- C. Essington

wow. your writing piece on carrying the girl up the hill and filling the bath was astounding. like i was listening to something while reading it, and had to stop the audio because i wanted to pay way more attention to what you were saying. the imagery was already great and then you added metaphors that were perfect. like her breathing seemed to come from miles away, and the yellow door that spilled yolk onto ceramic are super lines. "I think she can breathe the air." was my favourite line. wow x

AH thanks this is so kind!! Thanks so much for reading. Honestly I can’t say that enough, it helps a lot to hear that it maybe gets read/ matters a bit to someone for a moment. I hope you have a lovely week.

Advice for someone wanting to get published?

Okay, here are my top 3 tips based purely on my experience on both the submitting and accepting/ rejecting side of publications.

1. Proofread - nothing sets your piece back more if it’s on the fence of being accepted than grammatical errors that are easy to remedy.

2. Research publications before submitting - Databases for publishers like the one offered by Poets and writer’s (http://www.pw.org/literary_magazines) are really helpful for finding publications that may be looking for your style/ genre of writing.

3. Look for small, maybe even local publishers at first - They are more likely to have the time to really look at your work if you’re submitting for the first time and are much more likely, if they give you a rejection letter, to reject with reasons saying why and explaining what they also may have liked in the piece.

*Also know that rejection happens to everyone!! Keep writing and trying and researching. Sometimes thorough and kind rejection letters are even more helpful in the long-run than acceptance letters that tell you nothing of why you were accepted.

I hope this helps! 

Please feel free to send in any more college/ kenyon/ writing/ publishing questions! I have a lot of time today.

What are some of your favorite things about Kenyon?

- Class sizes: the largest class I’ve been in, as a freshman, was about 25 students. This is seriously such a big deal for me, it makes the class relations much easier and peer conversation much more possible. The professors know your name, recognize your participation, and are much more likely to empathize if you have a sick day/ need to take a mental health day.

- The people: Everyone is interesting in one way or another. I’ve gotten to meet a lot of people and gotten to know several of them in a fairly significant way. It’s a small school so running in to people you know is not hard to do. This is a bit of a personal preference, but I’d rather really know five people than know the names of fifty.

- Professors: So far I’ve had no TAs teaching courses and all my professors have held office hours that are accessible to me and or have been willing to schedule time outside of them to meet. The professors I’ve had are invested and interesting and encourage students to come to their hours just to discuss the subject they’re teaching. I had a friend go in to speak to a professor about multiple-worlds theory in literature just for kicks and he responded by giving her more resources and ideas. 

I hope that helps! All of this is of course purely based on my experiences so far and certainly does not reflect everyone’s opinion of the institution. But I love it!

Please feel free to send in any more college/ kenyon/ writing/ publishing questions! I have a lot of time today.

Excited to have a short story in the upcoming issue of Bridge Eight

After The English of the House Has Gone to Sleep

candle on the wax of a boy’s face, hemorrhaging  light, palpitating the picture into morse code. his eyes comes out  on letters no one reads. 

the bloom of skin skips in and out of the night — a scratched record or a good throw embossed into a flat stone sent, alive, across some river’s softest verse. 

                                          - c. essington

- c. essington

Throwback weird art time to add some picture to the page. 

Weird art time? Weird art time.

- C. Essington

sleeping on it

everything about it goes around like a good story which takes a new room on a new tongue every night. I wish I could do the same but I’m not so good at convincing people to give me their time or their teeth or their mornings. 

the idea is that you drop yourself and then recover on waking to find that it all hangs different on the shoulders, is less pink, more amaranth, less the leaves of a turnip flower, more the hollowed chest of a cloud after rain—

go to bed across it, maybe its sheets will muddle into a word, maybe the goose feathers will conspire into a cotton-mouthed dictation, saying ah yes, the breakthrough, the meaning, the good. 

or maybe it’s just the time and how it drags through the dark like the cold body of a fish dragging through a mile of river: just about breathing without meaning to and surviving without intending survival until the thing that almost ate you the night before has starved to death, lost its ribs, its music its importance. or it could be

that you forget after you go under and come up, that if it hurts, it will have a place where it  can stop hurting, and a REM cycle is just a good way to buck the hours  off your nerves, not that it’s particularly curative,  just that it knows how to drown minutes

out of their bodies and yours.

         - c. essington

The Desk Lamp as an MRI

waking up mid-self, she saw the window snarl with a girl in its teeth, skin and hair and eye-contact caked between the panes. it was her size, though grey and smeared, but not her girl.

afraid the light would hear, she kept her mouth half-closed in the shape of a cut, the depth of slick and coming rain. behind the window’s molars, the winter woods, white and black and curdled with the night: undrinkable.

beyond her body, in the shape of her chest, birches rose and fell like breathing. they kept tempo with her lungs but took in more air than she could ever court behind her throat.

the tree transposed behind her left eye hefts a knotted burl into her head, a whorl of bark, a way of stopping, a tumor in the brain, exactly her type of cold.

she diagnoses in the dark, in her mind of snowbank and its thoughts, unmigrated birds, that she wings over her dimmed out cells, those fallen branches, ribbed as though with veins.

she traces lengths of skin. the glass has a purl of flesh dressed up like the early morning and the storm that never came. waking up mid-self, she saw the window snarl it was her size, though grey and smeared, but not her girl.

                                                 - C. Essington

what is your most favorite piece that you've written?

Agh I’m not entirely sure but I wrote a short story about gender dysphoria and greyhounds that’s coming out in the fourth issue of Bridge Eight Magazine that I’m a bit fond of at the moment. 

Please feel free to send in any more college/ kenyon/ writing/ publishing questions! I have a lot of time today.