and itâs usually about violence or sexual temptations or something, but your humanity comes with a lot of different stuff that we do without really thinking about, that we do without being told to or prompted to
your average human comes pre-installed with instincts to:
Befriend
Tell story
Make Thing
Investigate
Share knowledge
Laugh
Sing
Dance
Empathize with
Create
we are chalk full of survival instincts that revolve around connecting to others (dog-shaped others, robot-shaped, sometimes even plant-shaped) and making things with our hands
your primal instincts are not bathed in blood- they are layered in people telling stories to each other around a fire over and over and putting devices together through trial and error over and over and reaching for someone and something every moment of the way
well then. shall we? my dear consort, eternal.
In all seriousness I took a death and dying course in college for fun and thatâs when I fell in love with, and began to seriously study, spontaneous or âstreet shrinesâ. These are the organic, unplanned placements of items when someone is killed, generally, and the community almost descends on a spot. I am fascinated by that interfaith, inter-spirit moment of connection fostered. What drives someone to leave the first item? Who guides them there? What do we, as humans, seek from the leaving of a memorial on a place that now hallowed? And we know it is, to some extent, even if weâre not spirit-workers. We have this human need to bear witness, no matter who we are, and over and over again it manifests as this need to build some space, some monument that says âthey were here, and now they arenât here, and we, collectively, of all faiths and walks of life, strangers to each other, will remember themâ
We take comfort in, and protect to some measure, that space we create with tea-light candles and stuffed bears and flowers and it just feels like the Right Thing to Do. We rebuild these spaces when they are torn down by authority and we keep building them up and thatâs beautiful
Street shrines are TRULY universal, too. They are largely non-verbal but itâs like we just KNOW what to do, like something moves inside all of us and it doesnât fucking matter if we canât understand anyone else standing at the site, itâs just a Knowing. Itâs phenomenalÂ
everytime dorian gets shy or shrinks away i think of this okay
oooo if youâre taking requests can you draw Ranboo?
lethe
fuck you. *dragon time*
you cannot create peopleâs perception of you. you can only be you and let people think what they want. donât let it get to you. most importantly, donât let it control who you are.
I'm sure you've been asked this hundreds of times but how did you develope your art style? I especially love the way you color your pieces. They're chefs kiss for sure lol
i think of art styles as just ways you view the world,, how you choose to emulate what you see from life. disregarding how skilled you are in art, how you draw rn is your style, it just develops over time.
if you follow artists on social media, youâre gonna see elements of their art style you enjoy and may want to include in your own art (you might copy the way one artist draws eyes, another on their noses, another for their coloring style, etc.)
(i answered a separate ask about my own inspirations that influence my style here!)
and the more you draw, youâll slowly find out what works for you.
for example, if you copy the way one artist draws eyes and continue to use it in your own style, over time, how you draw eyes could develop into your own way. that artist was just the foundation to help pave the way for your own art style.
like, your art style isnât just made up of your favorite artistsâ styles, itâs also based on choices you make. your style can be made up of:
(1) things you find appealing! if you like sharp angles and geometric shapes, your style may be more angular because itâs something you like! itâs not necessarily because an artist you admire did it, it could just be because you like drawing things that way and like how they look.
personal example: i like drawing lines in hair! i find it really appealing and like the shapes they make when i do it. i took inspiration from a friend who drew in a geometric style, but i didnât rip this exact hair technique from them or any specific person. i just happened to do it and liked how it looked. i find it appealing, so now itâs just part of my style.
(2) things you just have fun drawing! if art is your hobby and something you really like doing, of course youâre gonna wanna have fun as you do it! so find particular things that you really enjoy drawing out.
personal example: when i sketch, i really love little scribbles like these! itâs just so fun to taper off lines this way.
iâve done them so much itâs practically become second nature when i sketch. i like to be loose with my lines and donât like making them entirely clean cut. i like the freeing feeling of letting my lines go wherever, and often the result is just scribbles like these. theyâre fun to do, so i keep âem!
(3) techniques done just for the sake of convenience. you may start to find shortcuts in drawing/coloring certain things, and over time that technique will just become implemented in your style.
personal example: as aforementioned, i like keeping my lines loose and sketchy. if you look at my lines, youâll see that theyâre not very clean; they go off the edges and are open ended sometimes.
itâs a mix of inspiration from ramonn90âs art, but also it was just convenient for me.
iâll be honest: iâm lazy. sketchy lines are convenient because i can be lazy: i donât have to spend time cleaning up my lines and i can leave in my mistakes.
additionally! yâknow how some artists complain that their outlines look boring and less expressive than their initial sketches? i also felt that way about my art in the past, but i found a way to counteract that that worked for me:
nowadays whenever i sketch, i copy and paste it onto a new layer. i keep the parts i like, erase the ones i donât, and then continue to outline everything else onto that layer.
for me, this is convenient because it helps maintain the expressiveness of my initial sketch, because iâm keeping parts of the sketch in the final outline.
another personal example: how i color backgrounds. again, iâm lazy. because iâm lazy, i donât really draw out backgroundsâi donât want to spend time drawing every little leaf and tree and detail in the back. instead, i throw a bunch of blobs of color onto the canvas and call it a day. let viewers interpret it for themselves.
this was all out of convenience because iâm lazy. but hey! it works, i like the way it looks, and i have fun doing it.
there are probably more factors that play into the development of your style, but thatâs all i can think up atm.
also, if youâre curious about my coloring in general, i like impressionism and blocky coloring styles. i love traditional paintings where you can see each brushstroke and color. hereâs a pinterest board of art with that kinda style that i like!
compare that to some instances of my coloringâ
and you can see the influence.
i used to get so hung up on what my style was, but as i continued drawing, the development just became natural and not something i put as much thought into.
this is all just how i interpret art styles, so i hope that gave you some insight on my thought process!
literally if youâre new to tumblr: reblog shit
âit wont fit my aestheticâ make a sideblog. reblog to it.
âi hate taggingâ donât tag then. reblog it anyway.
âbut my likes are publicâ ppl here dont fucking look at your likes. they dont do anything anyway. reblog it.
âyou just want attentionâ jokes on you, I dont make shit anymore. Iâm talking about other artists.
âitâs embarrassingâ tumblr is an anonymous platform. make a sideblog if youâre too cowardly
âbut on twitter its fine to have lurk accountsâ well they suck ass here and are assumed to be bots. reblog.
the thing that kills me about how liam plays orym is the way you can see the fear on liamâs face every time they enter a battle. and how itâs not orymâs fearâitâs liamâs. because he knows that every battle could be orymâs last. every time it comes around to his turn, he gets this awful pained resignation on his face. this is a stupid idea, but itâs all orym knows how to do. his poor battle-master, so willing to die, so eager to bait death. you can see liamâs sense of self-preservation warring with orymâs lack thereof and itâs just. aughhhgggh. the stakes are so much higher with orym than the others, because he doesnât get out of the way, he never gets out of the way. and it gets to liam! every time! he sits there in his chair and takes a deep breath and lets orym do exactly what he want, which is to run straight into deathâs waiting jaws. orym would just die! he wouldnât duck or retreat. he would die, and liam has to let it happen! because orym doesnât fear his own death, but liam does! liam loves him! he doesnât want him to die! but he has no choice!
Preaching to the choir here but if you believe that people can't grow and change I hope that sentiment haunts you when you make a mistake and no one ever lets you let it go
sometimes i feel like a black hole