Clacomat - Thunderbolt And Lightning Very Very Frightening Me

New S1 pics 👀

from :)

Hot beverages from season 2 ☕️

I made these into stickers hehe

difficulty focusing

Couldn't hurt to have company, I suppose...

Part 5/5 (Parts 1-5 are on my page! Please check them out under the tag #hereditary enemies)

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My first angsty Good Omens comic is complete! Thank you all SO much for reading this comic and keep your eyes out for my next one coming soon! 💙

Miranda from The Tempest and A Companion to Owls.

I remember some time ago a fan pointed out that this scene was incredibly reminiscent of “Miranda” by John William Waterhouse and added Aziraphale on the rock contrasted with the first painting (1875) However, another version of the same painting exists; featuring a red-hair Miranda, which was painted after in 1916.

The Miranda here is a character from William Shakespeare's The Tempest. She was detained on an island, together with her father, Prospero, for almost twelve years. This happened as a result of having been exiled from Milan by Prospero's power-seeking brother, Antonio.

The scene plays very blatantly with the word “exile” and Aziraphale fearing being cast into Hell (exiled from Heaven) and Crowley’s clear banishment from his position as an angel.

The picture has been painted in cold (red hair) and warm tones (blond), playing very much into the tones we get to see in A Companion to Owls. Aziraphale’s side on the rock, with the more conventional, peaceful look and Crowley’s with the rocks on the background.

A ship slices through the waves, causing a feeling of imminent loss; notice how that is exactly Aziraphale’s placement on the frame.

Unlike the paintings though, in Good Omens we get a view of both sides, of before and after the storm. The color palettes combine as both Aziraphale and Crowley are fitted into the frame.

Concluding with the wonderful shot directly mirroring their color palettes (sunnier on Aziraphale’s side; shadows on Crowley’s) again and reversing the order of the Miranda paintings (not chronologically, as we see red-hair Miranda appear later on, but in terms of placement and coloring).

Bonus:

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Finished my Good Omens Halloween animation thingy! In time! I’ve never done anything as complex as this before and it probably has waaaayyy too many things going on in the background, but it was just so much fun to draw and animate all of this. Hope you like it. Happy spooky season, everyone!

The sheer amount of guilt Aziraphale experiences is utterly tragic. But what's interesting is he rarely feels guilt for the things humans usually feel guilt for - indulging in food, wine, books, comfort (which is marvelously subversive because it shows none of these things are actually worthy of guilt but, in fact, what make existence worthwhile).

No, he only truly feels guilt when he does the Right Thing.

Or when he realizes too late what the Right Thing is.

All of his guilt is attached to things that are, in fact, Good and Right, but in opposition to the black-and-white doctrine of Heaven.

Which makes the guilt he is so clearly experiencing here:

hit like a goddamn freight train.

Because loving Crowley is Good and Right.